The debate over the school's merits and shortcomings has been strong, and at times vehement, even into the twenty-first century. In 2002, the old argument was reopened and the school found itself publicly scrutinized once again. Had it lived up to Pulitzer's original vision of a practical, uncompromising, and multifaceted education for journalists? Was its education still relevant to the needs of contemporary journalists?
Alvin Plantinga is arguably one of the most influential philosophers of our time. Much of his career has been devoted to explaining and defending the intellectual acceptability of Christian belief. Recently he has developed a comprehensive, rigorous, and distinctively Christian religious epistemology. This book presents the development of Plantinga's religious epistemology before considering Plantinga's mature religious epistemology in detail. Locating Plantinga's most recent work in the context of his theological assumptions, his previous work on religious epistemology, and in the context of the current debate over how knowledge should be characterized, Beilby blends theological and philosophical discussion to offer a unique perspective on Plantinga's influential proposal.
Extraordinary. An intellectual feast as well as a visual one' Edmund de Waal, author of The Hare with Amber Eyes The world comes to us in colour. But colour lives as much in our imaginations as it does in our surroundings, as this scintillating book reveals. Each chapter immerses the reader in a single colour, drawing together stories from the histories of art and humanity to illuminate the meanings it has been given over the eras and around the globe. Showing how artists, scientists, writers, philosophers, explorers and inventors have both shaped and been shaped by these wonderfully myriad meanings, James Fox reveals how, through colour, we can better understand their cultures, as well as our own. Each colour offers a fresh perspective on a different epoch, and together they form a vivid, exhilarating history of the world. 'We have projected our hopes, anxieties and obsessions onto colour for thousands of years,' Fox writes. 'The history of colour, therefore, is also a history of humanity.
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