Plays for Young People: Frank & Ferdinand; Gap; Cloud Busting; Those Legs; Shooting Truth; Bassett; Gargantua; Children of Killers; The Beauty Manifesto; Too Fast
Plays for Young People: Frank & Ferdinand; Gap; Cloud Busting; Those Legs; Shooting Truth; Bassett; Gargantua; Children of Killers; The Beauty Manifesto; Too Fast
This brilliant new collection of ten plays for young people will prove indispensable to schools, colleges and youth theatre groups. Specially commissioned by the National Theatre for the Connections Festival 2011 involving 200 schools and youth theatre groups across the UK and Ireland, each play is accompanied by production notes and exercises. The Pied Piper re-imagined, the aftermath of genocide in Rwanda, witches in seventeenth century Norfolk, a giant baby on the rampage, an extraordinary day in an ordinary school are just some of subjects covered in the thrilling and varied new plays created by talented writers for young actors to perform in National Theatre Connections 2011. The plays in this anthology offer a huge variety of stories and styles to ignite the imagination of young casts and creative teams. Themes are both teenage and universal - ambition, dashed hopes, fear and confidence, loyalty and betrayal. These new plays embrace a huge range for their inspiration: they plunder classics and imagine the future.
The Women's Murder Club is stalked by a killer with nothing to lose. San Francisco Detective Lindsay Boxer is loving her life as a new mother. With an attentive husband, a job she loves, plus best friends who can talk about anything from sex to murder, things couldn't be better. Then the FBI sends Lindsay a photo of a killer from her past, and her happy world is shattered. The picture captures a beautiful woman at a stoplight. But all Lindsay sees is the psychopath behind those seductive eyes: Mackie Morales, the most deranged and dangerous mind the Women's Murder Club has ever encountered. In this pulse-racing, emotionally charged novel by James Patterson, the Women's Murder Club must find a killer--before she finds them first.
This book is about the life of a loving and responsible father who has lost his relationships with his adult children. This circumstance provides the background for a captivating, human story which will ring true for a soberingly large number of loving parents to whom a loss of this nature has occurred. Such readers will have a strong frame of reference from which to relate to the story. For others who are simply students of the human condition, this well-crafted excursion into the life of another everyman is thoroughly worth the undertaking. The book takes us from one recollection to another, be they light- hearted and uplifting or stark and powerful, with deftness and brevity. The way in which the tragic loss of cherished children is transformed into a joyful life of purpose and love is an uplifting story which makes a worthwhile and gratifying read. A set of principles is offered as a recipe to help those for whom personal loss creates continuing pain. This provides a positive and effective means to help readers gain, even in the face of tragedy, the same kind of life success which has been experienced by the man about whom this story is written.
Why do we value music? Many people report that listening to music is one of life's most rewarding activities. In Critique of Pure Music, James O. Young seeks to explain why this is so. Formalists tell us that music is appreciated as pure, contentless form. On this view, listeners receive pleasure, or a pleasurable 'musical' emotion, when they explore the abstract patterns found in music. Music, formalists believe, does not arouse ordinary emotions such as joy, melancholy or fear, nor can it represent emotion or provide psychological insight. Young holds that formalists are wrong on all counts. Drawing upon the latest psychological research, he argues that music is expressive of emotion by resembling human expressive behaviour. By resembling human expressive behaviour, music is able to arouse ordinary emotions in listeners. This, in turn, makes possible the representation of emotion by music. The representation of emotion in music gives music the capacity to provide psychological insight-into the emotional lives of composers, and the emotional lives of individuals from a variety of times and places. And it is this capacity of music to provide psychological insight which explains a good deal of the value of music, both vocal and purely instrumental. Without it, music could not be experienced as profound. Philosophers, psychologists, musicians, musicologists, and music lovers will all find something of interest in this book.
