At fourteen, Fergy is tired of his family's life style. He's tired of living in a van with his parents, J. P. and Gussie, and his younger sister, Ooma. He's sick of peddling honey and pamphlets of his father's writings. And most of all he hates stealing things, even though J. P. says it's all right to "reclaim" necessities from society. Fergy listens to J. P. talk about the evils of "the system," and gradually Fergy realizes that he no longer believes or respects his father. In fact, Fergy longs more than anything to be a part of that system! One day, when Fergy's father steals a motor home from an elderly couple who have befriended them, Fergy knows the time has come to act. He's fed up, and he has to escape. Early one morning, with Ooma in tow, Fergy runs away. Gussie's wealthy parents live in Boston, and Fergy hopes that if he can find them, he and Ooma can have the "regular and normal" life he longs for. How Fergy comes to grips with his relationship with his parents and his own expectations makes a provocative, at times painful, but always absorbing story about a boy's determination to make a better life for himself.
Fifteen-year-old Ben Buck and his family spent four years clearing the wilderness to build a new home in Pennsylvania. They fought the Indians and the British, and they made sacrifices most people wouldn't have been strong enough to make, all so they could be independent and free. Now someone's trying to take everything away from them-their land, their home, even Ben's best friend, Joe. But the Bucks won't give up without a fight, and Ben knows his family will have to win a war to stay free. But what he doesn't know is that wars sometimes last a very long time. And even if you win in the end, you can lose almost everything along the way.
Justin Conkey was too young to fight in the Revolution of 1776, but now it is 1787 and he is fourteen. Justin is ready to fight, even if he has only his father's old sword to protect him. But once on the battlefield, war is not what he expected. It is dangerous and frightening and nothing makes sense. Throughout a particularly bitter winter the young man is desperate to prove that he too can be a hero—not realizing that many times heroes turn out to be just ordinary people caught up in extraordinary events, who do what comes naturally to save others regardless of risk to themselves. Insisting on joining General Daniel Shays' group of Regulators, he lies about his age and marches with the group throughout New England. But war puts friendships and political convictions to the test.
Everyone in Timber Falls knows that his family is trash, and sometimes Harry White thinks he'll always be trash. But he can't help getting angry. After all, what had he and his sister, Helen, ever done to anybody? When he discovers the local carpet factory is polluting the river, he comes up with a bold expos├® that, if he is successful, will make people sit up and show him respect. He wants to do it alone even though he knows he's asking for trouble. As trash, Harry's got nothing to lose. Or does he? Gripping, disturbing, and exhilarating, When the Stars Begin to Fall reveals the hidden forces that conspire against well-meaning innocents. Harry's desire to change himself and society is so powerful, his voice so direct and real, that listeners won't forget his struggle for dignity. In this striking departure from the historical novels he is so well known for, James Lincoln Collier has written a powerful—even shocking—novel that challenges and defies the rhetoric of contemporary America.
It’s 1895 in New York City. Hard times have hit, and life isn’t going to get noticeably better any time soon. Almost-thirteen-year-old Chipper Carey is running with the Midnight Rats kid gang just to survive. Chipper doesn’t normally like to think beyond the present. His past has been bad enough! Ma died of consumption when he was six. His short-lived stay with Aunt Millie and Uncle Bert consisted of endless beatings. He never even knew his father. Sure, Chipper feels badly about the gang’s stealing and fighting. He knows Ma wouldn’t have approved. He knows she wanted and expected a respectable life for him. What does it matter that even he sometimes feels he’s different, maybe even better, than the rest of the gang? What ultimately has to matter is reality, and without the Midnight Rats, Chipper would have nothing. He’d starve. He’d face thrashings more serious than those inflicted by the police. Worst of all, he’d be alone. Fortunately for Chipper, fate takes over and introduces him to the wealthy Miss Sibley. For once, it becomes possible for him to forget that the rich are the enemy. For once, like his Ma, someone else believes that he really was meant for something better.
