The memoirs of James Larkin Pearson (1879-1981), the second Poet Laureate of North Carolina. Born in a crude cabin atop Wilkes County's Berry Mountain, James Larkin Pearson was determined to become a poet. He had little formal education, and spent his early years in farming and carpentry. Pearson said he "Worked on the farm till I was 21 years old. Many of my poems were composed as I went about my work on the farm. I always carried my notebook and pencil to the field with me, and as I trudged between the plow-handles in the hot sunshine, my mind was busy working out a poem."In addition to his poetry, Mr. Pearson published The Fool-Killer a successful newspaper that acquired a circulation of some 5,000 readers.On August 4, 1953, Governor William B. Umstead appointed Pearson as the North Carolina Poet Laureate of the State. He held this post until his death, on August 27, 1981.
The memoirs of James Larkin Pearson (1879-1981), the second Poet Laureate of North Carolina. Born in a crude cabin atop Wilkes County's Berry Mountain, James Larkin Pearson was determined to become a poet. He had little formal education, and spent his early years in farming and carpentry. Pearson said he "Worked on the farm till I was 21 years old. Many of my poems were composed as I went about my work on the farm. I always carried my notebook and pencil to the field with me, and as I trudged between the plow-handles in the hot sunshine, my mind was busy working out a poem."In addition to his poetry, Mr. Pearson published The Fool-Killer a successful newspaper that acquired a circulation of some 5,000 readers.On August 4, 1953, Governor William B. Umstead appointed Pearson as the North Carolina Poet Laureate of the State. He held this post until his death, on August 27, 1981.
_______________ 'Superb ... Booth's psychology is subtler than Motion's and more convincing' - Peter J. Conradi, Spectator 'Booth's diligence is unquestionable and even readers who think they know the poems will see nuances they had previously missed ... should render further attention by biographers superfluous for several years' - Guardian 'Those of us who never warmed to Larkin the man or poet, will have our aversions challenged by this sympathetic but different account of his life and work' - Independent _______________ A fascinating and controversial study of Philip Larkin's world and how it bled into his work, James Booth's biography is a unique insight into the man whose life and art have been misunderstood for too long Philip Larkin was that rare thing among poets: a household name in his own lifetime. Lines such as 'Never such innocence again' and 'Sexual intercourse began / In nineteen sixty-three' made him one of the most popular poets of the last century. Larkin's reputation as a man, however, has been more controversial. A solitary librarian known for his pessimism, he disliked exposure and had no patience with the literary circus. And when, in 1992, the publication of his Selected Letters laid bare his compartmentalised personal life, accusations of duplicity, faithlessness, racism and misogyny were levelled against him. There is, of course, no requirement that poets should be likeable or virtuous, but James Booth asks whether art and life were really so deeply at odds with each other. Can the poet who composed the moving 'Love Songs in Age' have been such a cold-hearted man? Can he who uttered the playful, self-deprecating words 'Deprivation is for me what daffodils were for Wordsworth' really have been so boorish? A very different public image is offered by those who shared the poet's life: the women with whom he was romantically involved, his friends and his university colleagues. It is with their personal testimony, including access to previously unseen letters, that Booth reinstates a man misunderstood: not a gaunt, emotional failure, but a witty, provocative and entertaining presence, delightful company; an attentive son and a man devoted to the women he loved. Meticulously researched, unwaveringly frank and full of fresh material, Philip Larkin: Life, Art and Love definitively reinterprets one of our greatest poets.
Not many authors are allowed the privilege of being retrospectively considered both masterful novelists and poets. Despite the fact that Thomas Hardy saw himself as a poet first, only recently have his poems been accepted as equal to his celebrated novels. Persoon explores how Hardy's poetic vision, seemingly cemented in his twenties, existed in constant tension between Darwin and Wordsworth, betweem a scientific outlook and the poetic temperament. Perceiving Hardy's metaphorical double vision--physically represented by his own eyes, one of which was smaller than the other--we see how this bouncing between realism and romanticism informed not only Hardy's poems but also his view of language, art, architecture, religion and even humor. Hardy's Early Poetry deserves attention by anyone who is interested in understanding the full richness and complexity of Hardy's work.