The Women's Murder Club is stalked by a killer with nothing to lose. San Francisco Detective Lindsay Boxer is loving her life as a new mother. With an attentive husband, a job she loves, plus best friends who can talk about anything from sex to murder, things couldn't be better. Then the FBI sends Lindsay a photo of a killer from her past, and her happy world is shattered. The picture captures a beautiful woman at a stoplight. But all Lindsay sees is the psychopath behind those seductive eyes: Mackie Morales, the most deranged and dangerous mind the Women's Murder Club has ever encountered. In this pulse-racing, emotionally charged novel by James Patterson, the Women's Murder Club must find a killer-before she finds them first.
On a chilly day in October of 1982, I uncovered an alien creature while trying to make an oil well location in Copperhead Hollow, West Virginia. Im not real good at driving a bulldozer but I managed to unearth the turtle shaped creature after he nicely, telepathically, talked me into it! It was a good thing that I liked Sci-Fi or I probably would have gone nuts! The creatures name is Pracon and he is a silicone creature from the Procyon system. I still see him occasionally. Not only did we communicate but before he left me the first time, he touched me mentally or I should say, he shocked me like a freakin electric line, leaving me with knowledge and brain power that I had never felt before. It was like he had supercharged my brain. I suddenly knew things I didnt understand, like images of other aliens, some quite frightening along with their strange dialects and languages. He also left me with a knowledge of the universe that included directions on how to get to different galaxies and planets as well as who lived there, how they lived, and whether they would love me or kill me. I gotta tell you, the nightmares I had for several months afterwards were horrible to say the least, yet nothing like what happened next. Several months did go by, with the nightmares and such. People started talking behind my back that I was possessed for I would sometimes talk to them in Tharx, a truly universal language, and then look at them like I expected them to understand me. Or avoid me when my eyes turned colors and tables and chairs started moving around me. I, myself, often looked into the mirror while shaving and didnt really recognize the person looking back at me. Joan, my girlfriend, my sweetheart, stayed with me through it all, and in the process became part of the bigger picture. Then one day a knock at the door produced a creature that was identical to the geologist I worked with, Rick, only this one wanted me dead. Had I not been on the phone talking to the real Rick, I sure I would have been killed that day and not just shot in the ass. But, using my new found intelligence I was able to paralyze the creature, a thing made of living tissue and metal, and get rid of its head before the damn thing blew up. Yes, it was freaky. And it got freakier. The explosion drew law enforcement officers from all over as well as a group of alien Guardians from the planet Entimall, short, white colored humanoids, who helped me subdue another humanlike creature masquerading this time as a paramedic. Yet their purpose for coming to our planet was not to help save me but to see if I would help them save their own world. By the time they found out I did not know what a Guardian was, I was visited by another creature, an red Altairian, a devilish looking man named Crouthhamel. He was their commander and quickly sent them packing, threatening to remove their sex organs from their chests for their violation of landing here! Ouch! Hes the one who enlisted me by first taking me to the backside of the moon and then sticking a Vega collar on my head. He didnt hurt me with it as its purpose was to educate not punish like some of them can do, he just tested me and taught me until the damn thing started smoking. Pracons imparted knowledge together with my own education and personality must have convinced him I would make a good Guardian for my sector of space. Thats when he gave me my very own spaceship! He didnt really give it to me, more like offered me to it. The ship was actually a living being and quite capable of acting on its own. Unfortunately it was only the second one ever made and, are you ready for this, the first one kinda went nuts so they had to destroy it. As you will see, I probably should have made a note to myself about that. Did it stop me from enlisting,
ReunionLife on the Hellmouth -- a.k.a. Sunnydale, California -- has always involved a steady parade of demons intent on ruining Buffy Summers's nightlife. Staying at the top of her game means Buffy's racked up some powerful enemies.Now an old nemesis has returned: Ethan Rayne, a college "friend" of Giles's, has arrived in Sunnydale, and this time he actually wants Buffy's help. Not surprisingly, he's run afoul of The First -- an ancient evil that predates humankind. And now The First has made Ethan a deal he can't refuse: ultimate power. All he has to do is lure Buffy into battle.With their sanity on the line, the gang is going to need all the help they can get. Enter Spike and Faith...
