Examining urban heritage in twentieth-century Australia, James Lesh reveals how evolving ideas of value and significance shaped cities and places. Over decades, a growing number of sites and areas were found to be valuable by communities and professionals. Places perceived to have value were often conserved. Places perceived to lack value became subject to modernisation, redevelopment, and renewal. From the 1970s, alongside strengthened activism and legislation, with the innovative Burra Charter (1979), the values-based model emerged for managing the aesthetic, historic, scientific, and social significance of historic environments. Values thus transitioned from an implicit to an overt component of urban, architectural, and planning conservation. The field of conservation became a noted profession and discipline. Conservation also had a broader role in celebrating the Australian nation and in reconciling settler colonialism for the twentieth century. Integrating urban history and heritage studies, this book provides the first longitudinal study of the twentieth-century Australian heritage movement. It advocates for innovative and reflexive modes of heritage practice responsive to urban, social, and environmental imperatives. As the values-based model continues to shape conservation worldwide, this book is an essential reference for researchers, students, and practitioners concerned with the past and future of cities and heritage. The Foreword and Chapter 1/Introduction of this book are available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.
Celebrate the lost histories, unusual people and places, and hidden treasures of New York City's glorious past with this delightful and engaging collection of original illustrations and stories by artist/writer James Stevenson. Featuring the series of Stevenson's "Lost and Found New York" pieces, originally published in the New York Times, along with never-before-published original artwork by the artist, this handsome volume represents the unique vision of an artist and raconteur of extraordinary talent. "Until you draw a picture of something," says Stevenson, "You are apt to be dead wrong about what it looks like." Stevenson's charming illustrations and stories will transport you to Brooklyn's Floyd Bennett Field, New York City's first municipal airport, where Howard Hughes took off on July 10, 1938. You will meet Sadie the Goat—a member of the ladies' auxiliary of the 1870s Hell's Kitchen gang the Gophers—known for butting her victims in the stomach with her head and extracting their valuables. You will discover a popular 1920s Prohibition nightclub equipped with a secret chute that sent bottles of alcohol into the Hudson River (and was later destroyed to build a highway). You will learn about the architect who built the famous Chrysler Building in 1928, then the world's tallest building. Lost and Found New York will introduce you to hundreds of colorful, intriguing, and wonderful characters, places, and events from New York City's rich and varied past. Enjoy your trip!
In The One Voice of James Dickey, Gordon Van Ness skillfully documents James Dickey's growth from a callow teen interested primarily in sports to a mature poet who possessed literary genius and who deliberately advanced himself and his career. The letters from 1942 through 1969 depict Dickey gradually establishing a self-identity, deciding to write, struggling to determine a subject matter and style, working determinedly to gain initial recognition, and eventually seeking out the literary establishment to promote himself and his views on poetry. The letters also portray a complex personality with broad interests, acute intelligence, and heightened imagination as well as a deep need to re-create his past and assume various roles in the present." "From Dickey's extensive correspondence, Van Ness has selected not only those letters that best reveal the chronological development of Dickey's career and his conscious efforts to chart its course, but also those that portray his other interests and depict the various features of his personality. The letters are grouped by decade, with each period placed in perspective by a critical introduction. The introductory sections offer a psychological understanding of Dickey's personality by identifying the needs and fears that affected his actions. They also explain the American literary and cultural scene that Dickey confronted as he matured. Together, the letters and commentary yield a sense of Dickey's complex personality - both the man as a writer and the writer as a man - while arguing that he remained "one voice."" "Because how a writer writes - the appearance of a writer's words on a page - makes a statement, the letters are reproduced here without alterations. There are no silent deletions or revisions; the original spelling and punctuation have been preserved. Dickey's letters gathered in The One Voice of James Dickey portray a poet's consciousness, chronicling its growth and revealing its breadth. They do not contain the whole truth, but they are what we have."--Jacket.
From an exciting name in British horror and the author of Hekla’s Children comes a dark, haunting tale of our world and the next After her hand is amputated following a tragic accident, Rachel Cooper suffers vivid nightmares of a woman imprisoned in the trunk of a hollow tree, screaming for help. When she begins to experience phantom sensations of leaves and earth with her missing limb, Rachel is terrified she is going mad . . . but then another hand takes hers, and the trapped woman is pulled into our world. This woman has no idea who she is, but Rachel can’t help but think of the mystery of Oak Mary, a female corpse found in a hollow tree, and who was never identified. Three urban legends have grown up around the case: Was Mary a Nazi spy, a prostitute, or a gypsy witch? Rachel is desperate to learn the truth, but darker forces are at work. For a rule has been broken, and Mary is in a world where she doesn't belong . . . “One of the highlights of the year, for both horror and fantasy lovers.” —Cemetery Dance
This book provides professional development leaders and teachers with a framework for integrating authentic real-world performance tasks into science, technology, engineering, and mathematics (STEM) classrooms. We incorporate elements of problem-based learning to engage students around grand challenges in energy and environment, place-based leaning to motivate students by relating the problem to their community, and Understanding by Design to ensure that understanding key concepts in STEM is the outcome. Our framework has as a basic tenet interdisciplinary STEM approaches to studying real-world problems. We invited professional learning communities of science and mathematics teachers to bring multiple lenses to the study of these problems, including the sciences of biology, chemistry, earth systems and physics, technology through data collection tools and computational science modeling approaches, engineering design around how to collect data, and mathematics through quantitative reasoning. Our goal was to have teachers create opportunities for their students to engage in real-world problems impacting their place; problems that could be related to STEM grand challenges demonstrating the importance and utility of STEM. We want to broaden the participation of students in STEM, which both increases the future STEM workforce, providing our next generation of scientists, technologists, engineers, and mathematicians, as well as producing a STEM literate citizenry that can make informed decisions about grand challenges that will be facing their generation. While we provide a specifi c example of an interdisciplinary STEM module, we hope to do more than provide a single fish. Rather we hope to teach you how to fish so you can create modules that will excite your students.
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