Evidence in Context is the perfect book for transforming abstract knowledge of rules of evidence into a hands-on familiarity with how those rules work. Utilizing two fictional case files, Evidence in Context presents users with items similar to the material trial lawyers may have as they approach trial--documents, photos, web pages, text messages, and more. Both cases present engaging fact patterns as they introduce lawyers to the rigors of evidence rules. Both raise realistic and challenging issues in the law of evidence and allow for a critical assessment of that law. They are followed by over three hundred problems for class analysis and discussion. These problems address the full range of evidentiary issues. New to the Sixth Edition: MacIntyre case file updated to reflect modern working situation Text message evidence Web page evidence Updated problems that address these newer forms of evidence Professors and students will benefit from: The inclusion of both a criminal and a civil case file, providing opportunities for students to work as prosecutors, defense counsel, and plaintiff's counsel Engaging fact patterns and evidentiary items More than 300 problems that guide students through multiple evidence scenarios
The central character is not Spartacus himself, but Kleon, a fictional Greek educated slave and eunuch who joins the revolt. In the first chapter we are told how he was sold into slavery as a child and sexually abused by an owner.Another important character is Elpinice, a female slave who helps Spartacus and his fellow gladiators escape from Capua, and who becomes Spartacus's lover. She gives birth to a son, but while Spartacus is fighting elsewhere she is raped and murdered by soldiers, and the child is also killed. The novel touches on Gibbon's views on human history, with Spartacus seen as a survivor of the Golden Age.
Now with an Historical Afterword by Ron MillerIncludes the original illustrations Featured in Ron Millers _The Conquest of Space Book Series.Ó James Cowan's charming science fantasy about a group of earthlings carried off to Mars to confront a new Christianity anticipates the later science fiction novels by Christian apologist C.S. Lewis. Originally published in 1896. At the publisher's request, this title is sold without DRM (Digital Rights Management).
Author David Smith's childhood near London, England, helped pave the way for the young boy to plough his own furrow in life. In Only Fraud and Horses, Smith narrates his story which includes pieces of history, police, and horsemanship. In this memoir, Smith offers a humorous and poetic account of his skills, training, and professional positions from cadet to London policeman and to Scotland Yard detective and specialist. Only Fraud and Horses also shares representative sports details, contrasts Smith's Scots ancestry, and links developing European history, the long dependence upon the horse, and his inherited skills as a competitive, natural horseman. With photographs and historical notes included, Smith reviews a lifetime collection of family records and shares his discoveries-starting from England with surnames of Smith and Brown and going back to the 1700s in the Highlands of Scotland before Mediterranean origins.
Rebellion was recurrent in the Highlands because the Gaels (Scoti) were an often-oppressed indigenous minority in the nation, Scotland, to which they gave their name. They spoke a language, Gaelic, few outsiders would learn, and had their own family and social system, the clans. Warfare was bloody, culminating in the catastrophe of Culloden Moor during the doomed quest to restore the Stuart kingship to all of Britain. Economic hardship, including the near-genocidal Clearances, in which tenant farmers were replaced with sheep, drove the Gaels from the glens and islands, so that most today live in the diaspora, including millions in North America. Although the Gaels lack a single genetic identity, they clearly draw from distinct roots in the Irish, Norse and Picts. Despite their hardship, the Gaels are also presented in romantic portrayals by the artistic elite of other nations. This book offers ways in which the reader might find roots and ancestry in unfamiliar terrain. Chapters discuss the landscape and language of the Highlanders, the rise of clans, feuds and invasions, and eventual emigration.
Television Personalities offers an exciting, engaging approach to studying and understanding the most prominent and popular performers in television and celebrity culture. It is an original, indispensable guide for undergraduate and postgraduate students of media, television and celebrity studies, as well as those interested in digital culture more widely.
What would it mean to be 'conservative' in Britain before such terminology was even used? What is the relationship between the Jacobitism or Toryism of the early eighteenth century and the ideology of loyalist Englishmen of the latter Georgian period. This 1993 book confronts these questions in discussing an evolving right-wing mentalité.
The new, full-colour Rough Guide to Scotland is the definitive travel guide to this gem of a country. In-depth coverage of its burgeoning food scene, artistic innovations and awe-inspiring wild places - from remote, Gaelic-speaking islands to untamed, ruggedly beautiful glens - takes you to the most rewarding spots, with striking colour photography bringing everything to life. Whether you're wild camping or staying in chic B&Bs, you can discover adventure and solitude in equal measure with our expert advice on where to spot wild dolphins, stunning hikes to deserted beaches and the best places to slurp seasonal oysters and "nose" original whiskies. The guide includes clear maps and insider reviews to take you straight to the best hotels, restaurants, bars and music venues for all budgets, ensuring that you won't miss a thing. Scotland is heaven for "slow travel", but the guide also includes extensive coverage of the country's premier cities, Edinburgh and Glasgow, plus details on all the best places to ski, surf and mountain bike if you fancy picking up the pace a little. Make the most of your time with The Rough Guide to Scotland. Now available in ePub format.