The Critique of Impure Reason: Horizons of Possibility and Meaning comprises a major and important contribution to philosophy. It inaugurates a revolutionary paradigm shift in philosophical thought by providing compelling and long-sought-for solutions to a wide range of philosophical problems. In the process, the massive work fundamentally transforms the way in which the concepts of reference, meaning, and possibility are understood. The book includes a Foreword by the celebrated German philosopher and physicist Carl Friedrich von Weizsäcker. In Kant’s Critique of Pure Reason we find an analysis of the preconditions of experience and of knowledge. In contrast, but yet in parallel, the new Critique focuses upon the ways—unfortunately very widespread and often unselfconsciously habitual—in which many of the concepts that we employ conflict with the very preconditions of meaning and of knowledge. This is a book about the boundaries of frameworks and about the unrecognized conceptual confusions in which we become entangled when we attempt to transgress beyond the limits of the possible and meaningful. We tend either not to recognize or not to accept that we all-too-often attempt to trespass beyond the boundaries of the frameworks that make knowledge possible and the world meaningful. The Critique of Impure Reason proposes a bold, ground-breaking, and startling thesis: that a great many of the major philosophical problems of the past can be solved through the recognition of a viciously deceptive form of thinking to which philosophers as well as non-philosophers commonly fall victim. For the first time, the book advances and justifies the criticism that a substantial number of the questions that have occupied philosophers fall into the category of “impure reason,” violating the very conditions of their possible meaningfulness. The purpose of the study is twofold: first, to enable us to recognize the boundaries of what is referentially forbidden—the limits beyond which reference becomes meaningless—and second, to avoid falling victims to a certain broad class of conceptual confusions that lie at the heart of many major philosophical problems. As a consequence, the boundaries of possible meaning are determined. Bartlett, the author or editor of more than 20 books, is responsible for identifying this widespread and delusion-inducing variety of error, metalogical projection. It is a previously unrecognized and insidious form of erroneous thinking that undermines its own possibility of meaning. It comes about as a result of the pervasive human compulsion to seek to transcend the limits of possible reference and meaning. Based on original research and rigorous analysis combined with extensive scholarship, the Critique of Impure Reason develops a self-validating method that makes it possible to recognize, correct, and eliminate this major and pervasive form of fallacious thinking. In so doing, the book provides at last provable and constructive solutions to a wide range of major philosophical problems. CONTENTS AT A GLANCE Preface Foreword by Carl Friedrich von Weizsäcker Acknowledgments Avant-propos: A philosopher’s rallying call Introduction A note to the reader A note on conventions PART I WHY PHILOSOPHY HAS MADE NO PROGRESS AND HOW IT CAN 1 Philosophical-psychological prelude 2 Putting belief in its place: Its psychology and a needed polemic 3 Turning away from the linguistic turn: From theory of reference to metalogic of reference 4 The stepladder to maximum theoretical generality PART II THE METALOGIC OF REFERENCE A New Approach to Deductive, Transcendental Philosophy 5 Reference, identity, and identification 6 Self-referential argument and the metalogic of reference 7 Possibility theory 8 Presupposition logic, reference, and identification 9 Transcendental argumentation and the metalogic of reference 10 Framework relativity 11 The metalogic of meaning 12 The problem of putative meaning and the logic of meaninglessness 13 Projection 14 Horizons 15 De-projection 16 Self-validation 17 Rationality: Rules of admissibility PART III PHILOSOPHICAL APPLICATIONS OF THE METALOGIC OF REFERENCE Major Problems and Questions of Philosophy and the Philosophy of Science 18 Ontology and the metalogic of reference 19 Discovery or invention in general problem-solving, mathematics, and physics 20 The conceptually unreachable: “The far side” 21 The projections of the external world, things-in-themselves, other minds, realism, and idealism 22 The projections of time, space, and space-time 23 The projections of causality, determinism, and free will 24 Projections of the self and of solipsism 25 Non-relational, agentless reference and referential fields 26 Relativity physics as seen through the lens of the metalogic of reference 27 Quantum theory as seen through the lens of the metalogic of reference 28 Epistemological lessons learned from and applicable to relativity physics and quantum theory PART IV HORIZONS 29 Beyond belief 30 Critique of Impure Reason: Its results in retrospect SUPPLEMENT The Formal Structure of the Metalogic of Reference APPENDIX I: The Concept of Horizon in the Work of Other Philosophers APPENDIX II: Epistemological Intelligence References Index About the author
