For a denomination like Roman Catholicism that is canonically difficult to leave, many American Catholics are migrating beyond the institution’s immediate influence. The new religious patterns associated with this experience represent a somewhat cohesive movement influencing not just Catholicism, but the whole of North American religion. Careful examination of the lives of disaffiliating young adults reveals that their religious lives are complicated. For example, the assumption that leaving conventional religious communities necessarily results in a non-religious identity is simplistic and even, perhaps, misleading. Many maintain a religious worldview and practice. This book explores one “place” where the religiously-affiliated and religiously-disaffiliating regularly meet—Catholic secondary schools—and something interesting is happening. Through a series of ethnographic portraits of Catholic religious educators and their disaffiliating former students, the book explores the experience of disaffiliation and makes its complexity more comprehensible in order to advance the discourse of fields interested in this significant movement in religious history and practice.
For a denomination like Roman Catholicism that is canonically difficult to leave, many American Catholics are migrating beyond the institution’s immediate influence. The new religious patterns associated with this experience represent a somewhat cohesive movement influencing not just Catholicism, but the whole of North American religion. Careful examination of the lives of disaffiliating young adults reveals that their religious lives are complicated. For example, the assumption that leaving conventional religious communities necessarily results in a non-religious identity is simplistic and even, perhaps, misleading. Many maintain a religious worldview and practice. This book explores one “place” where the religiously-affiliated and religiously-disaffiliating regularly meet—Catholic secondary schools—and something interesting is happening. Through a series of ethnographic portraits of Catholic religious educators and their disaffiliating former students, the book explores the experience of disaffiliation and makes its complexity more comprehensible in order to advance the discourse of fields interested in this significant movement in religious history and practice.
Real life crimes, famous and forgotten, re-examined by leading crime writersA superb collection of brand new and original essays about famous and obscure real life crimes, Truly Criminal showcases a group of highly regarded, award-winning writers who all share a special passion for crime. Among these real-life crimes, famous and forgotten, are such notorious cases as Samuel Herbert Dougal, the Moat Farm murderer; George Joseph Smith, the Brides in the Bath killer; and Dr. Hawley Harvey Crippen, one of the most infamous killers in British history. Featuring a dazzling list of contributors, including leading crime novelists Peter Lovesey, Andrew Taylor, and Catherine Aird, as well as 2013 CWA Crime Non-Fiction Dagger winner Paul French; a bonus essay by the late great Margery Allingham about the controversial William Herbert Wallace case has also been rediscovered. With a foreword by international bestselling writer Peter James, this collection will thrill lovers of true-crime writing.
From the outbreak of the Cold War to the rise of the United States as the last remaining superpower, the years following World War II were filled with momentous events and rapid change. Diplomatically, economically, politically, and culturally, the United States became a major influence around the globe. On the domestic front, this period witnessed some of the most turbulent and prosperous years in American history. "Postwar America: An Encyclopedia of Social, Political, Cultural, and Economic History" provides detailed coverage of all the remarkable developments within the United States during this period, as well as their dramatic impact on the rest of the world. A-Z entries address specific persons, groups, concepts, events, geographical locations, organizations, and cultural and technological phenomena. Sidebars highlight primary source materials, items of special interest, statistical data, and other information; and Cultural Landmark entries chronologically detail the music, literature, arts, and cultural history of the era. Bibliographies covering literature from the postwar era and about the era are also included, as are illustrations and specialized indexes.
A #1 bestseller from coast to coast, Den of Thieves tells the full story of the insider-trading scandal that nearly destroyed Wall Street, the men who pulled it off, and the chase that finally brought them to justice. Pulitzer Prize–winner James B. Stewart shows for the first time how four of the eighties’ biggest names on Wall Street—Michael Milken, Ivan Boesky, Martin Siegel, and Dennis Levine—created the greatest insider-trading ring in financial history and almost walked away with billions, until a team of downtrodden detectives triumphed over some of America’s most expensive lawyers to bring this powerful quartet to justice. Based on secret grand jury transcripts, interviews, and actual trading records, and containing explosive new revelations about Michael Milken and Ivan Boesky, Den of Thieves weaves all the facts into an unforgettable narrative—a portrait of human nature, big business, and crime of unparalleled proportions.
Through the critique of progressive neoliberalism and postmodern post-politics, Bernie Bros Gone Woke reveals how intersectional politics contributed to the failure of the 2020 Sanders campaign.
Francis Ford Coppola's career has spanned five decades, from low budget films he produced in the early 1960s to more personal films of recent years. Because of the tremendous popular success of The Godfather and the tremendous critical success of its sequel, Coppola is considered to be one of the best directors of all time. The entries in this encyclopedia focus on all aspects of Coppola's work—from his early days with producer Roger Corman to his films as the director of the 1970s. This extensive reference contains material on all of the films Coppola has played a role in, from screenwriter to producer to director, including such classics as Patton, The Godfather, The Conversation, The Godfather Part II, and Apocalypse Now. Each entry is followed by a bibliography of published sources, both in print and online, making The Francis Ford Coppola Encyclopedia the most comprehensive reference on this director's body of work.
Darwinism Under the Microscope probes the exciting "Darwinism vs. Design" debate that is making headlines. It lays a scientific foundation for "divine design" and equips the reader to discuss the topic intelligently...even with professors!
