The full eBook version of The Harry Potter Piano Anthology in fixed-layout format. The Harry Potter Piano Anthology contains 56 of the biggest and best musical themes from the Harry Potter and Fantastic Beasts films, arranged for intermediate level piano. From the best-loved John Williams tunes Hedwig's Theme and Harry's Wondrous World, to The Crimes of Grindelwald and Dumbledore's Theme from the Fantastic Beasts films, this book has been created for pianists to enjoy and return to again and again. Transport yourself to the magical world of Harry Potter with this stunning piano anthology - featuring an exclusive, bespoke cover by MinaLima, the graphic design studio behind the Wizarding World.
In this reference volume, more than 200 fictional feature-length movies with a primary focus on an athletic endeavor are discussed, including comedies, dramas, and biopics. Brief summaries and credit information are provided for an additional 200 films, and appendixes include made-for-teleivion movies and documentaries.
You" is a psychological thriller television series that made its debut on Netflix in 2018. The show follows the story of Joe Goldberg, a charming and obsessive bookstore manager who develops an extreme infatuation with a woman named Beck. Throughout the first two seasons, Joe’s warped sense of emotions and morals lead him to commit a series of heinous crimes, including murder. Despite his actions, the show’s skilled storytelling also gives viewers a glimpse into Joe’s traumatic past, which could potentially explain his erratic behavior. Season three ended with Joe moving to the suburbs with his lover, pregnant neighbor, and his young son. Season 4, titled "You: Loves a Maze" follows the twisted story of Joe and how he adapts to this new suburban life, which includes a diverse cast of characters, including his next-door neighbors. The trailer hints that the season will take a darker turn than the previous ones, with Joe becoming increasingly unhinged as he attempts to reconcile his violent tendencies with his desire for a peaceful, domestic life. Fans of the series have eagerly awaited the arrival of season four since the third season's ending cliffhanger, and it's sure to maintain the show's reputation for suspenseful and intense storytelling.
The upcoming film "All Quiet on the Western Front" is set to be a new adaptation of Erich Maria Remarque's classic novel published in 1929. Directed by Edward Berger, the film will be produced by DreamWorks Pictures and will star Daniel Brühl, newcomer Felix Kammerer and Devid Striesow. Filming began in late 2021 and the release date is yet to be announced. The story follows a group of young German soldiers who enlist in World War I, filled with idealism and patriotism. However, as they face the brutal reality of trench warfare, they are forced to confront the devastating effects of the war on their physical and mental well-being, as well as their disillusionment with the patriotic propaganda that inspired them to enlist. The novel is considered a masterpiece of anti-war literature, and the film is expected to be a powerful portrayal of the human cost of conflict.
There are close to 8.5 million RVs on the U.S. highways and roads today, and if you are a man in your fifties, there is a good chance you have owned or are about to own a recreational vehicle. Winnebago Nation is a light-hearted look at the culture and industry behind the yearning to spend the night in oneÕs car. For the young, the roadtrip is a coming-of-age ceremony; for those later in life, it is the realization of a lifelong desire to be spontaneous, nomadic, and free. James B. Twitchell recounts the RVÕs origins and evolution over the twentieth century; its rise, fall, and rebirth as a cultural icon; its growing mechanical complexity as it evolved from an estate wagon to a converted bus to a mobile home; and its role in bolstering and challenging conceptions of American identity. Mechanical yet dreamy, independent yet needful, solitary yet clubby, adventurous yet homebound, life in a mobile home is a distillation of the American character and an important embodiment of American exceptionalism (Richie Rich and Hobo Hank spend time in essentially the same rig at the same campground, albeit for different reasons and in different levels of comfort). The frontier may be tapped out, but we still yearn for the exploratory life. Twitchell concludes with his thoughts on the future of RV communities and the possibility of mobile cities becoming a real part of the American landscape.
We used to go to the movies. We used to speak of flicks, even flicking out. We used to stand in line with friends in delicious anticipation to buy tickets for a movie that got a rapturous review. We used to be ushered into blinding darkness within cavernous halls of downtown gilded-age theaters to look at enormous screens. And we might go without regard to when the feature began, enter in the middle, sit through its ending, its double-bill and shorts, and only then watch the beginning of what we wanted to see. A small personal triumph occurred when, seeing a flick with friends or family, you were the first one to get up to leave announcing that "this was the place in the movie where we came in."--
Based on a multiyear study of such firms as Apple, IKEA, and Vanguard, the authors warn against complexity as a strategy for business planning, advocating instead for a simple, repeatable model that provides for constant improvement.
