This text examines the many transformations in Husserl’s phenomenology that his discoveries of the nature of appearing lead to. It offers a comprehensive look at the Logical Investigations’ delimitation of the phenomenological field, and continues with Husserl’s account of our consciousness of time. This volume examines Husserl’s turn to transcendental idealism and the problems this raises for our recognition of other subjects. It details Husserl’s account of embodiment and takes largely from his manuscripts, both published and unpublished, dealing with his theory of instincts, his considerations of mortality and the teleological character of our existence. This book appeals to students and researchers and presents a genetic account of our selfhood, one that unifies Husserl’s different claims about who and what we are.
How does the body politic reflect the nature of human embodiment? To pursue this question in a new and productive way, James Mensch employs a methodology consistent with the fact of our embodiment; he uses Merleau-Ponty’s concept of "intertwining"—the presence of one’s self in the world and of the world in one’s self—to understand the ideas that define political life. Mensch begins his inquiry by developing a philosophical anthropology based on this concept. He then applies the results of his investigation to the relations of power, authority, freedom, and sovereignty in public life. This involves confronting a line of interpretation, stretching from Hobbes to Agamben, which sees violence as both initiating and preserving the social contract. To contest this interpretation, Mensch argues against its presupposition, which is to equate freedom with sovereignty over others. He does so by understanding political freedom in terms of embodiment—in particular, in terms of the finitude and interdependence that our embodiment entails. Freedom, conceived in these terms, is understood as the gift of others. As a function of our dependence on others, it cannot exist apart from them. To show how public space and civil society presuppose this interdependence is the singular accomplishment of Embodiments. It accomplishes a phenomenological grounding for a new type of political philosophy.
What is the relation between our selfhood and appearing? Our embodiment positions us in the world, situating us as an object among its visible objects. Yet, by opening and shutting our eyes, we can make the visible world appear and disappear—a fact that convinces us that the world is in us. Thus, we have to assert with Merleau-Ponty that we are in the world that is in us: the two are intertwined. Author James Mensch employs the insights of Jan Patočka’s asubjective phenomenology to understand this double relationship of being-in. In this volume, he shows how this relation constitutes the reality of our selfhood, shaping our social and political interactions as well as the violence that constantly threatens to undermine them.
This book provides an important new answer to the much-discussed question of the nature and possibility of philosophy following the collapse of the modern foundationalist paradigm. Mensch offers an alternative based in phenomenology. Using Husserl's analysis of temporality to reinvigorate Aristotle's account of time, he shows how the passing of modernity is actually an opening for doing metaphysics in a new nonfoundationalist manner. Positioning Husserl within a wider context, Mensch views him both as a culmination of the modern foundationalist paradigm and as providing a way to overcome it through his descriptive analyses.
Philosophie ist die Liebe zur Weisheit - dem Namen und der Sache nach. Sie beschäftigt sich mit den "großen" Fragen: Was ist die Natur der Welt? Was ist das Wesen des Menschen? Was sind die Bedingungen und Möglichkeiten des Wissens? Was ist sittlich gutes Handeln? Was ist der Sinn des Lebens? Dieses Buch stellt 37 bedeutende Philosophen der w...
This handbook offers a comprehensive and varied study of deification within Christian theology. Forty-six leading experts in the field examine points of convergence and difference on the constitutive elements of deification across different writers, thinkers, and traditions.
Written for the laboratory that accompanies the sophomore/junior level courses in Organic Chemistry, Zubrick provides students with a valuable guide to the basic techniques of the Organic Chemistry lab. The book will help students understand and practice good lab safety. It will also help students become familiar with basic instrumentation, techniques and apparatus and help them master the latest techniques such as interpretation of infrared spectroscopy. The guide is mostly macroscale in its orientation.
This is Volume XIV of thirty-eight in a series on the General Psychology. Originally published in 1960, this study offers A Comprehensive Phenomenology of Theories and their Meanings for Therapy.
