In this classic text, James Elkins communicates the experience of painting beyond the traditional vocabulary of art history. Alchemy provides a strange language to explore what it is a painter really does in the studio—the smells, the mess, the struggle to control the uncontrollable, the special knowledge only painters hold of how colors will mix, and how they will look. Written from the perspective of a painter-turned-art historian, this anniversary edition includes a new introduction and preface by Elkins in which he further reflects on the experience of painting and its role in the study of art today.
The best horror short stories from the last half of the 19th century are combined for the first time by Andrew Barger, award-winning author and editor of 6a66le: Best Horror Short Stories 1800-1849. Andrew has meticulously researched the finest Victorian horror short stories and combined them into one undeniable collection. He has added his familiar scholarly touch by annotating the stories, providing story background information, author photos and a list of horror stories considered. Historic Horror. The best horror short stories from the last half of the 19th century include nightmare tales by Bram Stoker, Arthur Conan Doyle, Joseph Le Fanu, W. C. Morrow, H. G. Wells, Arthur Machen, Charlotte Perkins Gilman, and other early founders of the horror tale. A Terror Tour Guide (2016) by Andrew Barger (A leading voice in the gothic literature space, Andrew sets the stage for this anthology of nightmares.)The Pioneers of Pike’s Peak (1897) by Basil Tozer (Hoards of giant spiders on a Colorado mountain. What could go wrong?)Lot No. 249 (1892) by Sir Arthur Conan Doyle (Perhaps the premier mummy horror story ever recorded from the master that is Sir Arthur Conan Doyle is measured out to its climatic ending.)The Yellow Wallpaper (1892) by Charlotte Perkins Gilman (Explore the depths of insanity.)Green Tea (1871) by Joseph Le Fanu (One of the most haunting horror stories by the Irish master.)What Was It? (1859) by Fitz James O’Brien (Sometimes the worst horror is one you can't see.)Pollock and the Porroh Man (1897) by H. G. Wells (Wells takes us deep into the jungle and its wrought supernatural horror.)The Spider of Guyana (1857) by Erckmann-Chatrian (The first giant spider horror story is one of its best.)The Squaw (1893) by Bram Stoker (The author of Dracula never disappoints.)The Great God Pan (1894) by Arthur Machen (Mythic horror that gained much praise from H. P. Lovecraft.)His Unconquerable Enemy (1889) by W. C. Morrow (A fiendish tale of torture sees Morrow at his best.)Horror Short Stories Considered (Andrew concludes the horror anthology by listing every horror short story he read to pick the very best.) Read the premier horror anthology for the last half of the nineteenth century tonight! “But it now struck me for the first time that there must be one great and ruling embodiment of fear, a King of Terrors to which all others must succumb.” 1859 “What Was It?” Fitz James O’Brien
In the present volume, James Robinson shows how the Holiness movement contributed to the rise of Pentecostalism, with emphasis on those sectors that practiced divine healing. Although other scholars have undertaken to explore this story, Robinson's treatment is by far the most thorough examination to date. He draws productively on the burgeoning secondary literatures on Pentecostalism and healing, and brings to light frequently overlooked, yet revealing primary sources. The events narrated are fascinating in their own right, and are important to the histories of Pentecostalism and healing for how they clarify the processes by which divine healing was pursued, debated, and often disparaged. The text also contributes to larger medical and social histories, offering tantalizing glimpses of the roots of some of today's most popular and contested medical and religious responses to sickness and health.
This text addresses the expanding role of resistance training for health, disease prevention and rehabilitation. It presents a clear and sound rationale for including resistance training as a health benefit, pointing out the areas in which it helps.
A series of interviews in which James Ivory reflects on his career as an independent filmmaker. Ivory has three times received Academy Award nominations for best director & counts 'Remains of the Day, 'A Room With A View' & 'Howard's End' among his credits.
Cod is one of the most widely consumed fish in the world. For many years, the Atlantic cod industry took center stage, but partly thanks to climate change and overfishing, it is more and more likely that the cod on your kitchen table or in your fast food fish fillets came from Alaska’s Pacific Cod Fishery. Alaska Codfish Chronicle is the first comprehensive history of this fishery. It looks at the early decades of the fishery’s history, a period marked by hardship and danger, as well as the dominance of foreign fishermen. And the modern era, beginning in 1976 when the United States claimed an exclusive economic zone around the Alaska coasts, “Americanizing” the fishery and replacing the foreign fleets that had been ravaging the resources in the Gulf of Alaska and the Bering Sea. Today, the Pacific cod fishery is, in terms of poundage, the second largest fishery in Alaska, and considered among the best-managed fisheries in the world. This history is extremely well documented, does not spare details, and is accessible to general readers. It incorporates nearly a hundred photographs and illustrations and is sprinkled with numerous observations from fishing industry journals and reports, even incorporating poems and recipes, making this an especially thorough and unique account of one of Alaska’s most iconic and important industries.
