James Monaco discusses the elements necessary to understand how a film conveys its meaning, and, more importantly, how the audience can best discern all that a film is attempting to communicate.
Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Now, James Monaco offers a special anniversary edition of his classic work, featuring a new preface and several new sections, including an "Essential Library: One Hundred Books About Film and Media You Should Read" and "One Hundred Films You Should See." As in previous editions, Monaco once again looks at film from many vantage points, as both art and craft, sensibility and science, tradition and technology. After examining film's close relation to other narrative media such as the novel, painting, photography, television, and even music, the book discusses the elements necessary to understand how films convey meaning, and, more importantly, how we can best discern all that a film is attempting to communicate. In addition, Monaco stresses the still-evolving digital context of film throughout--one of the new sections looks at the untrustworthy nature of digital images and sound--and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative black-and-white film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.
James Monaco discusses the elements necessary to understand how a film conveys its meaning, and, more importantly, how the audience can best discern all that a film is attempting to communicate.
Monaco is a small independent state located on the Mediterranean coastline of France. The principality, which has a population of around 39,000 people, is the second smallest country in the world, and it covers an area of just 2.02 square kilometers. Monaco is known for its luxurious lifestyle, gambling industry, and tax haven status. It is a popular tourist destination and attracts millions of visitors every year due to the stunning views of the Mediterranean Sea, the Formula One Grand Prix, and the famous Monte-Carlo Casino. Monaco has a long and interesting history dating back to the Roman period. It was officially established as a principality in 1297 by the Grimaldi family who continues to rule the country to this day. Over the centuries, Monaco has managed to maintain its independence and sovereignty by building strong diplomatic relations with other countries around the world. Despite its small size, the principality is a wealthy nation and boasts high standards of living. The economy is primarily based on tourism, gambling, and finance, and it has a favorable tax system that attracts wealthy individuals and businesses. Monaco is also known for its glamorous events such as the Red Cross Ball and the International Circus Festival.
This is section 2 of How To Read a Film, enhanced and expanded. Richard Gilman referred to How to Read a Film as simply "the best single work of its kind." And Janet Maslin in The New York Times Book Review marveled at James Monaco's ability to collect "an enormous amount of useful information and assemble it in an exhilaratingly simple and systematic way." Indeed, since its original publication in 1977, this hugely popular book has become the definitive source on film and media. Monaco looks at film from many vantage points, as both art and craft, sensibility and science, tradition, and technology. Monaco stresses the still-evolving digital context of film throughout and his chapter on multimedia brings media criticism into the twenty-first century with a thorough discussion of topics like virtual reality, cyberspace, and the proximity of both to film. With hundreds of illustrative film stills and diagrams, How to Read a Film is an indispensable addition to the library of everyone who loves the cinema and wants to understand it better.
Monaco is a small independent state located on the Mediterranean coastline of France. The principality, which has a population of around 39,000 people, is the second smallest country in the world, and it covers an area of just 2.02 square kilometers. Monaco is known for its luxurious lifestyle, gambling industry, and tax haven status. It is a popular tourist destination and attracts millions of visitors every year due to the stunning views of the Mediterranean Sea, the Formula One Grand Prix, and the famous Monte-Carlo Casino. Monaco has a long and interesting history dating back to the Roman period. It was officially established as a principality in 1297 by the Grimaldi family who continues to rule the country to this day. Over the centuries, Monaco has managed to maintain its independence and sovereignty by building strong diplomatic relations with other countries around the world. Despite its small size, the principality is a wealthy nation and boasts high standards of living. The economy is primarily based on tourism, gambling, and finance, and it has a favorable tax system that attracts wealthy individuals and businesses. Monaco is also known for its glamorous events such as the Red Cross Ball and the International Circus Festival.
THE STORY: The fabulous songs of Johnny Burke are here perfectly woven into various settings and scenes as if they always belonged there. We move from a smoky 1920s Chicago Speakeasy, where we hear such songs as Dr. Rhythm and What's New to the
Opvallend bij de nieuwe media is het veelvuldig gebruik van afkortingen, zo blijkt wel weer eens uit deze praktische gids. HSB, HSL, HTTP, DTS, SDDS; het is maar een kleine greep van termen die in dit boek verklaard worden. In tegenstelling tot wat de titel doet vermoeden zijn er ook nog veel Ņouderwetseņ termen uit de analoge filmkunst en Őtechniek opgenomen. Dit maakt dit woordenboek tot een zeer bruikbaar instrument voor zowel de analoge als de digitale consument.
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