What do great enterprises have in common? What sort of person leads them? Where do the best new ideas come from? A single idea can help you find the next big thing, but it takes time to filter through hundreds of business books to find inspiration.With insightful commentaries on over a century of landmark writings, 50 Business Classics presents the great entrepreneur stories, the best management thinking and the proven ideas on strategy, innovation and marketing - illuminated and clarified as never before, in one volume. 50 Business Classics presents the key ideas from classic texts such as My Years with General Motors and Michael Gerber's The E-Myth Revisited to contemporary business lessons from the rise of tech giants like Google, Apple and Amazon. It contains revealing biographies of luminaries like Steve Jobs and Warren Buffett, as well as lesser-known stories including creation of publishing giant Penguin and Chinese behemoth Alibaba. Here you'll find the texts and ideas that matter in: · Entrepreneurship · Leadership · Management · Strategy · Business history · Personal development · Technology and innovation Summarizing the smartest thinking for today's professional success, 50 Business Classics provides inspiration and insights for entrepreneurs, executives and students of business and management alike.
Edited by R. A. Downie. Volume I: The Native Races of Africa dn Madagascar (1938); volume 2: The Native Races of Australia (1939); volume III: The Native Races of Asia and Europe (1939); volume IV: The Native Races of America (1939).
“No one does history-meets-the-fantastic like Morrow. The Asylum of Dr. Caligari is a great example—Impressionism versus expressionism, psychology in the asylum of ‘dreams,’ the weaponization of art, big laughs and big ideas, a wild imagination, and smooth, subtle writing.” —Jeffrey Ford, author of A Natural History of Hell It is the summer of 1914. As the world teeters on the brink of the Great War, a callow American painter, Francis Wyndham, arrives at a renowned European insane asylum, where he begins offering art therapy under the auspices of Alessandro Caligari—sinister psychiatrist, maniacal artist, alleged sorcerer. And determined to turn the impending cataclysm to his financial advantage, Dr. Caligari will—for a price—allow governments to parade their troops past his masterpiece: a painting so mesmerizing it can incite entire regiments to rush headlong into battle. The Asylum of Dr. Caligari is a timely tale that is by turns funny and erotic, tender and bayonet-sharp—but ultimately emerges as a love letter to that mysterious, indispensable thing called art.
Written as part of the Worthing WOW festival celebrations, Electric Pictures commemorates 120 years of film in the Sussex coastal towns of Worthing and Shoreham, capturing the region's rich cinematic legacy and its place in British film history. From film-making pioneers through to blockbuster films and key events in the film history of the coast, this volume draws on research from film archives and local history resources to tell the story of the south coast film world. Richly illustrated and featuring contributions from local historians and film and theatre specialists, this book also includes an additional Heritage Trail guide that reveals key filming locations and the towns' cinemas.
Winders picks up the gauntlet thrown down by right-wing educators demanding a return to teaching the Great Works of literature, and shows how recent feminist and deconstructionist critical theories can deal with texts that are fundamentally patriarchal and elitist. He also points out where the new weapons need honing before they can bite into such tough, venerable material. A paper edition (unseen) is reported available for $12.95. Annotation copyrighted by Book News, Inc., Portland, OR
This widely acclaimed introduction to modern Christian thought, formerly published by Prentice Hall, provides full, scholarly accounts of the major movements and thinkers, theologians and philosophers in the Christian tradition since the eighteenth-century Enlightenment, together with solid historical background and critical assessments.
A remarkable new play about Cold-War betrayal and the quest for justice 1953. In McCarthy's America, Jakob and Esther Rubenstein are betrayed and punished for an act of industrial espionage. Could this be the greatest miscarriage of justice of the twentieth century? 1975. New York. Matthew Maddison meets Anna Levi in front of an art gallery photograph of Jakob and Esther sharing one final kiss before they part. Young, radical and falling in love, together they seek justice for the past. Inspired by a true story, The Rubenstein Kiss explores the mysterious corridors of history to reveal the anguish of a family and a quest for atonement. Publication coincides with the play's premiere at London's Hampstead Theatre on 17 November 2005. 'a commendably assured first play ... vividly captures the interlocking nature of sexual and ideological passion' Guardian 'This is a bracingly ambitious piece, encompassing the tension between personal and political morality, between idealism and pragmatism, and the power of the past to shape individuals. Astutely and compassionately, Phillips explores each bend in the road that led to the Rubensteins' deaths ... A stimulating debut work of real scope.' The Times
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