In a new interpretation of a poet who has swayed the course of modern poetry--in France and elsewhere--James Lawler focuses on what he demonstrates is the crux of Rimbaud's imagination: the masks and adopted personas with which he regularly tested his identity and his art. A drama emerges in Lawler's urbane and resourceful reading. The thinking, feeling, acting Drunken Boat is an early theatrical projection of the poet's self; the Inventor, the Memorialist, and the Ing nu assume distinct roles in his later verse. It is, however, in Illuminations and Une Saison en enfer that Rimbaud enacts most powerfully his grandiose dreams. Here the poet becomes Self Creator, Self-Critic, Self-Ironist; he takes the parts of Floodmaker, Oriental Storyteller, Dreamer, Lover; and he recounts his descent into Hell in the guise of a Confessor. In delineating and exploring the poet's "theatre of the self" Lawler shows us the tragic lucidity and the dramatic coherence of Rimbaud's work.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1974.
The traits that characterize the "language" of French Symbolism are the center of these essays. In interpreting major or previously neglected compositions by Mallarmé, Verlaine, Rimbaud, Claudel, Valéry, and Apollinaire, the author shows how each of these poets worked with the elements that distinguish this influential group of writers as a whole. Originally published in 1969. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Baudelaire ascribed exceptional importance to the arrangement of Les Fleurs du mal. His book, he said, constituted "a perfect whole," which he had arranged according to a preconceived plan. One of his earliest readers, the novelist and critic Barbey d'Aurevilly, spoke of a "secret architecture" and "a plan calculated by the solitary meditative poet," though he did not go into details; and ever since, scholars have pursued the question of structure. This new study offers an exciting reading of the 127 poems of the second edition (1861), which shows that, beyond the meanings of its individual poems, the collection has a sense that we ignore at substantial cost. The author presents a precise dialectical method, a "somber and limpid tete-a-tete" of the poet with himself. The argument is pursued between the poems, which ask to be read with and against each other.
Although René Char's distinctive voice has brought him to the forefront of contemporary French writers; his complex poetry has remained virtually inaccessible to the general reader. In this book an eminent authority on French literature describes Char's evolution and, through close readings, offers a clear and rewarding introduction to the poet's œuvre. James Lawler first traces Char's growth by delineating the myth that has guided his poetry for forty years. While the Surrealists exerted an early influence on the writer, his work diverged from theirs as he gave voice to a more personal attitude toward nature and art, to a refashioned poetics and thought. The author shows how Char's development culminates in the visionary symbolism of La Paroi et la Prairie, in which wall and prairie epitomize the unresolved tension of his mature writings. Throughout his readings, Professor Lawler supplements close textual analysis with consideration of thematic, mythological, and moral elements of the poetry, discussing each aspect as it illuminates the nature of Char's sensibility. "The ten short poems [of La Paroi et la Prairie] are typical of their author," he writes, "and paradigmatic of a work that is a summit of French poetry since Valéry and Apollinaire." Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
In From Strategy to Change-the last in a series-Daniel James Rowley comes full circle in defining his unique vision of the strategic planning process. Written with Herbert Sherman, From Strategy to Change shows how to take the next step after a strategic plan has been formulated. The authors clearly show how to implement a strategic plan that will meet the myriad challenges of today's complex higher education environment and spell success for the academy."It is amazing that while sports teams of colleges and universities meticulously plan their contests against their opponents, their institutions' administrators don't spend nearly enough time or effort in creating andimplementing a strategy. Institutions of higher education seem to be missing the requisite tools to develop and activate their 'play book.' With this new age of globally available real-time information, it becomes increasingly more essential to have a map to help go over and around obstacles, avoid the ever-present pitfalls, and effectively aid in selecting the best route. Rowley and Sherman provide such tools in this exciting and comprehensive new book. I wish that when I was a department chair, president of a faculty senate, and dean that this superb work was available. My function in planning would have been so much easier and more rewarding."--Barry R. Armandi, Distinguished Teaching Professor, SUNY - Old Westbury
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