The "Old Hollywood" of studios, stars, and house directors began to break up in the 1960s. Newly independent directors freed from budgetary and aesthetic limitations imposed by studio moguls were the "New Hollywood." Directors could develop their own styles, hire whom they wanted, and make movies that would dazzle jaded audiences. Hollywood would never be the same ... What happened? The author looks at the productions of the "New Hollywood" to answer that question. Scene by scene analyses of some of the 70s most significant films (i. e., Apocalypse Now, Taxi Driver, M. A. S. H., Annie Hall, and American Graffiti) assess both the successes and failures of the New Hollywood.
This book considers a 'baptist' account of the identity of the church, Jesus' body, and the communion elements in the Lord's Supper. It does so in conversation with Thomas Aquinas, Balthasar Hubmaier, and James Wm. McClendon, Jr. in the context of contemporary Baptist engagements with ecumenical Christianity and of contemporary philosophy of language. In a very creative and imaginative way it sets the stage for an account of the identity of Jesus' body, the bread and wine, and the church, that makes a constructive contribution to ecumenical Christianity
But Wait! There's More! (maybe) is the story of how the great and glamorous American Advertising Magic Show became a $500 billion global business, doomed itself in an ocean of corporate funny money and now struggles amid mounting chaos to be born anew in the Internet-driven media revolution of the 21st Century. The authors, both veterans of Adland's Golden Age, describe and illuminate this important business evolution through the colorful history of the creation, growth and destruction of the world's seventh largest advertising agency from its amusing on-the-cuff founding through the mega-agency pig-out of the last 20 years. But Wait!, populated with a wide swath of habitués of the advertising and corporate world, tells through a fast moving narrative and a series of contemporary Conversations in famous and not-so famous Adland watering holes about what went well (great advertising), what went wrong (business judgment), and what went (advertising competence); addresses a major business upheaval that is profoundly affecting business, government and the core nature of mass communication; makes clear the need for a new business model, and explores eight possibilities (some good, some not). There are also "Lessons for the Model Ad Agency CEO" should any survive. Conclusion: Madison Avenue can be great again. (maybe)
This anthology of philosophical essays explores the interpersonal and political contexts in and against which the films of ten major postwar filmmakers were made.
Confinement appears repeatedly in Samuel Beckett's oeuvre – from the asylums central to Murphy and Watt to the images of confinement that shape plays such as Waiting for Godot and Endgame. Drawing on spatial theory and new archival research, Beckett in Confinement explores these recurring concepts of closed space to cast new light on the ethical and political dimensions of Beckett's work. Covering the full range of Beckett's writing career, including two plays he completed for prisoners, Catastrophe and the unpublished 'Mongrel Mime', the book shows how this engagement with the ethics of representing prisons and asylums stands at the heart of Beckett's poetics. "James Little's Beckett in Confinement offers a brilliant analysis of the politics behind Beckett's production of closed space, both as a writer and as a director. It carefully examines the move from writing about closed space to creating an art of confinement. To argue that Beckett's use of confined space is central to the political dynamics of his works, James Little also superbly employs genetic criticism to open up the confined space of the published text and bring highly relevant draft materials back into the critical conversation." Dirk Van Hulle, Professor of Bibliography and Modern Book History, University of Oxford, UK "The many characters Beckett invented share one characteristic: they are all imprisoned or trapped in some way, no matter where they are. Samuel Beckett in Confinement: The Politics of Closed Space draws on untapped riches from Beckett's correspondence and the archives to reconsider the obsession with entrapment, coercion and detention central to Beckett's varied oeuvre. In this exciting and illuminating analysis, James Little offers a fresh and original reading of the work's ethical and political dimensions, and shows us why we need to stop thinking about confinement as a metaphysical metaphor." Emilie Morin, Professor of Modern Literature, University of York, UK "Little breaks new ground in this expansive investigation to explore how confinement is a central component of Beckett's political aesthetics ... The reader is guided by a crisp and easy style of writing as Little demonstrates a command of sources which are broad in scope, but negotiated to form a compelling and impactful study." Journal of Beckett Studies
