This book provides an overview of the dynamic issues of energy policy, development, and economics. It illuminates the factors influencing the energy policies of key energy producing/consuming nations around the world and examines current trends in energy development, planning, technology, and trade.
This book reexamines the U.S. trade policy, discussing challenges that prompted the Committee for Economic Development to construct a modern framework and reaffirm its support of the multilateral trade system. It presents recommendations essential to bolstering U.S. competitiveness in the future.
With many of the most important new military systems of the past decade produced by small firms that won competitive government contracts, defense-industry consultant James Hasik argues in Arms and Innovation that small firms have a number of advantages relative to their bigger competitors. Such firms are marked by an entrepreneurial spirit and fewer bureaucratic obstacles, and thus can both be more responsive to changes in the environment and more strategic in their planning. This is demonstrated, Hasik shows, by such innovation in military technologies as those that protect troops from roadside bombs in Iraq and the Predator drones that fly over active war zones and that are crucial to our new war on terror. For all their advantages, small firms also face significant challenges in access to capital and customers. To overcome such problems, they can form alliances either with each other or with larger companies. Hasik traces the trade-offs of such alliances and provides crucial insight into their promises and pitfalls. This ground-breaking study is a significant contribution to understanding both entrepreneurship and alliances, two crucial factors in business generally. It will be of interest to readers in the defense sector as well as the wider business community.
The Index of American Periodical Verse is an important work for contemporary poetry research and is an objective measure of poetry that includes poets from the United States, Canada, and the Caribbean as well as other lands, cultures, and times. It reveals trends in the output of particular poets and the cultural influences they represent. The publications indexed cover a broad cross-section of poetry, literary, scholarly, popular, general, and "little" magazines, journals, and reviews.
In his Preface to The Living Dead: A Study of the Vampire in Romantic Literature, James Twitchell writes that he is not interested in the current generation of vampires, which he finds "rude, boring and hopelessly adolescent. However, they have not always been this way. In fact, a century ago they were often quite sophisticated, used by artists varied as Blake, Poe, Coleridge, the Brontes, Shelley, and Keats, to explain aspects of interpersonal relations. However vulgar the vampire has since become, it is important to remember that along with the Frankenstein monster, the vampire is one of the major mythic figures bequeathed to us by the English Romantics. Simply in terms of cultural influence and currency, the vampire is far more important than any other nineteenth-century archetypes; in fact, he is probably the most enduring and prolific mythic figure we have. This book traces the vampire out of folklore into serious art until he stabilizes early in this century into the character we all too easily recognize.
This book reads Oscar Wilde as a queer theorist and Wilfred Owen as his symbolic son. It centers on the concept of 'male procreation', or the generation of new ideas through an erotic but non-physical connection between two men, and it sees Owen as both a product and a continuation of this Wildean tradition.
This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker, and three of the leading authors from the new-woman movement, Sarah Grand, Iota, and George Egerton. James H. Murphy examines the work of these and many other writers in a variety of contexts: the political, economic, and cultural developments of the time; the vicissitudes of the reading audience; the realities of a publishing industry that was for the most part London-based; the often difficult circumstances of the lives of the novelists; and the ever changing genre of the novel itself, to which Irish authors often made a contribution. Politics, history, religion, gender and, particularly, land, over which nineteenth-century Ireland was deeply divided, featured as key themes for fiction. Finally, the book engages with the critical debate of recent times concerning the supposed failure of realism in the nineteenth-century Irish novel, looking for more specific causes than have hitherto been offered and discovering occasions on which realism turned out to be possible.
The Index of American Periodical Verse is an important resource for contemporary poetry research, serving as a continuing record of trends in the output of famous and lesser-known poets and the cultural influences they represent. The index includes contemporary poets from the United States, Canada, and the Caribbean, as well as other lands, cultures, and times. Continuing the tradition of this helpful reference source, this twenty-ninth annual volume of the Index was produced with the cooperation of 291 participating periodicals; nearly 7,000 entries (6,977) for individual poets and translators and more than 20,000 entries (20,410) for individual poems. A separate index provides access by title or first line.
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