This book examines the American Sixties, and how that period’s socio-political essence was reflected and refracted in certain forms of the period’s music. Its five main chapters bear the names of familiar musical categories: ’Folk,’ ‘Rock,’ ‘Jazz,’ ‘Avant-Garde,’ ‘Classical.’ But the book’s real subject matter—treated at length in the Prologue and the Epilogue but spread throughout all that comes between—is the Sixties’ tangled mess of hopes and frustrations, of hungers as much for self-identity as for self-indulgence, of crises of conscience that bothered Americans of almost all ages and regardless of political persuasion.
Foundations of Private Law is a treatise on the Western law of property, contract, tort and unjust enrichment in both common law systems and civil law systems. The thesis of the book is that underlying these fields of law are common principles, and that these principles can be used to explain the history and development of these areas. These underlying common principles are matters of common sense, which were given their archetypal expression by older jurists who wrote in the Aristotelian tradition. These principles shaped the development of Western law but can resolve legal problems which these older writers did not confront.
This study traces the influence of philosophical ideas on the development of contract law from the post-Roman period to the 19th century, focusing upon the synthesis of Roman law and the moral philosophy of Aristotle and Aquinas.
The definitive biography of this brilliant polymath--director of the National Gallery, author, patron of the arts, social lion, and singular pioneer of television--that also tells the story of the arts in the twentieth century through his astonishing life. Kenneth Clark's thirteen-part 1969 television series, Civilisation, established him as a globally admired figure. Clark was prescient in making this series: the upheavals of the century, the Cold War among others, convinced him of the power of barbarism and the fragility of culture. He would burnish his image with two memoirs that artfully omitted the more complicated details of his life. Now, drawing on a vast, previously unseen archive, James Stourton reveals the formidable intellect and the private man behind the figure who effortlessly dominated the art world for more than half a century: his privileged upbringing, his interest in art history beginning at Oxford, his remarkable early successes. At 27 he was keeper of Western Art at the Ashmolean in Oxford and at 29, the youngest director of The National Gallery. During the war he arranged for its entire collection to be hidden in slate mines in Wales and organized packed concerts of classical music at the Gallery to keep up the spirits of Londoners during the bombing. WWII helped shape his belief that art should be brought to the widest audience, a social and moral position that would inform the rest of his career. Television became a means for this message when he was appointed the first chairman of the Independent Television Authority. Stourton reveals the tortuous state of his marriage during and after the war, his wife's alcoholism, and the aspects of his own nature that he worked to keep hidden. A superb work of biography, Kenneth Clark is a revelation of its remarkable subject.
While words typically frame and regulate our experience of art, the study explains how pictures can contest the authority of the words we use to interpret art.
I have to believe in the institutions we trust to be fair, and functional. Whether that be the judiciary, the police, the media ... That they should all be able to resist the temptations of a more entertaining lie, over a less extraordinary truth. April 2003. Army Major Charles Ingram, his wife and coughing accomplice are convicted for cheating on Who Wants to Be a Millionaire? The evidence is damning. The nation is gripped by the sheer audacity of the plot to snatch the £1,000,000 jackpot. But was he really guilty? It's time for you to decide. Question everything you think you know in James Graham's provocative new play. Olivier Award-nominee James Graham returns with a sharp, fictional imagination of one of the most famous quiz show controversies to date. The production premiered at Chichester Festival Theatre and this edition was published this edition was published to coincide with the West End opening at the Nöel Coward Theatre in April 2018.
Detective Superintendent Roy Grace is haunted by the past in his latest case, and his private life, in Dead Man's Time, by award winning crime writer Peter James. A vicious robbery at a secluded Brighton mansion leaves its elderly occupant fighting for her life. Millions of pounds’ worth of valuables have been stolen. Within days, Grace is racing against the clock, following a murderous trail that leads him from the shady antiques world of England, across Europe and all the way back to the New York waterfront’s gang struggles of 1922, chasing a killer driven by the force of one man’s greed and another man’s fury. Although the Roy Grace novels can be read in any order, Dead Man's Time is the ninth gripping title in the bestselling series. Enjoy more of the Brighton detective’s investigations with Want You Dead and You Are Dead. Now a major ITV series, Grace, starring John Simm.
This monograph first presents a method of diagramming argument macrostructure, synthesizing the standard circle and arrow approach with the Toulmin model. A theoretical justification of this method through a dialectical understanding of argument, a critical examination of Toulmin on warrants, a thorough discussion of the linked-convergent distinction, and an account of the proper reconstruction of enthymemes follows.