Declared by their author to be a chapter in the moral history of Ireland, this much-acclaimed collection of 15 tales features timeless insights into the human condition. A fine and accessible introduction to the work of one of the 20th-century's most influential writers, it includes a masterpiece of the short-story genre, "The Dead.
In Toward an Anti-Capitalist Composition, James Rushing Daniel argues that capitalism is eminently responsible for the entangled catastrophes of the twenty-first century—precarity, economic and racial inequality, the decline of democratic culture, and climate change—and that it must accordingly become a central focus in the teaching of writing. Delving into pedagogy, research, and institutional work, he calls for an ambitious reimagining of composition as a discipline opposed to capitalism’s excesses. Drawing on an array of philosophers, political theorists, and activists, Daniel outlines an anti-capitalist approach informed by the common, a concept theorized by Pierre Dardot and Christian Laval as a solidaristic response to capitalism rooted in inventive political action. Rather than relying upon claims of membership or ownership, the common supports radical, collective acts of remaking that comprehensively reject capitalist logics. Applying this approach to collaborative writing, student debt, working culture, and digital writing, Daniel demonstrates how the writing classroom may be oriented toward capitalist harms and prepare students to critique and resist them. He likewise employs the common to theorize how anti-capitalist interventions beyond the classroom could challenge institutional privatization and oppose the adjunctification of the professoriate. Arguing that composition scholars have long neglected marketization and corporate power, Toward an Anti-Capitalist Composition extends a case for adopting a resolute anti-capitalist stance in the field and for remaking the university as a site of common work.
Leading authorities deliver the commandments for designing high-speed networks There are no end of books touting the virtues of one or another high-speed networking technology, but until now, there were none offering networking professionals a framework for choosing and integrating the best ones for their organization's networking needs. Written by two world-renowned experts in the field of high-speed network design, this book outlines a total strategy for designing high-bandwidth, low-latency systems. Using real-world implementation examples to illustrate their points, the authors cover all aspects of network design, including network components, network architectures, topologies, protocols, application interactions, and more.
An extraordinary look at an ordinary day—June 16, 1904—in the life of a middle-aged Jewish man living in Dublin, Ireland. Leopold Bloom, who is sure that his wife is being unfaithful, must come to terms with how that affects their marriage and whether it changes the nature of their love for one another. Richly detailed stream-of-consciousness narration immerses the reader in the thoughts and emotions of the characters as they deal with the normal events of daily life in Dublin, as well as grander issues like sexuality, prejudice, birth, and death. This is an unabridged version of Irish author James Joyce's groundbreaking modernist tale, which parallels Homer's Odyssey. It was first published serially in the American journal The Little Review between 1918 and 1921, and published in novel form in 1922 in Paris.
In the field of adaptation studies today, the idea of reading an adapted text as "faithful" or "unfaithful" to its original source strikes many scholars as too simplistic, too conservative, and too moralizing. In Uncanny Fidelity: Recognizing Shakespeare in Twenty-First Century Film and Television, James Newlin broadens the scope of fidelity beyond its familiar concerns of plot and language. Drawing upon Sigmund Freud's model of the Uncanny-the sudden sensation of peculiar, discomforting familiarity-this book focuses on films and series that do not selfidentify as adaptations of Shakespeare, but which invoke lost, even troubling aspects of the original. In doing so, Newlin demonstrates how the study of Shakespeare's afterlife can clarify both the historical context of his drama and its relevance for the current political moment. Modeling his new approach to the critical category of fidelity, Newlin closely examines four twentieth-century films and tv series next to their Shakespearean counterparts within the contexts of their casting, genre, and reception. When a director of an unconventional version of The Tempest, for example, chooses to cast a white man as either Caliban or Miranda, they seemingly depart from Shakespeare's original text. Yet with these casting decisions, Newlin argues that The Master (2012) and Brigsby Bear (2017) eerily recall the realities of the early modern theater. The Master unexpectedly depicts something like the mythic "wild man" figure that informed The Tempest's early-colonial context, while Brigsby Bear invokes the exploitative, abusive treatment of boy-actors cast in female roles on the renaissance stage. Similarly, by not explicitly identifying as an adaptation of Othello, the cult comedy series Vice Principals (2016-17) frees itself to more faithfully capture the play's early modern comic context - while also illuminating the parallels between racist discourse in Shakespeare's age and our own. By reading these works as uncannily faithful adaptations, Newlin articulates something like the original response of Shakespeare's audience. Finally, Newlin demonstrates how a filmed adaptation might itself intervene in Shakespeare's critical reception. As a version of The Winter's Tale that ends tragically, the celebrated film Manchester By The Sea (2016) effectively rebuts Stanley Cavell's celebrated reading of Shakespeare's romance. Recognizing the parallels between Manchester By The Sea and The Winter's Tale, Newlin argues that Shakespeare views grief and guilt as forms of certainty - in contradistinction to Cavell's reading of the play as a portrait of skepticism. The first extended treatment of adaptation as a form of uncanny return, Uncanny Fidelity offers students and scholars of Shakespeare in film, adaptation studies, film studies, and psychoanalytic theory a critical framework to further engage the matter of personal response with deeper theoretical rigor. In redefining what constitutes adaptation, Newlin demonstrates how the study of Shakespeare's afterlife can radically challenge our own conception of what we consider to be authentically Shakespearean"--
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