In this innovative study of performance in international relations, James R. Ball III asks why states and their representatives come to the United Nations to perform for a global audience and how those audiences may intervene in the spectacle of global politics. Theater of State looks at key spaces in which global politics play out: in debating forums of the UN, at the International Criminal Court in The Hague, and in peacekeeping operations in Africa and the Middle East, as well as in a variety of related media productions. Ball argues that culture and politics form a unified field organized by the theatricality of its actors and the engaged spectatorship of its audiences. He provides a theory of global political spectatorship: of how the world watches itself in institutions and beyond, and of what citizens and diplomats do by watching. This study of the lived experience of spectacular politics on the world stage draws on theories of theater, performance, and politics to offer new ways of approaching issues of war, cosmopolitanism, international justice, governance, and activism. Situated at the nexus of two disciplines, performance studies and political science, this volume encourages conversations between the two so that each might offer lessons to the other.
This volume in the 'Core Text Series' covers the law of trusts, explaining from first principles what 'trusts' is about and providing the student with an understanding of the law and the important academic controversies surrounding it.
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
The second collection of plays from eminent playwright James Graham, bringing together four of his state-of-the-nation plays. The volume includes the following plays, alongside an introduction by the author: This House (2012) explores Westminster and the 1974 hung parliament through a combination of wit and waspish dialogue, comedy and political comment, and historical and contemporary concerns. The Angry Brigade (2014) takes a look at the story behind the Angry Brigade - a British anarchist group who carried out a series of bomb attacks between 1970 and 1972. The Vote (2015) looks at what happens in Britain on election night through the eyes of those at the polling station. Set in a fictional London polling station, Graham's play dramatises the final ninety minutes before the polls close in the 2015 general election. Monster Raving Loony (2016) explores the life and exploits of Screaming Lord Sutch to examine the state of the nation and Britain's post-war identity crisis. It tells the story of Sutch through a cavalcade of comic characters from music hall to Monty Python, panto to Partridge.
Labour MP David Lyons cares about modernisation and "electability"... his constituency agent, Jean Whittaker cares about principles and her community. Set away from the Westminster bubble in the party's traditional northern heartlands, this is a clash of philosophy, culture and class against the backdrop of the Labour Party over 25 years, as it moves from Kinnock through Blair into Corbyn... and beyond? This razor-sharp political comedy from James Graham was produced by Michael Grandage Company and Headlong and received its world Premiere at the Noël Coward Theatre in September 2017.
Vol. 2 of a monumental 4-volume set covers mathematics and the physical world, mathematics and social science, and the laws of chance, with non-technical essays by eminent mathematicians, economists, scientists, and others.
“For those of us who portray wildlife . . . our decision to persist in our quest for excellence is almost always based on a love affair, a fascination with the creatures of our planet, and a need to share this feeling the best way we know how.” So said wildlife artist Robert Kuhn (1920–2007), who spent a lifetime sketching and painting animals, and generously mentoring other artists. Bob Kuhn: Drawing on Instinct presents a generous sampling of his rarely seen sketches alongside the vibrant paintings for which he is best known. Appearing in conjunction with a traveling exhibit mounted by the National Museum of Wildlife Art, in Jackson, Wyoming, this book allows readers to observe the artistic process of one of the greatest wildlife artists of our time. Curator Adam Duncan Harris provides an introduction and a biography of Kuhn, along with an examination of his working method. In addition, Bob Kuhn features four substantive essays by leading authorities on American art: James H. Nottage of the Eiteljorg Museum of American Indians and Western Art, Amy Scott of the Autry National Center, Lisa M. Strong of the Corcoran Gallery of Art, and Todd Wilkinson of Wildlife Art Journal and other publications. These contributions, written from a variety of art historical perspectives, set Kuhn’s oeuvre within the cultural context in which he worked and deepen our understanding of his achievements. Complementing the essays are brief appreciations by six of Kuhn’s contemporaries and three samples of the artist’s own writing. Bob Kuhn: Drawing on Instinct offers a compelling blend of the artist’s finished paintings and finest sketches—works of art in their own right. This lavishly illustrated book is a fitting tribute that will further establish Bob Kuhn’s place in the pantheon of late-twentieth-century American artists.
THE STORY: Jane is not okay. She's a promising poet without a muse, a single mother without lessons to pass along. Her dating life's a shambles, and her helpful friends are only helping make things more complicated. This bright, witty, un-romantic
The Core Text Series takes the reader straight to the heart of the subject, providing a reliable and invaluable guide for students of law at all levels. Written by leading academics and renowned for their clarity, these concise texts explain the intellectual challenges of each area of the law. The Law of Trusts is an accessible text that skillfully engages with both controversial and complex issues. James Penner provides perceptive analysis and original and thought-provoking commentary to give students an excellent grounding in what is considered to be a difficult subject.
This issue of Orthopedic Clinics will cover a variety of important topics surrounding Outpatient Surgery. Each issue in the series is edited by an experienced team of surgeons from the Campbell Clinic. Articles will discuss the following topics: Outpatient Total Knee Arthroplasty; Total Hip Arthroplasty in the Outpatient Setting; Impact of Outpatient Total Joint Replacement on Postoperative Outcomes; The Role of Hardware Removal in Orthopaedic Trauma; The Role of Superior Capsule Reconstruction in Rotator Cuff Tears; Outpatient shoulder arthroplasty; Outpatient Management of Ankle Fractures, and Ultrasound Procedures in Foot and Ankle, among others.
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