Fourteen-year-old Chris Winchester is torn between two worlds. By birth, he's part of the indomitable Winchester clan, owners of the enormous electronics factory that employs nearly everyone in town. Yet Chris' father gave up his stake in the business to work for the Peace Corp. When he died, Chris, his mother, and his twin sisters moved into a tiny gatehouse on the Winchester estate—poor relations living on family goodwill. While his cousin Ernest is groomed to take over the family fortune, Chris attends public school and makes friends with the kids in town. He can't understand why a crisis at his uncle's factory makes people suddenly hate him, but a wage cut and a threatened strike have everyone's nerves on edge. In the eyes of the townspeople, Chris is guilty by association, for he bears the Winchester name. When things turn ugly, Chris discovers that his family can get very tough. Power is like a muscle, his uncle explains, and it must be flexed to keep it strong. Chris senses that power can be used to destroy, as well. In spite of himself, Chris is drawn into the inner circle of the Winchester clan. Suddenly he realizes that part of the Winchester wealth might be his one day. Being rich sounds exciting, but his uncle's protection is not without its price, and Chris' conscience is uneasy. As he journeys toward adulthood he is faced with some difficult questions: where does he belong, and whose side is he on?
Young Daniel Arabus and his mother are slaves in the house of Captain Ivers of Stratford, Connecticut. By law they should be free, since Daniel’s father fought in the Revolutionary army and earned enough in soldiers’ notes to buy his family’s freedom. But now Daniel’s father is dead, and Mrs. Ivers has taken the notes from his mother. When Daniel bravely steals the notes back, a furious Captain Ivers forces him aboard a ship bound for the West Indies—and certain slavery. Even if Daniel can manage to jump ship in New York, will he be able to travel the long and dangerous road to freedom? The second book in the Arabus family saga finds young Daniel trying to retrieve the notes that ensure his and his mother’s freedom, until he is forced aboard a boat and headed for certain slavery in the West Indies.
Back before the stock market crash, Jack’s dad had been working steadily, and their family had had plenty of money. But now, in the middle of the 1930s Depression, there isn’t much work for a trombone player—just a gig down in New York City once in a while. So fourteen-year-old Jack is doing his best to help out. He’s lucky enough to get a weekend job at the town boat club where the “rich folks” hang out, but Jack wishes his dad would at least try to get a regular job. Sometimes there isn’t even enough money to buy decent food and clothes for Jack, his sister Sally, and their young brother Henry. It’s bad enough that their mother has had a nervous breakdown and gone to live in a “home.” Now Jack and Sally are beginning to wonder how long the rest of the family will be able to stay together, with so little money coming in. Jack’s father keeps telling them to look on the bright side—his favorite song is “Happy Days Are Here Again.” But Jack isn’t sure there can be a bright side when you don’t have enough money to live decently. Then, at the boat club, Jack sees an opportunity to steal a lot of money—enough to pay the family’s back rent and keep them all together. For the first time in his life Jack is seriously tempted to steal—especially now that he realizes that his dad can’t really be depended upon, that it’s up to him to take care of the family.
To Tim Anderson, playing the guitar is as natural—and just about as important—as breathing. He's already decided he's going to be a musician. But his father has other career plans for him—all involving college. And now, because Tim is on the verge of flunking math, he's been forbidden even to touch his guitar. It couldn't have happened at a worse time. A top record company has just announced a nationwide contest for teenage rock groups—with a recording contract as first prize. Tim is sure his group, The Silver Sunshine, has a good chance of winning. Tim's best friend, Charlie Hoving, urges him to ignore his father's orders. But Tim just can't do it. In spite of their disagreements, he basically likes and respects his father. So he obeys the ban (more or less)—until a crisis arises on the night of the contest ... Tim realizes his only chance to make it is to leave home and go to New York City. His decision leads to some unpleasant experience with a man named Crazy, some rude shocks from the record company executive who had given him encouragement back home, and some surprising, and confusing, discoveries while playing with a new group, The Sound System. Tim's stubborn pursuit of his dream, and his initiation into the high-voltage world of rock music, make an exciting and absorbing story.