In the annals of American western history, few people have left behind such lasting and far-reaching fame as Billy the Kid. Some have suggested that his legend began with his death at the end of Pat Garrett’s revolver on the night of July 14, 1881, in Fort Sumner. Others believe that the legend began with his unforgettable jailbreak in Lincoln, New Mexico, several months prior on April 28, 1881. Others still insist his legend began with the publication in 1926 of Walter Noble Burns’s book, The Saga of Billy the Kid. James B. Mills has left no stone unturned in his twenty-year quest to tell the complete story of Billy the Kid. He explores the Kid’s disputable origins, his family’s migration from New York into the Southwest, and how he became an orphan, as well as his involvement in the Lincoln County War, his outlaw exploits, and his dealings with Governor Lew Wallace. Mills illuminates the Kid’s relationships with his enemies, lovers, and numerous friends to contextualize the man’s character beyond his death and legacy. Most importantly, Mills is the first historian to fully detail the Kid’s relations with New Mexicans of Spanish descent. So, the question remains, who really was the person the world knows as Billy the Kid? Was he more than a young reprobate committed to a life of crime, who relished becoming a famous outlaw and cold-blooded, self-absorbed “sociopath” or “thug” that some still prefer him—need him—to be? Or was he in fact, the generally good-hearted, generous, courteous, young vigilante that so many remembered with considerable fondness, who ultimately preferred the company of the more peaceable Hispanic population than his own Anglo people? In this groundbreaking biography, Mills takes the reader closer to the flesh-and-blood human being named Henry McCarty, alias William H. Bonney, than ever before.
Maud Allan, the famous exotic dancer was destroyed by the infamous libel trial brought by charismatic British Member of Parliament. and pilot, Noel Pemberton-Billing.In this wonderfully written book, Russell James charts her rise and fall from the days when she saved the 1908 London Olympics from failure to the outrageous miscarriage of justice of her trial which knocked the dark days of the First World War off the front pages of the national newspapers.In his gripping narrative, Russell seamlessly moves from the days when Maud was courted by society to the end when her friends, apart from former PMs wife, Margot Asquith, shunned her in case they, too, were labeled as sexual deviants. The trial was based on the existence of the notorious (and fictional?). German black book and its list of 47,000 sexually depraved people who could be used by the Germans to defeat the British in War. Names included Herbert and Margot Asquith and the judge himself. Maud Allan did not stand a chance.A fantastic read brought out in time for the 2008 Beijing Olympics which will be looking ahead to the next London Olympics, in four years time.
Explaining why he embraced the theory of relativity, the Nobel Prize-winning theoretical physicist P. A. M. Dirac stated, "It is the essential beauty of the theory which I feel is the real reason for believing in it." How reasonable and rational can science be when its practitioners speak of "revolutions" in their thinking and extol certain theories for their "beauty"? James W. McAllister addresses this question with the first systematic study of the aesthetic evaluations that scientists pass on their theories.Using a wealth of other examples, McAllister explains how scientists' aesthetic preferences are influenced by the empirical track record of theories, describes the origin and development of aesthetic styles of theorizing, and reconsiders whether simplicity is an empirical or an aesthetic virtue of theories. McAllister then advances an innovative model of scientific revolutions, in opposition to that of Thomas S. Kuhn.Three detailed studies demonstrate the interconnection of empirical performance, beauty, and revolution. One examines the impact of new construction materials on the history of architecture. Another reexamines the transition from the Ptolemaic system to Kepler's theory in planetary astronomy, and the third documents the rise of relativity and quantum theory in the twentieth century.
