George Gissing's books, published during the last two decades of the nineteenth century, are memorable for their portraits of women. Only a few women played active roles in his life, but those who did exerted a lasting influence. In each of his novels he portrayed women vividly and with unerring realism. He worried, in fact, that some might see themselves in his books and rebuke him. His portraits of women are warm and human, revealing an essential sympathy that makes them timeless. An important feature of his novels, his feminine portraiture is worth careful study.
This eight-volume, reset edition in two parts collects rare primary sources on Victorian science, literature and culture. The sources cover both scientific writing that has an aesthetic component – what might be called 'the literature of science' – and more overtly literary texts that deal with scientific matters.
‘James Seay Dean is the noted authority on these voyages ... he provides a sympathetic treatment of life aboard ship in some of the most challenging circumstances these redoubtable sailors faced “beyond the line”.’ – Professor Barry Gough, maritime historian ‘A fascinating and informative account of the development of Tudor and Stuart sailing ships. Its examination of their architecture, sailing, and tactics, especially as it is set within the international political context, makes a most interesting story.’ – Bryan Barrett, Commander RN, ret. From jacktar to captain, what was life like aboard an Elizabethan ship? How did the men survive tropical heat, storms, bad water, rotten food, disease, poor navigation, shifting cargoes and enemy fire? Would a sailor return alive? Sea Dogs follows in the footsteps of the average sailor, drawing from the accounts of sixteenth-century and early seventeenth-century ocean voyages to convey the realities of everyday life aboard the galleons sailing between England and the West Indies and beyond. Celebrating the extraordinary drive and courage of those early sailors who left the familiarity of their English estuaries for the dangers of the Cabo Verde and the Caribbean, the Rivers Amazonas and Orinoco, and the Strait of Magellan, and their remarkable achievements, Sea Dogs is essential reading for anyone with an interest in English maritime heritage.
The authors examine the interaction of missionary organizations with local political powers and with their home government, arguing that in trying to decide which course of action to pursue, missionaries became knowledgeable students of imperial politics and the shifting state of international affairs. They show that leadership of British missionary societies was split between those who wanted to be treated without favouritism by the British government and those who had more aggressive expectations. In doing so they explore the pressures that contributed to the formation of imperial policy and perspective during a significant period of the evolution of the British empire.
Do you want to...Help distribute money to the poor and be given a fee to do so? Share in Al Qaeda's hidden gold? Help a young girl orphaned in the tsunami? In their highly entertaining and often shocking new book James Morton and Susanna Lobez follow up their bestselling Gangland Australia by delving into the world of Australian con artists such as Mario Condello, Helen Demidenko, Christopher Skase, Brenton Jarrett, Peter Foster, Lola Montez and Fairlie Arrow. Here are highly talented men and women and their tricks: changing paper into banknotes, selling other people's property, faking deaths, and forging paintings; promising miracle cures and impersonating aristocracy, preachers, military gents, lawyers and doctors. In fact, whatever it takes to separate the unwary from their money. Read about the scams and think twice about that offer that seems almost too good to be true.
Even though his books never sold as well as those of more popular novelists, women in particular liked George Gissings work and often wrote to him for advice. They could see he was keenly interested in the lives of women and the long struggle to improve their condition in a gender-restrictive society dominated by males. Though Gissing tried to champion the womens cause, he did not entirely succeed. Perhaps he was too close to the changes affecting women to understand their situation fully. Perhaps with individual women a tenacious idealism blurred his vision. Perhaps the facts of his life and experience prevented a balanced judgment. Yet if he could say at the end of his career that he knew nothing at all about women, it was not because he had failed to write about them or to make a thorough study of them. Gissing used the woman question of his day to create female characters as much alive now as when he first began to write.
Historians and the Church of England explores the vital relationship between the Church of England and the development of historical scholarship in the Victorian and Edwardian era. It draws upon a wide range of sources, from canonical works of history to unpublished letters, from sermons to periodical articles, to give a clear picture of the influence of religion upon the rich and flourishing world of English historical scholarship. The result is a radically revised understanding of both historiography and the Church of England. It shows that the main historiographical topics at the time-the nation, the constitution, the Reformation, and (increasingly) socio-economic history-were all imprinted with the distinctively Anglican concerns of leading historians. It brings to life the ideas of time, progress, and divine providence which structured their understanding of the past. It also shows that the Church of England remained a 'learned church', concerned not just with narrowly religious functions but also scholarly and cultural ones, into the early twentieth century: intellectual secularization was a slower and more fragmented process than accounts focused on natural science (especially Darwinism) to the exclusion of the humanities have led us to believe. This is not just the history of a coterie of scholars, but also of a wealth of texts and ideas that had a truly global circulation at a time when history was second only to the Bible (and perhaps the novel) in its cultural status and readership.