Life for indentured servants in pioneer Virginia is hard. It is doubly hard for Richard Ayre, a London orphan who had been scooped off the streets as a child and sent to the Jamestown Colony. But a chance encounter with an Indian boy his own age gives him a friend, the first real friend he has had in years—until his master's plan to raid an Indian village for corn turns Richard's world upside down. Soon their friendship and loyalties will be put to the test.
Louis Armstrong. "Satchmo." To millions of fans, he was just a great entertainer. But to jazz aficionados, he was one of the most important musicians of our times--not only a key figure in the history of jazz but a formative influence on all of 20th-century popular music. Set against the backdrop of New Orleans, Chicago, and New York during the "jazz age", Collier re-creates the saga of an old-fashioned black man making it in a white world. He chronicles Armstrong's rise as a musician, his scrapes with the law, his relationships with four wives, and his frequent feuds with fellow musicians Earl Hines and Zutty Singleton. He also sheds new light on Armstrong's endless need for approval, his streak of jealousy, and perhaps most important, what some consider his betrayal of his gift as he opted for commercial success and stardom. A unique biography, knowledgeable, insightful, and packed with information, it ends with Armstrong's death in 1971 as one of the best-known figures in American entertainment.
In the early 1930s in Chicago, twelve-year-old Petey's family faces poverty and internal strife after his father loses his job, while, at the same time, his wealthy, older cousin takes on the dangerous work of a union organizer.
A vibrant, sweeping analysis of the roots of American self-indulgence" --Kirkus Reviews "This ringing, provocative jeremiad cuts a path through a haze of self-indulgent thought and action in the "me first" society." --Publisher's Weekly "Wonderful...a delight to read, even exciting...There are few books that inspire real enthusiasm. This is one of them." --The Philadelphia Enquirer
Discusses how to organize and run a group to play popular music and how to manage rehearsals, develop a distinctive sound, get bookings, and handle publicity.
Two boys boarding at an English school begin to fear for their roommate's life when the school officials simply ignore the fact that he has a broken leg.
Living with irresponsible parents in a seedy part of a big city in 1910, thirteen-year-old Roger falls in with a gang of murderous burglars and discovers an unpleasant secret about his father.
Living with irresponsible parents in a seedy part of a big city in 1910, thirteen-year-old Roger falls in with a gang of murderous burglars and discovers an unpleasant secret about his father.
Nick Hodges had always been a troublesome boy. Growing up an orphan in his Uncle Jack's care in a small New England town wasn't easy. Everyone was a little wary, a little watchful—a little too watchful. One day, while Nick is walking in the woods, a neighbor thinks she sees him miles from where he actually is. Soon a series of events reinforcing Nick's hotheaded reputation unfold. The incidents become increasingly serious until, finally, Nick is the scapegoat for a much more sinister crime, one that he wouldn't even think of committing. As he uncovers history of the town's influenza epidemic, and as he observes a strange occurrence in the graveyard, Nick begins to suspect something out of the ordinary is happening. And when he sees a figure running in the woods wearing the mirror image of his own shirt, Nick starts to piece together some of the answers—answers no one could have imagined. James Lincoln Collier has written a haunting story of a boy and his reflection—and what happens when two souls want to inhabit the same living body.
Carrie has been a kitchen slave in Sam Fraunces' tavern in New York City for as long as she can remember. But after she narrowly escapes a kidnapper, Carrie becomes more curious about her mysterious past. After all, she doesn't even know her own last name. When her friend Dan Arabus comes to town, he talks about his dream of buying his mother's freedom with the Continental notes his father left him. Deciding to help Dan discover how much the notes are worth, Carrie finds herself eavesdropping on Thomas Jefferson, Alexander Hamilton, and President Washington himself. What's more, Carrie also stumbles upon the startling truth about her own family.
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