The New York Times bestseller from the award-winning author of Den of Thieves and Unscripted. "Important and stunning. This is must-read material if you want to understand what the Trump administration is still up to right now." --Lawrence O'Donnell There are questions that the Mueller report couldn't—or wouldn't—answer. What actually happened to instigate the Russia investigation? Did President Trump’s meddling incriminate him? There’s no mystery to what Trump thinks. He claims that the Deep State, a cabal of career bureaucrats—among them, Andrew McCabe, Lisa Page, and Peter Strzok, previously little known figures within the FBI whom he has obsessively and publically reviled—is concerned only with protecting its own power and undermining the democratic process. Conversely, James Comey has defended the FBI as incorruptible apolitical public servants who work tirelessly to uphold the rule of law. For the first time, bestselling author James B. Stewart sifts these conflicting accounts to present a clear-eyed view of what exactly happened inside the FBI in the lead-up to the 2016 election, drawing on scores of interviews with key FBI, Department of Justice, and White House officialsand voluminous transcripts, notes, and internal reports. In full detail, this is the dramatic saga of the FBI’s simultaneous investigations of both Hillary Clinton and Donald Trump—the first time in American history the FBI has been thrust into the middle of both parties' campaigns for the presidency. Stewart shows what exactly was set in motion when Trump fired Comey, triggering the appointment of Robert Mueller as an independent special counsel and causing the FBI to open a formal investigation into the president himself. And how this unprecedented event joined in ongoing combat two vital institutions of American democracy: the presidency and the Federal Bureau of Investigation. At stake in this epic battle is the rule of law itself, the foundation of the U.S. Constitution. There is no room for compromise, but plenty for collateral damage. The reputations of both sides have already been harmed, perhaps irrevocably, and at great cost to American democracy. Deep State goes beyond the limits of the legally constrained Mueller report, showing how the president’s obsession with the idea of a conspiracy against him is still upending lives and sending shockwaves through both the FBI and the Department of Justice. In this world-historical struggle—Trump versus intelligence agencies—Stewart shows us in rare style what’s real and what matters now. And for the looming 2020 election.
From a formidable new voice in suspense fiction comes an edge-of-the-seat story of a homicide detective on the trail of a killer, who slays with exacting precision, and who harbors a terrifying motive Detective Sergeant Michael McCabe moved from New York City to Portland, Maine, to escape a dark past: both the ex-wife who’d left him for an investment banker, and the tragic death of his brother, a hero cop gone bad. He sought to raise his young daughter away from the violence of the big city . . . so he’s unprepared for the horrific killer he discovers, whose bloody trail may lead to Portland’s social elite. Early on a September evening, the mutilated body of a pretty teenaged girl, a high school soccer star, is found dumped in a scrap-metal yard. She had been viciously assaulted, but her heart had been cut out of her chest with surgical precision. The very same day a young businesswoman, also a blonde and an athlete, was abducted as she jogged through the streets of the city’s west end. McCabe suspects both crimes are the work of the same man---a killer who’s targeting the young---who is clearly well-versed in complex surgical procedures, and who may have struck before. Just as the investigation is beginning, McCabe’s ex-wife reemerges, suddenly determined to reclaim the daughter she heedlessly abandoned years earlier. With the help of his straight-talking (and, at times, alluring) partner, Maggie Savage, McCabe begins a race against time to rescue the missing woman and unmask a sadistic killer---before more lives are lost.
Samuel Beckett and the Politics of Aftermath explores Beckett's literary responses to the political maelstroms of his formative and middle years: the Irish civil war and the crisis of commitment in 1930s Europe, the rise of fascism and the atrocities of World War II. Archive yields a Beckett who monitored propaganda in speeches and newspapers, and whose creative work engages with specific political strategies, rhetoric, and events. Finally, Beckett's political aesthetic sharpens into focus. Deep within form, Beckett models ominous historical developments as surely as he satirizes artistic and philosophical interpretations that overlook them. He burdens aesthetic production with guilt: imagination and language, theater and narrative, all parallel political techniques. Beckett comically embodies conservative religious and political doctrines; he plays Irish colonial history against contemporary European horrors; he examines aesthetic complicity in effecting atrocity and covering it up. This book offers insightful, original, and vivid readings of Beckett's work up to Three Novels and Endgame.
Terry Eagleton is one of the most influential contemporary literary theorists and critics. His diverse body of work has been crucial to developments in cultural theory and literary critical practice in modern times, and for a generation of humanities students his writing has been a source of both provocation and enjoyment. This book undertakes a lucid and detailed analysis of Eagleton's oeuvre. It gives close attention to the full range of Eagleton's major publications, examining their arguments and implications, as well as how they have intervened in wider debates in cultural theory. It also investigates his less familiar works, such as his early writing on the Catholic left, as well as other as yet unpublished material, showing how these works can be understood alongside the more prominent areas of his thought. Through this, this book offers a cohesive overview of Eagleton's career to date, tracing the development of his theoretical positions, and an assessment of Eagleton's wider contributions to fields such as Marxist literary criticism and cultural theory. It will be essential reading for students of literary criticism, cultural theory, and intellectual history.