This book is the first study of how ‘weird fiction’ emerged from Victorian supernatural literature, abandoning the more conventional Gothic horrors of the past for the contemporary weird tale. It investigates the careers and fiction of a range of the British writers who inspired H. P. Lovecraft, such as Arthur Machen, M. P. Shiel, and John Buchan, to shed light on the tensions between ‘literary’ and ‘genre’ fiction that continue to this day. Weird Fiction in Britain 1880–1939 focuses on the key literary and cultural contexts of weird fiction of the period, including Decadence, paganism, and the occult, and discusses how these later impacted on the seminal American pulp magazine Weird Tales. This ground-breaking book will appeal to scholars of weird, horror and Gothic fiction, genre studies, Decadence, popular fiction, the occult, and Fin-de-Siècle cultural history.
Incorporating a broad range of contemporary scholarship, A History of Victorian Literature presents an overview of the literature produced in Great Britain between 1830 and 1900, with fresh consideration of both major figures and some of the era's less familiar authors. Part of the Blackwell Histories of Literature series, the book describes the development of the Victorian literary movement and places it within its cultural, social and political context. A wide-ranging narrative overview of literature in Great Britain between 1830 and 1900, capturing the extraordinary variety of literary output produced during this era Analyzes the development of all literary forms during this period - the novel, poetry, drama, autobiography and critical prose - in conjunction with major developments in social and intellectual history Considers the ways in which writers engaged with new forms of social responsibility in their work, as Britain transformed into the world's first industrial economy Offers a fresh perspective on the work of both major figures and some of the era’s less familiar authors Winner of a Choice Outstanding Academic Title award, 2009
In two volumes. Volume I: 601 pages including a 522 page index of family names, in alphabetical order, describing the crest of every name listed and where to find an illustration in the volume of plates; a glossary of heraldic terms and other words; and nearly seventy pages of family mottoes with translations of those in Latin, French or other foreign languages. Volume II: contains 130 plates, each depicting 15 family crests in b&w and a further 18 plates illustrating regalia, insignia, crowns, flags, monograms, arms of principal cities etc. also in b&w. There is a key to all the plates which, in the case of the crests, shows which families have which crest.
From the bestselling authors of Gangland Australia comes Dangerous to Know, an A to Z of Australasian crimes, criminals and their victims. James Morton and Susanna Lobez have trawled through written records to compile this snappy yet comprehensive account of the bad, mad and plain notorious. All the names are here, from Ronald Ryan (the last man hanged in Australia), to the Carlton Crew. An unmissable book, in one handy volume, for anyone who wants to know all there is to know about Australia's dark underbelly.
This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker, and three of the leading authors from the new-woman movement, Sarah Grand, Iota, and George Egerton. James H. Murphy examines the work of these and many other writers in a variety of contexts: the political, economic, and cultural developments of the time; the vicissitudes of the reading audience; the realities of a publishing industry that was for the most part London-based; the often difficult circumstances of the lives of the novelists; and the ever changing genre of the novel itself, to which Irish authors often made a contribution. Politics, history, religion, gender and, particularly, land, over which nineteenth-century Ireland was deeply divided, featured as key themes for fiction. Finally, the book engages with the critical debate of recent times concerning the supposed failure of realism in the nineteenth-century Irish novel, looking for more specific causes than have hitherto been offered and discovering occasions on which realism turned out to be possible.
Thoroughly updated for its Second Edition, Non-Hodgkin Lymphomas is the definitive textbook on the biology, diagnosis, staging, and treatment of all forms of non-Hodgkin lymphomas. With backgrounds in medical and radiation oncology, molecular biology, and pathology, the editors and contributors provide an international, multidisciplinary approach to the topic. This edition is the first text using the new World Health Organization classification of non-Hodgkin lymphomas. The book offers complete coverage of the most current techniques for diagnosis, staging, and treatment, the approach to specific types of lymphoma, and special problems common to the management of patients with these disorders.
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