Reality-show producer and habitual liar Ritchie Shephard can't stand his sister Bec's relentless honesty, while Bec helps a gene-therapy researcher build a family of his own, even as her ex-fiancé Val, a tabloid editor, plots to destroy Bec by exposing people close to her.
At the dawn of the twenty-first century Adam Kellas finds himself hurled on a journey between continents and cultures. In his quest from the war-torn mountains of Afghanistan to the elegant dinner tables of north London and then the marshlands of the American South, only the memory of the beautiful, elusive Astrid offers the possibility of hope. With all the explosive drama of The People's Act of Love, this is a spellbinding tale of folly and the pursuit of love from one of today's most talented and visionary writers.
1919, Siberia . . . Deep in the unforgiving landscape a town lies under military rule, awaiting the remorseless assault of Bolsheviks along the Trans-Siberian railway. One night a stranger, Samarin, appears from the woods with a tale of escape from an Arctic prison, insisting a cannibal is on his trail. Only Anna, a beautiful young widow, trusts his story. When a local shaman is found dead suspicion and terror engulf the isolated community, which harbours a secret of its own . . .
SHORTLISTED FOR THE WALTER SCOTT PRIZE FOR HISTORICAL FICTION LONGLISTED FOR THE ORWELL PRIZE FOR POLITICAL FICTION A BOOK OF THE YEAR IN THE TIMES, GUARDIAN, SUNDAY TIMES, DAILY EXPRESS, SCOTSMAN and SPECTATOR Three journeys. One road. England, 1348. A gentlewoman flees an odious arranged marriage, a Scots proctor sets out for Avignon and a young ploughman in search of freedom is on his way to volunteer with a company of archers. All come together on the road to Calais. Coming in their direction from across the Channel is the Black Death, the plague that will wipe out half of the population of Northern Europe. As the journey unfolds, overshadowed by the archers' past misdeeds and clerical warnings of the imminent end of the world, the wayfarers must confront the nature of their loves and desires. A tremendous feat of language and empathy, it summons a medieval world that is at once uncannily plausible, utterly alien and eerily reflective of our own. James Meek's extraordinary To Calais, In Ordinary Time is a novel about love, class, faith, loss, gender and desire - set against one of the biggest cataclysms of human history.
The anatomy of Britain on the edge of Brexit, by Orwell Prize winning journalist Since Britain’s 2016 referendum on EU membership, the nation has been profoundly split: one side fantasizing that the referendum will never be acted upon, the other entrenched in questionable assumptions about reclaimed sovereignty and independence. Underlying the cleavage are primal myths, deeper histories, and political folk-legends. James Meek, “the George Orwell of our times,” goes in search of the stories and consequences arising out of a nation’s alienation from itself. In Dreams of Leaving and Remaining, Meek meets farmers and fishermen intent on exiting the EU despite the loss of protections they will incur. He reports on a Cadbury’s factory shut down and moved to Poland in the name of free market economics, exploring the impact on the local community left behind. He charts how the NHS is coping with the twin burdens of austerity and an aging population. Dreams of Leaving and Remaining is urgent reporting from one of Britain’s finest journalists. James Meek asks what we can recover from the debris of an old nation as we head towards new horizons, and what we must leave behind. There are no easy answers, and what he creates instead is a masterly portrait of an anxious, troubled nation.
“The essential public good that Margaret Thatcher, Tony Blair and now Cameron sell is not power stations, or trains, or hospitals. It’s the public itself. it’s us.” In a little over a generation the bones and sinews of the British economy – rail, energy, water, postal services, municipal housing – have been sold to remote, unaccountable private owners, often from overseas. In a series of brilliant portraits the award-winning novelist and journalist James Meek shows how Britain’s common wealth became private, and the impact it has had on us all: from the growing shortage of housing to spiralling energy bills. Meek explores the human stories behind the incremental privatization of the nation over the last three decades. He shows how, as our national assets are sold, ordinary citizens are handed over to private tax-gatherers, and the greatest burden of taxes shifts to the poorest. In the end, it is not only public enterprises that have become private property, but we ourselves. Urgent, powerfully written and deeply moving, this is a passionate anatomy of the state of the nation: of what we have lost and what losing it cost us – the rent we must pay to exist on this private island.
1919, Siberia. Deep in the unforgiving landscape, a shunnedChristian community practises its esoteric religion. With their town under themilitary rule of a demented Kurtz-like commander fighting the Russian Civil War,they await the remorseless assault of Bolsheviks along the Trans-Siberianrailway. Then Samarin arrives. Appearing in the community with stories ofescape from Russia's northernmost prison camp, he claims to have been pursuedby a cannibal known only as "The Mohican." Anna Petrovna, a determinedwidow, feels something for the new arrival, but when the local shaman is founddead, suspicion and terror engulf the little town. A great rush of a novel, something entirely new disguised in theform of classic historical fiction, The People's Act of Love isgarnering extraordinary attention, with rights already sold in 25 countries. Anenthralling narrative, two poignant love stories and a parade of unforgettablecharacters mark this as a novel ready to conquer the world.
Scholarship on the uses of the Old Testament in Luke-Acts has tended to focus upon the role played by the Old Testament in the development of the author's Christology. James Meek, however, draws out the theme of the Gentile mission in Acts as it relates to the Old Testament, and gives particular attention to four texts:13:47 (Isa 49:6); 15:16-18 (Amos 9:11-12); 2:17-21 (Joel 3:1-5 MT); 3:25 (Gen 22:18). The quotations in Acts 13 and 15 receive greater attention because they explicitly address the issue of the Gentile mission (the two earlier texts anticipate it) and because of particular interpretive questions raised by these texts. Meek argues that while there are similarities in the quotations in Acts with the Old Greek form of the cited texts, the argument never depends on distinctive readings of the Old Greek. He therefore rejects claims that the author's use of Old Testament texts is dependent entirely on the Old Greek. He also maintains that all four quotations are used in a manner consistent with their sense in their original contexts, contrary to the common assertion that the New Testament commonly cites Old Testament texts without regard for original sense or context. His third principal argument is that these Old Testament quotations function as "proof from prophecy," contrary to the argument of some. In particular, they are cited to demonstrate the legitimacy of the Gentile mission as conducted by the early church and of the Gentiles' place among the people of God, showing these ideas to be central to the author's purpose.
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