Aviator, Playboy, Film Producer, Entrepreneur, and Recluse, Howard Hughes lived a life that was the stuff of headlines. Donald L. Barlett and James B. Steele's biography is an extraordinary and brilliantly researched work on Hughes's multiple careers; his romances with Katharine Hepburn, Ava Gardner, Lana Turner, and Rita Hayworth; and his turn away from the world into addictions and secrecy. Book jacket.
A longtime industry insider and acclaimed Hollywood historian goes behind the scenes to tell the stories of 15 of the most spectacular movie megaflops of the past 50 years, such as Cleopatra, The Cotton Club, and Waterworld. He recounts, in every gory detail, how enormous hubris, unbridled ambition, artistic hauteur, and bad business sense on the parts of Tinsel Town wheeler-dealers and superstars such as Elizabeth Taylor, Clint Eastwood, and Francis Ford Coppola, conspired to engender some of the worst films ever.
Soon after film came into existence, the term epic was used to describe productions that were lengthy, spectacular, live with action, and often filmed in exotic locales with large casts and staggering budgets. The effort and extravagance needed to mount an epic film paid off handsomely at the box office, for the genre became an immediate favorite with audiences. Epic films survived the tribulations of two world wars and the Depression and have retained the basic characteristics of size and glamour for more than a hundred years. Length was, and still is, one of the traits of the epic, though monolithic three- to four-hour spectacles like Gone with the Wind (1939) and Lawrence of Arabia (1962) have been replaced today by such franchises as the Harry Potter films and the Lord of the Rings trilogy. Although the form has evolved during many decades of existence, its central elements have been retained, refined, and modernized to suit the tastes of every new generation. The Encyclopedia of Epic Films identifies, describes, and analyzes those films that meet the criteria of the epic—sweeping drama, panoramic landscapes, lengthy adventure sequences, and, in many cases, casts of thousands. This volume looks at the wide variety of epics produced over the last century—from the silent spectacles of D. W. Griffith and biblical melodramas of Cecil B. DeMille to the historical dramas of David Lean and rollercoaster thrillers of Steven Spielberg. Each entry contains: Major personnel behind the camera, including directors and screenwriters Cast and character listings Plot summary Analysis Academy Award wins and nominations DVD and Blu-ray availability Resources for further study This volume also includes appendixes of foreign epics, superhero spectaculars, and epics produced for television, along with a list of all the directors in the book. Despite a lack of overall critical recognition and respect as a genre, the epic remains a favorite of audiences, and this book pays homage to a form of mass entertainment that continues to fill movie theaters. The Encyclopedia of Epic Films will be of interest to academics and scholars, as well as any fan of films made on a grand scale.
This edition covers all the UK film releases from July 1994 to June 1995. It provides key facts and opinions on a wide range of movies from The Lion King and Forrest Gump to Shallow Grave and Pulp Fiction.
Women Letter-Writers in Tudor England represents one of the most comprehensive study of women's letters and letter-writing during the early modern period to be undertaken, and acts as an important corrective to traditional ways of reading and discussing letters as private, elite, male, and non-political. Based on over 3,000 manuscript letters, it shows that letter-writing was a larger and more socially diversified area of female activity than has been hitherto assumed. In that letters constitute the largest body of extant sixteenth-century women's writing, the book initiates a reassessment of women's education and literacy in the period. As indicators of literacy, letters yield physical evidence of rudimentary writing activity and abilities, document 'higher' forms of female literacy, and highlight women's mastery of formal rhetorical and epistolary conventions. Women Letter-Writers in Tudor England also stresses that letters are unparalleled as intimate and immediate records of family relationships, and as media for personal and self-reflective forms of female expression. Read as documents that inscribe social and gender relations, letters shed light on the complex range of women's personal relationships, as female power and authority fluctuated, negotiated on an individual basis. Furthermore, correspondence highlights the important political roles played by early modern women. Female letter-writers were integral in cultivating and maintaining patronage and kinship networks; they were active as suitors for crown favour, and operated as political intermediaries and patrons in their own right, using letters to elicit influence. Letters thus help to locate differing forms of female power within the family, locality and occasionally on the wider political stage, and offer invaluable primary evidence from which to reconstruct the lives of early modern women.