Beginning in the late 1930s, this is the first book-length critical study of Larkin's early work: his poetry, novels, short fictions, essays, and letters. The book tells the story of Philip Larkin's early literary development, starting with Larkin's earliest literary efforts and his remarkable correspondence with Jim Sutton, and ending at the point Larkin's maturity begins, with the writing of his first great poems. In providing a comprehensive and systematic study of this part of Larkin's life, this book also presents a new and surprising narrative of Larkin's development. Critics have presented Larkin's early career as a false start which he overcame by swapping Yeats's influence for Hardy's. Having re-discovered Hardy's poetry in 1946, the story goes, Larkin realised the potential of writing about his own life, and disavowed Yeats. Central to this book's controversial counter-narrative is an insistence on the significance of Brunette Coleman, the female heteronym Larkin invented in 1943. Three years before his re-discovery of Hardy, Larkin wrote a strange and unique series of works for schoolgirls under Coleman's name. These writings not only led him away from Yeats and other hindering influences, but also away from himself. Whereas the Yeats-to-Hardy narrative emphasises the autobiographical qualities of Larkin's mature verse, Early Larkin proposes that the writer's breakthrough was a result of his burgeoning 'interest in everything outside himself' – itself the consequence of his curious experiment with Brunette Coleman.
Throughout the first twenty years of his career, Amis used bad artists as whimsical characters, or antimodels, that helped identify his artistic preferences and fictional techniques. He became convinced that the relationship between an artist and his audience was reciprocal and that both the outer audience and the artist's inner circle must be held accountable for the production of poor literature. During the last twenty years of his career, Amis no longer concerned himself with satirizing bad artists, but instead explored ways of ameliorating them. James shows that the development of antimodels as fully drawn characters and Amis's insistence upon reciprocity in the writer-reader relationship demonstrate that he was more than just a comedic writer, and was aware of himself as an artist with social responsibilities."--Page 4 of cover.
An insider history of the Detroit Red Wings at the NHL draft A singular, transcendent talent can change the fortunes of a hockey team instantly. Each year, NHL teams approach the draft with this knowledge, hoping that luck will be on their side and that their extensive scouting and analysis will pay off. In On the Clock: Detroit Red Wings, Helene St. James explores the fascinating, rollercoaster history of the Red Wings at the draft, including franchise legends like Steve Yzerman, Sergei Fedorov, and Pavel Datsyuk. Readers will go behind the scenes with top decision-makers as they evaluate, deliberate, and ultimately make the picks they hope will tip the fate of their franchise toward success. From seemingly surefire first-rounders to surprising late selections, this is a must-read for Red Wings faithful and hockey fans eager for a glimpse at how teams are built.
This study, admirable in the logic of its organization and in the freshness of its style, provides an absorbing account of historical developments and current practices in the making of Canada's foreign policy. It analyses carefully and vividly the way in which the prime minister and members of his cabinet, members of the civil service, Parliament, and the military establishment have come together in peace and war to discover "the possible" for Canada's relations with other countries.
The Torts Process, Ninth Edition uses a student-friendly, procedurally-focused approach that relies on proven problem-and-cases pedagogy to illuminate the overarching structure and organization of tort law. Its lively mix of problems, cases, notes, and questions stimulate thought and discussion, while providing a firm foundation in tort doctrine, history, and theory.
Develop the personal, interpersonal and group skills vital to achieving outstanding success in today’s workplace with Developing Management Skills: A Comprehensive Guide for Leaders. Carlopio’s hallmark five-step learning approach-–self-assessment, learning, analysis, practice and application--and its modular structure help you tailor your study to the areas you need to focus on. This practical, hands-on style resources incorporates in-text exercises and role-playing assignments and is further supported by a Companion Website that includes self-assessment exercises and additional online chapters on communication skills. Developing Management Skills 5th Edition is suitable for undergraduate or post-graduate courses with a specific focus on managerial skills such as capstone courses, leadership or communication skills. It is also well suited to corporate professional development training courses or simply as a resource for professionals seeking to become better managers. "Overall, it is an excellent mix of theory and practical reality. I congratulate the authors for their valuable and ongoing contribution to management education and development in the Asia-Pacific region." Peter J. Dowling, PhD; LFAHRI; FANZAM, Professor of International Management and Strategy, La Trobe University, Melbourne
Penguin announces a prestigious new series under presiding editor Arthur Schlesinger, Jr. Many works of history deal with the journeys of blacks in bondage from Africa to the United States along the "middle passage," but there is also a rich and little examined history of African Americans traveling in the opposite direction. In Middle Passages, award-winning historian James T. Campbell vividly recounts more than two centuries of African American journeys to Africa, including the experiences of such extraordinary figures as Langston Hughes, W.E.B. DuBois, Richard Wright, Malcolm X, and Maya Angelou. A truly groundbreaking work, Middle Passages offers a unique perspective on African Americans' ever-evolving relationship with their ancestral homeland, as well as their complex, often painful relationship with the United States.