When Gene Long, editor of Kluwer's Handbook of Contemporary Philosophy of Religion Series, first invited me to write the volume on Analytic Philosophy of Religion, I accepted with great enthusiasm. My only explanation for that enthusiasm now is that I was younger and more naive at the time. Soon after starting work on the volume, my enthusiasm was dampened by the daunting magnitude of the task. I began as a sprinter and quickly settled into the pace of a long-distance runner. Although I considered myself well read in the subject, I soon discovered that I had a great deal of research to do to be confident that I had considered all of the major contributions to the various discussions, issues, and of religion. As I read more and more problems found within analytic philosophy books and articles, I realized that I had rushed into a territory already well trodden by the angels. I am greatly impressed by the sophistication and subtlety of philosophical argument that characterize the different debates in contemporary analytic philosophy of religion. This volume covers a vast amount of material. I have endeavored to provide the fairest possible reading of different authors, and, in cases where I include my own critical evaluations and develop my own positions, I have endeavored to provide the strongest possible interpretations of the positions I criticize.
The death of a person is a tragedy while the explosion of a lifeless galaxy is a mere firework. The moral difference is grounded in the nature of humans: humans have intrinsic worth, a worth that makes their fate really matter. This is the worth that the Australian philosopher James Franklin proposes as the foundation of ethics. In The Worth of Persons he explains that ethics in the usual sense of right and wrong actions, rights and virtues, and how to live a good life, is founded on something more basic that is not itself about actions, namely the worth of persons. Human moral worth arises from certain properties that distinguish humans from the rest of creation (though some animals share a lesser degree of those properties): rationality, consciousness, the ability to act for reasons, emotional structure and love, individuality. This complex package makes humans the "piece of work" of which Hamlet says, “How noble in reason, how infinite in faculty." In clear prose and deeply informed philosophical argument, The Worth of Persons establishes a foundation for ethics in the equal worth of persons, which makes ethics absolutely objective and immune to relativist attacks because it is based on the metaphysical truth about humans. The Worth of Persons will appeal to all those who feel that endless debate about ethical dilemmas, rules, and principles fails to connect with what is really important ethically, that is, what makes humans matter.
Takes a middle ground between the topical and historical approaches to Western ethics. This book explains the historical development of the topic under consideration, and most chapters focus on a specific famous philosopher who championed a particular tradition, such as Aristotle, Locke, or Kant, and the chapters are chronologically ordered.
Clark provides a penetrating critique of the Enlightenment assumption of evidentialism--that belief in God requires the support of evidence or arguments to be rational. His assertion is that this demand for evidence is itself both irrelevant and irrational. His work bridges the gap between technical philosopher and educated layperson.
Geographical Information Systems has moved from the domain of the computer specialist into the wider archaeological community, providing it with an exciting new research method. This clearly written but rigorous book provides a comprehensive guide to that use. Topics covered include: the theoretical context and the basics of GIS; data acquisition including database design; interpolation of elevation models; exploratory data analysis including spatial queries; statistical spatial analysis; map algebra; spatial operations including the calculation of slope and aspect, filtering and erosion modeling; methods for analysing regions; visibility analysis; network analysis including hydrological modeling; the production of high quality output for paper and electronic publication; and the use and production of metadata. Offering an extensive range of archaeological examples, it is an invaluable source of practical information for all archaeologists, whether engaged in cultural resource management or academic research. This is essential reading for both the novice and the advanced user.
Wells argues that the victory song is a traditional art form that appealed to a popular audience and served exclusive elite interests through the inclusive appeal of entertainment, popular instruction, and laughter. Wells offers a new take on old Pindaric questions: genre, unity of the victory song, tradition, and epinician performance.