Aden B. Meinel and wife Marjorie P. Meinel stood at the confluence of several overarching technological developments of the 20th century: postwar aerial surveillance by spy planes and satellites, solar energy, the evolution of telescope design, interdisciplinary optics, and photonics. In 1945 he was a Navy Ensign ordered to find the secret tunnels in Nazi Germany where the V-2 rockets menacing Great Britain and Belgium were being manufactured. After receiving both his B.A. degree and Ph.D. in astronomy from the University of California at Berkeley within three years, Aden was invited to join the scientific staff at Yerkes Observatory/University of Chicago. While there he was selected by the National Science Foundation to manage the development of a new national observatory on Kitt Peak, Arizona, and served as its first Director. In the early 1960s he founded the Optical Sciences Center at the University of Arizona, which later metamorphosed into the College of Optical Sciences with the doctoral program in interdisciplinary optics. It was here that he also designed the first Multiple Mirror Telescope and with wife Marjorie pioneered the feasibility of solar energy power on a commercial scale. Aden's knowledge and expertise in optics made him invaluable in research on cameras for spy satellites and spy planes overflying the Soviet Union and Southeast Asia. After retirement the Meinels worked for NASA/JPL on the precursor of the James Webb Space Telescope and on the exoplanet program. They also served on the team that corrected spherical aberration in the Hubble Space Telescope"--
On September 3, 1864, Union Major-General William Tecumseh Sherman telegraphed the War Department in Washington, D.C., “Atlanta is ours, and fairly won.” The capture of the heart of the south the day before was the end of a fiercely fought four-month campaign in the Western Theater of the Civil War and caused jubilation throughout the North. More importantly for the Union cause, it propelled President Abraham Lincoln to reelection two months later. In this volume author James Donnell explores the entire Atlanta campaign, from Sherman's initial clashes with Joseph E. Johnston's army of Tennessee to the final Confederate resistance under General John Bell Hood. Perfectly complemented by specially commissioned artwork and detailed maps, this study takes the reader from the border of Georgia and Tennessee to Atlanta, with Sherman preparing for his famous March to the Sea.
Essex, one the largest counties of England, stretches from the suburban fringes of East London to the fishing and sailing ports of Harwich and Maldon and the famous seaside resorts of Clacton, Frinton, and Southend. Its buildings encompass rich Roman survivals, powerful Norman architecture, and the remains of major Tudor and Jacobean country houses. Essex is first and foremost a county famed for its timber buildings, from the eleventh-century church at Greensted to the early and mighty barns at Cressing Temple, and a wealth of timber-framed medieval houses. Later periods have also made their contribution, from Georgian town houses to Victorian and Edwardian industrial and civic buildings, and from important exemplars of early Modern Movement architecture to the major monument of High Tech at Stansted Airport.
The Armstrongs were the number one “Riding” family on the Anglo/Scots Border during the 16th century. They were the most destructive of the Border reivers... and can arguably be called Britain’s worst ever family. The book follows two narratives... The first delves into the history of the Armstrongs; origins, where they lived, their society and how they survived across a violent frontier... The second narrative is a gazetteer of family biographies – A who’s who of raiders and marauders based on court cases and criminal trials. Tales of ransom, murder, arson, blackmail and theft are explored, drawing out the family’s story during this unique period.
This is the story of John Draper, Andrew White, and the conflict thesis: a centuries-old misconception that religion and science are at odds with one another. Renowned scientist John William Draper (1811-1882) and celebrated historian-politician Andrew Dickson White (1832-1918) were certain that Enlightened Science and Dogmatic Christianity were mortal enemies--and they said as much to anyone who would listen. More than a century later, their grand and sweeping version of history dominates our landscape; Draper and White's "conflict thesis" is still found in countless textbooks, lecture series, movies, novels, and more. Yet, as it would later be discovered, they were mistaken. Their work has been torn to shreds by the experts, who have declared it totally at odds with reality. So how, if this is the case, does their wrongheaded narrative still live on? Who were these two men, and what, exactly, did they say? What is it about their God-versus-Science "conflict thesis" that convinced so many? And what--since both claimed to love Science and love Christ--were they actually trying to achieve in the first place? In this book, physicist David Hutchings and historian of science and religion James C. Ungureanu dissect the work of Draper and White. They take readers on a journey through time, diving into the formation and fallacy of the conflict thesis and its polarizing impact on society. The result is a tale of Flat Earths, of anesthetic, and of autopsies; of Creation and Evolution; of laser-eyed lizards and infinite worlds. It is a story of miracles and mathematicians; souls and Great Libraries; the Greeks, the scientific method, the Not-So-Dark-After-All Ages... and, of course, of popes and unicorns.
Individual chapters deal with cultural materialism, new historicism, poststructuralism, and feminist criticism. The theoretical basis of each critical mode is examined and some representative critiques analyzed. Most importantly, in each chapter the various interpretations are tested against Shakespeare's texts, and the strengths and weaknesses of the different readings are assessed.
Between 1600 and 1800 around 4,000 Catholic women left England for a life of exile in the convents of France, Flanders, Portugal and America. These closed communities offered religious contemplation and safety, but also provided an environment of concentrated female intellectualism. The nuns’ writings from this time form a unique resource.
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