Discribing the Characteristics, Customs, Habits, Religion, Marriages, Dances, and Battles of the Wild Indians in Their Natural State, Together with the Fur Companies, Overland Stage, Pony Express, Electric Telegraph, and Other Phases of Life in the Pathless Regions of the Wild West
Discribing the Characteristics, Customs, Habits, Religion, Marriages, Dances, and Battles of the Wild Indians in Their Natural State, Together with the Fur Companies, Overland Stage, Pony Express, Electric Telegraph, and Other Phases of Life in the Pathless Regions of the Wild West
A lieutenant with the 9th U.S. Cavalry, the "Buffalo Soldiers, " offers his observations on all aspects of Plains Indian life. His views were sometimes simplistic but unfailingly sympathetic. 180 photos.
Discribing the Characteristics, Customs, Habits, Religion, Marriages, Dances, and Battles of the Wild Indians in Their Natural State, Together with the Fur Companies, Overland Stage, Pony Express, Electric Telegraph, and Other Phases of Life in the Pathless Regions of the Wild West
Discribing the Characteristics, Customs, Habits, Religion, Marriages, Dances, and Battles of the Wild Indians in Their Natural State, Together with the Fur Companies, Overland Stage, Pony Express, Electric Telegraph, and Other Phases of Life in the Pathless Regions of the Wild West
A lieutenant with the 9th U.S. Cavalry, the "Buffalo Soldiers, " offers his observations on all aspects of Plains Indian life. His views were sometimes simplistic but unfailingly sympathetic. 180 photos.
Red Treachery Black Slavery is a history of the confrontations in Texas between Native Americans and Anglo-American settlers, and of plantation slave life of which both subjects were dark histories of the Texas frontier between the 1820's and 1870's.
Berlandier: A French Naturalist on the Texas Frontier tells the history of Jean Louis Berlandier (1805-1851), remembered as one of the most enlightened naturalists of the American Southwest. He was one of the first to investigate the natural history of the Gulf Coastal Plain, the Rio Grande Valley, the Balcones Escarpment and the Edwards Plateau. Students of Texas biology have learned about Berlandier through such species as the Texas Green-Eyed Sunflower, Texas Windflower, Texas Tortoise, and the Rio Grande Leopard Frog. Between 1826 and 1828, Berlandier collected these species for the Academy of Natural Sciences, Geneva, and studied the Indians of Texas for the Mexican Ministry of the Interior, resulting in his scholarly treatise, The Indians of Texas, in 1830. Berlandier's plant collections are in twenty-seven world herbaria, and many hundreds of his insects, mollusks, reptiles, birds, and mammals are in prestigious institutions such as the Smithsonian and the United States National Museum. Most of the Indian material collected by Berlandier is in the Gilchrest Museum, and the wealth of his writing resides in the libraries of Yale, Harvard, Texas A&M, and the University of Texas. His diary, the most important of his writings, consists of more than 1,500 pages, currently housed in the Library of Congress; it serves as the basis of this history of his life and work.
Well known for his sketches, paintings, and sculptures of the Old West, Charles M. Russell (1864-1926) was also an accomplished author in the humorous genre known as "local color." Raphael Cristy sorts Russell's writings into four general categories: serious Indian stories, men encountering wildlife, cattle range characters, and nineteenth-century westerners facing twentieth-century challenges. Russell's art is often misinterpreted as mere longing for a fading open-range west, but his writings tell a different story. Cristy shows how Russell amused his peers with stories that also delivered sharp observations of Euro-American suppression of Indians and humorous treatment of wilderness and range issues plus the emergence of women and urbanization as bewildering agents of change in the modern West. "A welcome departure from the usual biographies and coffee table volumes on Russell and his art. . . . [Cristy] deals with an important, yet relatively unexplored, aspect of the career of one of the most influential interpreters of the American West."--Byron Price, Director, C. M. Russell Center for the Study of Art
James Lee Byars (1932-1997) is one of the most unusual and colourful characters of the 20th century art world. Moving between America, Japan and Europe, the artist - and not least thanks to his friendship with curator Harald Szeemann - had a very special relationship to Bern: it was a place where he could withdraw, and where fantastic performances and exhibitions in private and public spaces took place. Im full of Byars provides an insight into and an overview of the work of the artist who sought perfection in his performances, installations and sculptures, who equated the ephemeral and the immaterial with the material and the permanent and whose works have lost none of their enigmatic nature or poetry today. Published on the occasion of the exhibition Im full of Byars at Kunstmuseum Bern, Switzerland, September 2008 - February 2009.English and German text.
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