In the decade after this book first appeared in 1974, research involving organic photochemistry was prolific. In this updated and expanded 1986 edition the authors summarise those classes of reaction that best illustrate the types of photochemical behaviour commonly observed for simple organic molecules. The different products obtained from compounds subjected to thermal and photolytic activation are explained with the aid of appropriate diagrams and mechanistic schemes. Where necessary, these are backed up by simple energy level profiles. Thus, theory and empirical data are interwoven to provide a firm basis which is aided by the generous basic references at the end of each chapter.
This book illustrates and teaches the finer details of the tactics and strategies employed in the synthesis of organic molecules. As well as providing model answers to the problems, the book discusses, in detail, the reasons why particular strategies are chosen, and why, in given circumstances, alternative methods or routes may or may not be appropriate. As such it could be used as a stand alone volume for the teaching of organic chemistry with a modern and appropriate emphasis on synthesis. Extensive cross referencing to Principles of Organic Synthesis allows the two books to be used as companion volumes.
In the decade after this book first appeared in 1974, research involving organic photochemistry was prolific. In this updated and expanded 1986 edition the authors summarise those classes of reaction that best illustrate the types of photochemical behaviour commonly observed for simple organic molecules. The different products obtained from compounds subjected to thermal and photolytic activation are explained with the aid of appropriate diagrams and mechanistic schemes. Where necessary, these are backed up by simple energy level profiles. Thus, theory and empirical data are interwoven to provide a firm basis which is aided by the generous basic references at the end of each chapter.
This book illustrates and teaches the finer details of the tactics and strategies employed in the synthesis of organic molecules. As well as providing model answers to the problems, the book discusses, in detail, the reasons why particular strategies are chosen, and why, in given circumstances, alternative methods or routes may or may not be appropriate. As such it could be used as a stand alone volume for the teaching of organic chemistry with a modern and appropriate emphasis on synthesis. Extensive cross referencing to Principles of Organic Synthesis allows the two books to be used as companion volumes.
Between 1737 and 1746, James Knight—a merchant, planter, and sometime Crown official and legislator in Jamaica—wrote a massive two-volume history of the island. The first volume provided a narrative of the colony’s development up to the mid-1740s, while the second offered a broad survey of most aspects of Jamaican life as it had developed by the third and fourth decades of the eighteenth century. Completed not long before his death in the winter of 1746–47 and held in the British Library, this work is now published for the first time. Well researched and intelligently critical, Knight’s work is not only the most comprehensive account of Jamaica’s ninety years as an English colony ever written; it is also one of the best representations of the provincial mentality as it had emerged in colonial British America between the founding of Virginia and 1750. Expertly edited and introduced by renowned scholar Jack Greene, this volume represents a colonial Caribbean history unique in its contemporary perspective, detail, and scope.
There's no baseness I wouldn't commit for Jeffrey Aspern's sake.' The poet Aspern, long since dead, has left behind some private papers. They are jealously guarded by an old lady, once his mistress and muse, a recluse in an old palazzo in Venice, tended by her ingenuous niece. A predatory critic is determined to seize them. What can he make of the younger woman? What are his motives? What are the papers worth and what is he prepared to pay? In all four stories collected here, including 'The Death of the Lion', 'The Figure in the Carpet', and 'The Birthplace', the figure of the artist is central. Extraordinarily prophetic, James explores the emergent new cult of the writer as celebrity, and asks, who cares about the work for itself? Can the man behind the artist ever truly be known, and does our knowledge explain the act of creativity? This new edition includes extracts from James's Prefaces and Notebooks which shed light on the genesis of the stories. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
This book offers an accessible and comprehensive introduction to criminology in Ireland. Logically structured and clearly written, this book explores theory and empirical research through real-life examples from an Irish context. Engaging and challenging, this book encourages critical thinking about, and understanding of, crime and crime control in Ireland, North and South. The book covers the canon of criminological theory, from classical and psychological approaches right through to the contemporary. It offers an overview of the Irish criminal justice system, including the police, prisons and alternatives to punishment. It covers key criminological themes such as victims and victimology, gender, the drug trade and its regulation, terrorism and political violence, and desistance and the life course. Key features include: Critical assessment of key criminological theories, which are later woven into discussions of key thematic areas Case studies of historical and contemporary Irish events, including the Magdalene Laundries, gangland feuds and the decriminalisation of drugs Extensive reading lists of key academic texts and relevant Irish literature, movies, music and art This book is the only comprehensive criminology textbook specifically designed for the Irish undergraduate curriculum. It is essential reading for all criminology students in the Republic of Ireland and Northern Ireland and will also be of interest to postgraduates and academics looking for an overview of Irish Criminology.
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