This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Literally, this book is a work of art--a graphic kaleidoscope of creation and evolution according to the theosophical tradition. James S. Perkins, a devoted student of the Ancient Wisdom, has rendered the story of life--the entire panorama of the cosmic scene--in vivid graphics, the colors of creation. His paintings depict the evolution of the universe, and of mankind, as put forth in that quintessential synthesis of science, religion, and philosophy, The Secret Doctrine of H.P. Blavatsky. The story that unfolds through the graphics and text takes the reader on a figurative but profoundly sensitive journey through space and time and beyond. Visual Meditations is designed to provoke a meditative mood in the reader, which can lead to new metaphysical insights that touch upon the transcendental element of our consciousness. It is indeed a stunning overview of the cosmos in which the basic tenets of theosophy are ably demonstrated through the genius of the art form.
Rhymes for Doing Time provides a unique opportunity to use real-life situations that come up every day in prison or upon release--to help a prisoner develop a closer walk with God and to make their time easier, knowing that they may be just an inmate to the guards or even to the world, but they are or can become a child of the Most High God! The book has a page for every day and is formatted so that it describes a situation that happened to a prisoner, describing how he or she reacted to different situations that came up. Then it shows a situation that happened to a person or persons in the Bible, and then it draws a practical or a spiritual application between the two. It gives people a chance to realize that the Bible is living and practical, and it shows them that the same God back in Bible times hasn't changed one bit! The book also has inspirational poems that were written by the author to uplift his friends. They are perfect for prisoners to send to their families in cards and letters for everything from birthdays to holidays.
Prepared by James Perkins of San Antonio College, the study guide contains chapter summaries, key terms, and an extensive practice exam including fill-in-the-blank, true/false, multiple choice and short essay questions.
In America’s twentieth century, there is no man of letters more versatile, distinguished, and influential than the poet, novelist, editor, critic, social commentator, and teacher Robert Penn Warren (1905–1989). The most intimate of Warren’s “letters,” his personal correspondence, now join his published canon under William Bedford Clark’s expert supervision. Volume One, The Apprentice Years, forms a kind of epistolary coming-of-age novel, taking Warren from the awkwardness of emerging genius during his Fugitive student years at Vanderbilt to the brink of producing great work in a newly appointed post at Louisiana State University. Warren’s earliest correspondence limns a friendship in earnest with Allen Tate, a crushing heartbreak, and an attempted suicide. Eventually the author regroups, graduates with honors, and entertains a bad-boy phase at Berkeley and Yale. As he studies at Oxford, writes his first book, and decides not to complete his doctorate, Warren exhibits a deepening maturity and devotion to his literary craft, expressing ever more complex ideas about poetry and fiction. His nagging financial difficulties, growing commitment to the -Agrarian movement, controversial essay for I’ll Take My Stand, marriage to Cinina Brescia, and professional uncertainty as one of the first to combine writing with college teaching lead him into the 1930s, when the bright prospect of tenure and an opportunity to remake the Southwest Review arises. Warren’s letters, all but one previously unpublished, fascinate in their revelations, such as the author’s surprisingly tangled relationship with his parents, his delicate health, and the gossip about major literary figures, including Tate, John Crowe Ransom, Donald Davidson, and Laura Riding. But beyond rich biographical detail, they offer a veritable self-portrait of the fledgling artist: “When a person writes a letter it is nearly as much one to himself as to the person who takes it from the postbox.” The self-conscious, precocious, yet sensitive young Warren modulates to the sardonic, irreverent aesthete/wit “Red” and finally acquires a voice distinctively “Warrenesque,” confident and sophisticated. Thus the imaginative as well as literal aspects of these years in Warren’s life are conveyed, his writing persona and historical person always an intriguing comparison. Highly accessible, unfailingly interesting, and scrupulously annotated, The Apprentice Years will satisfy scholar and lay reader alike, providing a unique window on what it means to “profess” the writer’s calling in an era of rapid change. When complete, the selected letters of Robert Penn Warren will prove an indispensable addition to the author’s literary oeuvre.
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