Nearly three-quarters of college students cheat during their undergraduate careers, a startling number attributed variously to the laziness of today’s students, their lack of a moral compass, or the demands of a hypercompetitive society. For James Lang, cultural or sociological explanations like these are red herrings. His provocative new research indicates that students often cheat because their learning environments give them ample incentives to try—and that strategies which make cheating less worthwhile also improve student learning. Cheating Lessons is a practical guide to tackling academic dishonesty at its roots. Drawing on an array of findings from cognitive theory, Lang analyzes the specific, often hidden features of course design and daily classroom practice that create opportunities for cheating. Courses that set the stakes of performance very high, that rely on single assessment mechanisms like multiple-choice tests, that have arbitrary grading criteria: these are the kinds of conditions that breed cheating. Lang seeks to empower teachers to create more effective learning environments that foster intrinsic motivation, promote mastery, and instill the sense of self-efficacy that students need for deep learning. Although cheating is a persistent problem, the prognosis is not dire. The good news is that strategies which reduce cheating also improve student performance overall. Instructors who learn to curb academic dishonesty will have done more than solve a course management problem—they will have become better educators all around.
Fresh off the success of The Cutting, James Hayman brings Detective Michael McCabe back in an even more powerful tale of duplicity, murder, and revenge Glamorous young Portland attorney Lainie Goff thought she had it all—brains, beauty, and a fast-track to a partnership in a top-ranked firm that was going to make her rich. But then one cold winter night she pushed things too far, and her naked frozen body is found in the sub-zero temperatures at the end of the Portland Fish Pier. The only witness to the crime: a mentally disturbed young woman named Abby Quinn who mysteriously disappears the very same night. With the discovery of Lainie Goff ’s body and the disappearance of Abby Quinn, Portland homicide detective Michael McCabe finds himself on the trail of a relentless and clever killer. A killer he must find before another life is lost. With The Chill of Night James Hayman returns to tell a gripping tale of evil and deceit and creates characters so real and so human, we want to meet them again and again.
The True Story of a devious killer and the average woman who did what the police couldn't do. A terrible crime is made all the more unfathomable when the least likely suspect is accused, and a woman must put aside her grief to aid the police before the chance at justice is lost forever. These are circumstances in which one extraordinary woman finds herself entwined in "Citizen Jane," a Hallmark Channel Original Movie which tells the true story of the lone woman who refused to let a killer escape, even at the risk of her own life. Jane Alexander had it all: A wonderful family, personal and financial success and a deep romance with Tom O'Donnell. A family friend for 25 years prior to their romance, Tom helped Jane cope with the death of her husband, and captivated her wit his charming, unflappable personality. But Jane's picturesque life came crashing down around her the morning she received the news that her beloved aunt had been murdered. Slowly, astonishingly, the evidence began to point to the last person Jane would ever believe capable of such an act: Tom. As she began to comprehend the unfathomable, the depth of his deceit grew, as she realized he had fled with tens of thousands of dollars of her money, forcing her to sell her possessions and move into a dilapidated old house. Their investigation did not go unnoticed, however, and Tom O'Donnell would not allow himself to be caught easily. Seeing as his original plan was to murder Jane as well, he saw no reason not to carry out this act, thus removing the last obstacle to the life he had plotted and murdered to obtain. With everything and almost everyone telling her that her quest was futile, and with a remorseless killer determined to take any action necessary to remain free, time was not on Jane Alexander's side. In fact, she would come to learn that very little was on her side at all.
WORLD OF WATER! Dev Harmer, reluctant agent of Interstellar Security Solutions, has travelled to ocean-world Robinson D, nicknamed Triton. Here, settlements of the Terran Diaspora have been coming under attack by members of the planet’s native sub-aquatic race. ISS suspects the involvement of an agent provocateur working for humankind's galactic rivals, the artificial intelligence civilisation known as Polis+. As the violence escalates, Dev finds himself battling to restore order - but he has only seventy-two hours before his genetically engineered host form breaks down irreversibly. And all as an ancient god-beast rises from the depths to usher in a long foretold apocalypse... “The story zooms along at a rip-roaring pace, told in an irreverent tone that perfectly matches the character of our hero. Planet Alighieri is rendered in such believable detail that I almost got a sweat on when Harmer got into trouble on the surface. Lovegrove has got things off to a brilliant start here.”– SF Crow’s Nest “I read this on holiday and it was perfect for kicking back, a throwback to the likes of Dumarest and James Bond. ****”– Theaker’s Quarterly
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