New York Times bestselling author James L. Swanson brings to life the fast-paced, suspense-filled story of Abraham Lincoln's and Jefferson Davis's final journeys through our wounded nation following the Civil War. This suspense-filled true-crime thriller—the young readers’ adaptation of Swanson’s Bloody Crimes—explores two epic events of the Civil War era: the manhunt to apprehend Confederate president Jefferson Davis in the wake of Abraham Lincoln’s assassination and the momentous 20-day funeral pageant that brought President Lincoln’s body from Washington, DC to his home in Springfield. Full of fascinating twists and turns, and lavishly illustrated with dozens of rare historical images, Bloody Times captures the riveting stories of these two fallen leaders who changed the course of history. It’s perfect for young readers who enjoy dramatic nonfiction tales from the likes of Steve Sheinkin and Patricia McCormick. This book contains a note from the author, a glossary, a list of important Civil War figures, and a guide to visiting the historic sites mentioned within. A companion to the bestselling and highly acclaimed Chasing Lincoln's Killer.
In Bloody Crimes, James L. Swanson—the Edgar® Award-winning, New York Times bestselling author of Manhunt—brings to life two epic events of the Civil War era: the thrilling chase to apprehend Confederate president Jefferson Davis in the wake of the Lincoln assassination and the momentous 20 -day funeral that took Abraham Lincoln’s body home to Springfield. A true tale full of fascinating twists and turns, and lavishly illustrated with dozens of rare historical images—some never before seen—Bloody Crimes is a fascinating companion to Swanson’s Manhunt and a riveting true-crime thriller that will electrify civil war buffs, general readers, and everyone in between.
From winter whale watching to autumn seabirding, The Northwest Nature Guide offers more than 170 best bets for wildlife adventures throughout Oregon, Washington, and British Columbia—as well as your own backyard. With contagious enthusiasm and irrepressible humor, James Luther Davis shares his insider tips, helpful maps, and experience to guarantee readers know where they need to go to see nature at its peak every month of the year. Whatever the season and no matter the weather, Davis entices nature lovers of all ages to discover what they might otherwise miss. The intrepid may find the three-toed woodpecker or even Sasquatch. The inquisitive will learn why auks fly but penguins don't. Everyone will discover outdoor adventures that revitalize, inspire, and renew their appreciation for nature. Whether it's tidepooling by the shore, newt pursuit in the woods, or trailing bighorn sheep in the mountains, this practical guide helps make the most of every fresh-air opportunity.
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
How does film censorship work in Britain? Robertson examines the history of the British Board of Film Censors and shows that censorship has had a greater influence on film history than is often assumed.
This book covers the history of theater as well as the literature of America from 1880-1930. The years covered by this volume features the rise of the popular stage in America from the years following the end of the Civil War to the Golden Age of Broadway, with an emphasis on its practitioners, including such diverse figures as William Gillette, Mrs. Fiske, George M. Cohan, Maude Adams, David Belasco, George Abbott, Clyde Fitch, Eugene O’Neill, Texas Guinan, Robert Edmond Jones, Jeanne Eagels, Susan Glaspell, The Adlers and the Barrymores, Tallulah Bankhead, Philip Barry, Maxwell Anderson, Mae West, Elmer Rice, Laurette Taylor, Eva Le Gallienne, and a score of others. Entries abound on plays of all kinds, from melodrama to the newly-embraced realistic style, ethnic works (Irish, Yiddish, etc.), and such diverse forms as vaudeville, circus, minstrel shows, temperance plays, etc. This second edition of Historical Dictionary of American Theater: Modernism covers the history of modernist American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 2,000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the American Theater in its greatest era.
Challenging the mythologies surrounding the early years of the Balanchine-Kirstein enterprise, this book weaves a new and definitive account of a crucial period in dance history.
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