This expanded new edition continues to demonstrate and provide theoretical, analytical, and practical knowledge for first responders. Face-to-face interaction with the client/victim is part of the comprehensive approach advocated by the book, which requires interveners to assess the nature of a crisis and the condition of the victim in order to determine the appropriate course of action. The comprehensive balance of theory and practice presented in this book should enable the intervener in coupling his/her general knowledge of human psychology and emotional crisis with the specific and novel characteristics of various crisis situations. The text represents the work of national scholars who have expertise in criminal justice and social service issues. Their chapters focus on a Historical and Theoretical Overview, Ethics in Crisis Intervention Practice, Intimate Partner Violence, Police Response to Domestic Violence, Children in Crisis, Elder Mistreatment, Suicide, Crisis of Rape and Survivor Intervention, Death Notification and the Theory and Practice of Delivering Bad News, Terrorism and Crisis Intervention, and Mass Casualty Crisis Response and Communication. Helpful appendices in each chapter provide additional internet resources, as well as a complete Model Law Enforcement Code of Ethics and Social Work Code of Ethics. This new edition retains important information while providing current case studies such as the “Miracle on the Hudson River” crash, the mass shootings at Virginia Tech, the Boston Marathon bombing, and the Yarnell Hill fire in Arizona. This exceptional book is designed for firefighters, police officers, community service officers, correctional workers, emergency medical workers, probation/parole officers, protective service workers, psychological counselors, social workers, and victim assistance workers among others.
Chief among its contents we find abstracts of land grants, court records, conveyances, births, deaths, marriages, wills, petitions, military records (including a list of North Carolina Officers and Soldiers of the Continental Line, 1775-1782), licenses, and oaths. The abstracts derive from records now located in the state archives and from the public records of the following present-day counties of the Old Albemarle region: Beaufort, Bertie, Camden, Chowan, Currituck, Dare, Gates, Halifax, Hyde, Martin, Northampton, Pasquotank, Perquimans, Tyrrell, and Washington, and the Virginia counties of Surry and Isle of Wight.
Anandavardhana and the metaphysics of literature -- Abhinavagupta and the theology of literature -- Abhinavagupta's literary theory -- Mahimabhaṭṭa on literary knowing -- The will of objects -- Mahimabhaṭṭa on literary being : the pragmatic use of illusion.
Analysis and Management of Animal Populations deals with the processes involved in making informed decisions about the management of animal populations. It covers the modeling of population responses to management actions, the estimation of quantities needed in the modeling effort, and the application of these estimates and models to the development of sound management decisions. The book synthesizes and integrates in a single volume the methods associated with these themes, as they apply to ecological assessment and conservation of animal populations. Integrates population modeling, parameter estimation and decision-theoretic approaches to management in a single, cohesive framework Provides authoritative, state-of-the-art descriptions of quantitative approaches to modeling, estimation and decision-making Emphasizes the role of mathematical modeling in the conduct of science and management Utilizes a unifying biological context, consistent mathematical notation, and numerous biological examples
The rapid growth in seafood trade in the past three decades has created a truly global market for fish. Written by one of the world's leading authorities on the subject, this book is the first to explore the structure, function and trends of this international market. It is invaluable for seafood traders, government officials and researchers, and has become the standard reference on the desks of all participants in and observers of the international fish and seafood trade. - The first comprehensive updateable treatment of the world wide meat market place - Written by one of the world's leading authorities on the seafood industry and its economics - Features additional contributions from a range of specialist researchers and practitioners
What, James Tyner asks, separates the murder of a runaway youth from the death of a father denied a bone-marrow transplant because of budget cuts? Moving beyond our culture's reductive emphasis on whether a given act of violence is intentional--and may therefore count as deliberate murder--Tyner interrogates the broader forces that produce violence. His uniquely geographic perspective considers where violence takes place (the workplace, the home, the prison, etc.) and how violence moves across space. Approaching violence as one of several methods of constituting space, Tyner examines everything from the way police departments map crime to the emergence of "environmental criminology." Throughout, he casts violence in broad terms--as a realm that is not limited to criminal acts and one that can be divided into the categories of "killing" and "letting die." His framework extends the study of biopolitics by examining the state's role in producing (or failing to produce) a healthy citizenry. It also adds to the new literature on capitalism by articulating the interconnections between violence and political economy. Simply put, capitalism (especially its neoliberal and neoconservative variants) is structured around a valuation of life that fosters a particular abstraction of violence and crime.
This book reconsiders the foundations of contract law by clarifying the meaning of fairness and choice. It shows how these ideas were muddled with rise of voluntarism and conceptualism in the nineteenth century. Contract was defined in term of the will of the parties, even though often the parties are bound by terms to which they did not consciously assent and sometimes they are not bound by harsh terms to which they assented. Rules were formulated without regard to the purposes that contract law serves. Current theory and practice recognize these problems but cannot resolve them because they lack a clear idea of fairness in exchange. They approach them by manipulating the idea of choice, or by creating exceptions to previously accepted rules, or by introducing vaguely conceived policy considerations. Economic approaches disregard fairness entirely. This book revives a pre-nineteenth century idea of fairness in exchange. This idea is consistent with modern economic thought and can reconcile concerns about fairness, party autonomy, and the purposes that a contact serves for society and the parties themselves. This book presents an account of contract law that is principled, comprehensive, systematic, and operational in the sense that it explains or criticizes what courts actually do. It seeks to explain the enforceability of contracts, unconscionability, the effect of mistake, and changed circumstances, and problems of assent, interpretation, good faith, and remedies"--
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