Inheriting the tradition of Hugh Miller, the nineteenth century folklorist and stonemason (whose own haunted life is the subject of the opening chapter), James Robertson has, where possible, researched the original or oldest written source and visited the site of each story to compile the most comprehensive and authoritative collection of the Scottish supernatural. Some of the stories gathered here are deservedly famous, such as those associated with Glamis Castle or the tale of Major Weir, while others ('The Deil of Littledean' and 'The Drummer of Cortachy') are less familiar or even contemporary accounts related to the author personally - but all are equally intriguing and fascinating reflections of the culture and period to which they belong. Neither a wary sceptic nor a fanatical believer, but an advocate of the validity of individual experience of the strange and unexplainable, James Robertson's Scottish Ghost Stories is an imaginative and chilling recasting of an established Scottish ghost-hunting and story-telling tradition - a homage to the particular mystery and character of a land which continues to produce ghosts whether from den to glen, Highlands to Lowlands, Catholic to Protestant.
It's finally time! Detective Lindsay Boxer is in labor-while two killers are on the loose. Lindsay Boxer's beautiful baby is born! But after only a week at home with her new daughter, Lindsay is forced to return to work to face two of the biggest cases of her career. A rising star football player for the San Francisco 49ers is the prime suspect in a grisly murder. At the same time, Lindsay is confronted with the strangest story she's ever heard: An eccentric English professor has been having vivid nightmares about a violent murder and he's convinced is real. Lindsay doesn't believe him, but then a shooting is called in-and it fits the professor's description to the last detail. Lindsay doesn't have much time to stop a terrifying future from unfolding. But all the crimes in the world seem like nothing when Lindsay is suddenly faced with the possibility of the most devastating loss of her life.
Religious thinkers in the Christian theistic tradition have tried to resolve the problem of evil—how a wholly good and omnipotent God could allow there to be evil—by offering a theodicy. This book considers three traditional theodicies and the objections they have elicited: Leibniz’s best of all possible worlds theodicy, the free will theodicy, and an Irenaean type of theodicy. It also considers metatheodicies and limited theodicies. However, this book departs from traditional religious thinking by presenting and treating religious approaches to evil that do not confront evil through the religious problem of evil. Primary among the three religious approaches to evil that are presented is the approach of Job-like belief. Such an approach embodies Job’s acceptance of evil as what God has given, expressed in his rhetorical “Shall we receive good at the hand of God, and shall we not receive evil?” (Job 2.10). The various elements of Job-like belief that are internally required for its approach to evil are critically examined, and it is seen how a Job-like approach to evil neither seeks nor requires a resolution to the problem of evil. The other two religious approaches to evil, as opposed to the problem of evil, are the effort to lessen evil in the world and the practice of forgiveness, both of which are compatible with each other and with a Job-like acceptance of evil, with which they can be combined. Also treated in this book are mystery and God’s goodness. Accompanying every theodicy is mystery (in its religious sense as that which is beyond human understanding), and the experience of the mystery of God’s goodness shining through the world and through evil is embodied in Job-like belief.
Moral Measures is a clear, fresh and accessible introduction to ethics which carefully illuminates the difficult issues surrounding cross-cultural ethics and moral thought. By examining Western and Eastern moral traditions, James Tiles explores the basis for determining ethical measures of conduct across different cultures.
The second in James Hurford's acclaimed two-volume exploration of the biological evolution of language explores the evolutionary and cultural preconditions and consequences of humanity's great leap into language.
The Land Rover has become an icon across the world, famed for its classic design, its practicality and its longevity. In this revised edition of his acclaimed book, first issued as Land Rover - 60 Years of the 4 x 4 Workhouse, James Taylor charts sixty-five years of Land Rover development in comprehensive detail, bringing the story right up to date with the latest Defender variants. Contents include: Prototypes and development vehicles; Standard production models; The special editions; Land Rovers built outside the UK; Special conversions; Military variants; The Land Rovers that never were. The first book to look at the story of the Land Rover's gradual evolution. Comprehensively researched, extensively illustrated and accessibly presented, this will be an indispensable read for all those who have an interest in the legend that is Land Rover. Superbly illustrated with 476 colour photographs. James Taylor's major specialization is the Rover company and its descendants, and he is widely acknowledged as the pre-eminent historian of the Land Rover.