This book explores English single sheet satirical prints published from 1780-1820, the people who made those prints, and the businesses that sold them. It examines how these objects were made, how they were sold, and how both the complexity of the production process and the necessity to sell shaped and constrained the satiric content these objects contained. It argues that production, sale, and environment are crucial to understanding late-Georgian satirical prints. A majority of these prints were, after all, published in London and were therefore woven into the commercial culture of the Great Wen. Because of this city and its culture, the activities of the many individuals involved in transforming a single satirical design into a saleable and commercially viable object were underpinned by a nexus of making, selling, and consumption. Neglecting any one part of this nexus does a disservice both to the late-Georgian satirical print, these most beloved objects of British art, and to the story of their late-Georgian apotheosis – a story that James Baker develops not through the designs these objects contained, but rather through those objects and the designs they contained in the making.
British Fiction in the 1930s studies the literary climate of the British 1930s through a critical treatment of some of its influential and socially representative fiction. The works depict, in various ways, a culture under the stress of seemingly insoluble economic and intensifying international dilemmas, a culture that seems betrayed by the promise of its past and the paralysis of its present. The fiction considers transforming solutions, individual and sexual rebellions as well as the fears and attractions of social and political change.
For years, tourists have trekked across cracked rock at Hawaii’s Kilauea volcano to witness the awe-inspiring sight of creeping lava and its devastating effects on the landscape. In 2010, Eyjafjallajökull erupted in Iceland, stranding travelers as a cloud of ash covered western and northern Europe, causing the largest disruption of air travel since World War II. And just a few months later, Mount Merapi blew in Indonesia, killing over 350 people and displacing over 350,000 others, awakening people once more to the dangerous potential of these sleeping giants. Though today largely dormant, volcanoes continue to erupt across the world, reminding us of their sheer physical power. In Volcano, James Hamilton explores the cultural history generated by the violence and terrifying beauty of volcanoes. He describes the reverberations of early eruptions of Vesuvius and Etna in Greek and Roman myth. He also examines the depiction of volcanoes in art—from the earliest known wall painting of an erupting volcano in 6200 BCE to the distinctive colors of Andy Warhol and Michael Sandle’s exploding mountains. Surveying a number of twenty-first-century works, Hamilton shows that volcanoes continue to influence the artistic imagination. Combining established figures such as Joseph Wright and J. M. W. Turner with previously unseen perspectives, this richly illustrated book will appeal to anyone interested in science as well as the cultural impact of these spectacular natural features.
William and Georgina Cowper-Temple were significant figures in nineteenth-century Britain. William Cowper-Temple, later Lord Mount Temple, was private secretary to one Prime Minister, Lord Melbourne, and minister in the government of Lord Palmerston. He sought to improve the nation's health and rebuild London, and famously amended the Education Act in 1870. His charismatic wife, Georgina, was also champion of diverse social and moral reforms, and friend to such worthies as John Ruskin, Dante Gabriel Rossetti, Frances Power Cobbe and Mrs Oscar Wilde. In the first full-length biography of this distinguished couple, James Gregory explores the Cowper-Temples' roles within Whig-Liberalism, philanthropy and social reform, and provides a fascinating insight into the private lives of two aristocrats dedicated to using their powers of influence to alleviate problems in Victorian society.
Broadsides explores the political and cultural history of the Navy during the later eighteenth and early nineteenth centuries through contemporary caricature. This was a period of intense naval activity encompassing the Seven Years War, the American War of Independence, the wars against revolutionary and Napoleonic France, and the War of 1812.Naval caricatures were utilised by the press to comment on events, simultaneously reminding the British public of the immediacy of war, whilst satirising the same Navy it was meant to be supporting.The thematic narrative explores topics from politics to invasion, whilst encompassing detailed analysis of the context and content of individual prints. It explores pivotal figures within the Navy and the feelings and apprehensions of the people back home and their perception of the former. The text, like the cariactures themselves, balances humour with the more serious nature of the content. The emergence of this popular new form of graphic satire culminated in the works of James Gillray and Thomas Rowlandson, both here well represented, but a mass of other contemporary illustration makes this work a hugely important source book for those with any interest in the wars and history of this era.
In The Idea of Property in Law, Penner considers the concept of property and its place in the legal environment. Penner proposes that the idea of property as a "bundle of rights" - the right to possess, the right to use, the right to destroy etc. - is deficient as a concept, failing toeffectively characterise any particular sort of legal relation, and evading attempts to decide which rights are critical to the "bundle".Through a thorough exploration of property rules, property rights, and the interests which property serves and protects, Penner develops an alternative interpretation and goes on to consider how property interacts with the broader legal system.
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