The Science of Conjecture provides a history of rational methods of dealing with uncertainty and explores the coming to consciousness of the human understanding of risk.
Now in paper This immensely readable book, full of drama and humor as well as scholarship, is a watershed in the writing of New Zealand history. In making many new assertions and challenging many historical myths, it seeks to reinterpret our approach to the past. Given New Zealand's small population, short history, and great isolation, the history of the archipelago has been saddled with a reputation for mundanity. According to James Belich, however, it is just these characteristics that make New Zealand "a historian's paradise: a laboratory whose isolation, size, and recency is an advantage, in which the grand themes of world history are often played out more rapidly, more separately, and therefore more discernably, than elsewhere." The first of two planned volumes, Making Peoples begins with the Polynesian settlement and its development into the Maori tribes in the eleventh century. It traces the great encounter between independent Maoridom and expanding Europe from 1642 to 1916, including the foundation of the Pakeha, the neo-Europeans of New Zealand, between the 1830s and the 1880s. It describes the forging of a neo-Polynesia and a neo-Britain and the traumatic interaction between them. The author carefully examines the myths and realities that drove the colonialization process and suggests a new "living" version of one of the most critical and controversial documents in New Zealand's history, the Treaty of Waitangi, frequently descibed as New Zealand's Magna Carta. The construction of peoples, Maori and Pakeha, is a recurring theme: the response of each to the great shift from extractive to sustainable economics; their relationship with their Hawaikis, or ancestors, with each other, and with myth. Essential reading for anyone interested in New Zealand history and in the history of new societies in general.
This SSWAA Workshop title guides school professionals in infusing research throughout their daily practice. It shows school service providers a pragmatic approach to informing every major practice decision with the appropriate research so that students receive the best possible services. Raines goes beyond creating a catalog of interventions that will soon be outdated and provides school social workers with a detailed road map of the EP process.
Offering a focus that is lacking (or not clearly evident) in most spirituality books, Dudley addresses specific ways of incorporating spirituality into practice and integrates many of the contributions of other writers into an overall eclectic practice approach. His approach revolves around many of the core competencies of the EPAS accreditation (CSWE, 2008). Most of the core competencies are addressed with an emphasis on professional identity, ethical practice, critical thinking, diversity, practice contexts, and, a major practice framework of the book, the practice stages of engagement, assessment, intervention, and evaluation.
Containing over 6,000 entries from Aalto to Zwinger and written in a clear and concise style, this authoritative dictionary covers architectural history in detail, from ancient times to the present day. It also includes concise biographies of hundreds of architects from history (excluding living persons), from Sir Francis Bacon and Imhotep to Liang Ssu-ch'eng and Francis Inigo Thomas. The text is complemented by over 260 beautiful and meticulous line drawings, labelled cross-sections, and diagrams. These include precise drawings of typical building features, making it easy for readers to identify particular period styles. This third edition of The Oxford Dictionary of Architecture has been extensively revised and expanded, with over 900 new entries including hundreds of definitions of garden and landscape terms such as Baroque garden, floral clock, hortus conclusus, and Zen garden-design. Each entry is followed by a mini-bibliography, with suggestions for further reading. The full bibliography to the first edition (previously only available online) has also been fully updated and expanded, and incorporated into this new edition. This is an essential work of reference for anyone with an interest in architectural and garden history. With clear descriptions providing in-depth analysis, it is invaluable for students, professional architects, art historians, and anyone interested in architecture and garden design, and provides a fascinating wealth of information for the general reader.
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