The long-awaited biography of one of Canada’s most intriguing and beguiling artists. Do artists really thrive in big cities, or do they just learn to imitate New York? Is it a contradiction for an artist to be fiercely local and profoundly identified with international art movements? If the brilliant colourist and regionalist pioneer Greg Curnoe stood for any one thing, it was making trouble. An intriguing rebel throughout his life, he challenged ideas about what art should be, and pushed it in radical new directions — including away from Toronto, a city he rejected while succeeding masterfully in its galleries. His untimely death in 1992 cut short a career of constant reinvention. This first biography of Curnoe recaptures in vivid detail the public and personal life of an iconoclast who was called a “walking autobiography,” as his work seemed to document his endless struggle against many of the core tenets of the art of his time. An anti-establishment firebrand and a fierce opponent of American dominance in Canadian culture, Curnoe, in his conceptual practice, constructed a stunning body of work that remains a hallmark in late-twentieth-century Canadian art.
In Washington D.C. two men are murdered in a park. A bomb explodes at the Democratic National Committee headquarters. The President of the United States is in the crosshairs of an assassin on the steps of the Minnesota Capitol, and music publisher Jake Tyler is running for his life. As the presidential election draws near, everyone in power in Washington D.C. is either a suspect or the next victim, and the difference is as thin as a bullet. Detective Tom Everett and his partner will travel from the halls of government power to the cold streets of Minnesota and back again to find out who is behind the plot. There is no shortage of suspects: Dr. Richard Kingman is the religous zealot who has killed before. Roland McVay is the vengeful senate majority leader who does not take defeat lighlty. Lee Jefferson is the Vice President who has a stunning secret he would do anything to keep hidden. And a shadowy killer known only as Kane may have an agenda of his own. Nothing is what it seems, and time is running out in the fast-paced breakthrough political thriller, To Support And Defend.
“This is a book for all Marines and future Marines. . . . [and] will also appeal to Marines of the ‘Old Corps’ since it shows we still ‘make ‘em like we used to.’”—Leo J. Daugherty III, Marine Corps Gazette “Something so tough, so powerful, that unless you join together, you can’t accomplish the defining moment. Your team will not make it unless you pull together.”—General Charles C. Krulak, Commandant, United States Marine Corps Welcome to the Crucible Event. This is the culmination of Marine Corps basic combat training, boot camp. The Crucible Event is the “defining moment” for young Marine recruits. Once inside the crucible, the recruits are faced with fifty-four gruelling hours with little sleep, little food, and a series of events that will tax them physically and mentally. The recuirt platoon will be profoundly tested as individuals. Even more important, they will discover that they are unable to pass through the crucible except as a team. Beyond the Crucible Event’s physical demands of endurance is the reinforcement of the core values of the United States Marines: honor, courage, and commitment. The crucible creates a change of mind, body, and spirit that will alst a lifetime, whether one wears the uniform for four years or forty—a constant reminder of the supreme responsibility that comes with the title “United States Marine.” Praise for Into the Crucible “Provides a wealth of factual information and insider insights. . . . [and] provides a fascinating first-hand look at the revolutionary training ‘event’ and shows why it has become so effective. Readers—whether Marines, civilians, or other members of other services will find Woulfe’s book a worthwile read.”—SeaPower Magazine “A powerful and inspiring book.”—Terry Mapes, Mansfield, Ohio, News Journal
The new edition of this popular account of medical microbiology has been revised and updated to include new chapters dealing with laboratory organization and the pattern of investigation recommended for each main type of clinical specimen. The text is aimed at those involved in diagnostic work.
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