Revised and Expanded Second Edition. This lively narrative tells the story of Japan's experience with imperialism and colonialism, looking first at Japan's responses to Western threats in the nineteenth century, then at Japan's activities as Asia's only imperialist power. Using a series of human vignettes as lenses, Japan and Imperialism examines the motivations--strategic, nationalist, economic--that led to imperial expansion and the impact expansion had on both national policies and personal lives. The work demonstrates that Japanese imperial policies fit fully into the era's worldwide imperialist framework, even as they displayed certain distinctive traits. Japanese expansive actions, the booklet argues, were inspired by concrete historical contingencies rather than by some national propensity or overarching design.
No institution did more to create a modern citizenry than the newspaper press of the Meiji period (1868-1912). Here was a collection of highly diverse, private voices that provided increasing numbers of readers—many millions by the end of the period—with both its fresh picture of the world and a changing sense of its own place in that world. Creating a Public is the first comprehensive history of Japan's early newspaper press to appear in English in more than half a century. Drawing on decades of research in newspaper articles and editorials, journalists' memoirs and essays, it tells the story of Japan's newspaper press from its elitist beginnings just before the fall of the Tokugawa regime through its years as a shaper of a new political system in the 1880s to its emergence as a nationalistic, often sensational, medium early in the twentieth century.
A sweeping work of original scholarship, Down and Out in Late Meiji Japan examines the daily lives of Japan’s hinmin (poor people), particularly urban slum-dwellers, in the late 1800s and early 1900s. James Huffman draws on newspaper articles, official surveys, and reminiscences to recreate for readers life as experienced by the poor themselves—something not attempted before in scholarship on this era. He begins by explaining the causes behind the fast-increasing numbers of poor neighborhoods in major cities after the late 1880s and goes on to describe in fascinating detail what those neighborhoods looked like and what their inhabitants did for a living: collecting night soil, weaving textiles, making match boxes and other piecework, pulling rickshaws, building the structures that made Japan “modern,” and supplying much of the era’s entertainment, including sex. He also explores what hinmin did outside of work: what they ate, where they did their wash, how they stretched their meager budgets by using pawn brokers, and how they dealt with illness and other disasters and grappled with the painful necessity of sending children to work rather than to school. Huffman argues that despite the tremendous challenge of day-to-day living, hinmin confronted life as energetic agents, embracing it as avidly as members of the more affluent classes. Reading sources carefully, and often against the grain, he reveals that many of the poor found meaning in their work, took an active and even influential part in their cities’ politics, and nursed ambitions for a better life. And nearly all took part in the pleasures and festivities that urban neighborhoods offered. Later chapters examine poverty outside the cities and the large-scale emigration of indigent farmers to Hawai‘i’s sugar plantations, beginning in 1885. In his conclusion, Huffman looks at late-Meiji hardship in light of twenty-first-century poverty and the global income disparity that has captured the public’s attention in recent years.
This unique book portrays the evolution of Meiji Japan through the life of crusading journalist Edward H. House (1836-1901). In chapters that alternate between history and biography, James Huffman, shows how one man bridged continents--shaping American attitudes, influencing Japan's movement toward modernity, and providing a contemporary critique of imperialism. Huffman also captures the human drama of House's life: his early bohemianism, the mystical way Japan drew him, the painful struggle with gout, the joy and torment of adopting a Japanese girl, his fight for women's education, and the vicissitudes of friendship with Mark Twain. Meticulously researched, the book draws on House's voluminous writings and on hundreds of letters between House and major figures in both America and Japan, including Mark Twain, U.S. Grant, John Russell Young, Edmund Clarence Stedman, Okuma Shigenobu, and Inoue Kaoru. With its lively, accessible prose and seamless interweaving of the life of House with the history of the Meiji era, this book will be welcomed by students, scholars, and general readers interested in modern Japanese history and in America's nineteenth-century foreign relations.
This book details the relationship between private property and government. As private property is important to both individual welfare and the public interest, the book provides an intellectual framework for the analysis and resolution of contemporary property rights disputes.
This biography introduces the young Fukuchi, in the first months after the Meiji Restoration of 1868, as a newspaper editor just beginning to write critically on social and political issues. His outspoken and politically indiscreet editorials soon made him the first journalist in history of Japan to be jailed for his writings. During the early Meiji years, he continued to grope for an ideal and a position, even joining the regime as a brash and innovative official. Only when he was independent of the government bureaucracy, however, did Fukuchi assume a position of pivotal importance. During the peak years of his career from 1874 to 1888, he demonstrated the crucial advantage enjoyed by those Japanese who had gained Western knowledge and, as editor of the Tokyo Nichi Nichi, made his most distinctive contributions to Meiji society and to journalism in Japan. Using a politically awakened press, which he had invigorated with Western techniques of journalism, Fukuchi provided the popular rationale for the course followed by the government and became the period’s leading nonofficial advocate of the “gradualist” approach toward constitutional government. He also founded Japan’s first “gradualist” political party. The Constitutionalist Imperial Party, during his years as an editor. Despite his great influence, Fukuchi left the press world in 1888, disappointed over failures and changing alliances, a vivid illustration of the precarious nature of leadership in a transitional period. Too long allied with the forces of innovation to become a casualty of change, however, he embarked on a new life as a writer of novels, plays, and history, and emerged in the 1890’s as Japan’s foremost playwright. In the life of Fukuchi Gen’ichirō is the story of a history-making figure, a man whose career embodied the response of Meiji Japan to the Western challenge of modernization, and yet a man whose personal life was inescapably subject to the tensions of an era of rapid social and political change. James Huffman’s fine biography is a notable book about an exciting man, a maker and mirror of his times.
This book details the relationship between private property and government. As private property is important to both individual welfare and the public interest, the book provides an intellectual framework for the analysis and resolution of contemporary property rights disputes.
This unique book portrays the evolution of Meiji Japan through the life of crusading journalist Edward H. House (1836-1901). In chapters that alternate between history and biography, James Huffman, shows how one man bridged continents--shaping American attitudes, influencing Japan's movement toward modernity, and providing a contemporary critique of imperialism. Huffman also captures the human drama of House's life: his early bohemianism, the mystical way Japan drew him, the painful struggle with gout, the joy and torment of adopting a Japanese girl, his fight for women's education, and the vicissitudes of friendship with Mark Twain. Meticulously researched, the book draws on House's voluminous writings and on hundreds of letters between House and major figures in both America and Japan, including Mark Twain, U.S. Grant, John Russell Young, Edmund Clarence Stedman, Okuma Shigenobu, and Inoue Kaoru. With its lively, accessible prose and seamless interweaving of the life of House with the history of the Meiji era, this book will be welcomed by students, scholars, and general readers interested in modern Japanese history and in America's nineteenth-century foreign relations.
Japan in World History ranges from Japan's prehistoric interactions with Korea and China, to the Western challenge of the late 1500s, the partial isolation under the Tokugawa family (1600-1868), and the tumultuous interactions of more recent times, when Japan modernized ferociously, turned imperialist, lost a world war, then became the world's second largest economy--and its greatest foreign aid donor. Writing in a lively fashion, Huffman makes rich use of primary sources, illustrating events with comments by the people who lived through them: tellers of ancient myths, court women who dominated the early literary world, cynical priests who damned medieval materialism, travelers who marveled at "indecent" Western ballroom dancers in the mid-1800s, and the emperor who justified Pearl Harbor. Without ignoring standard political and military events, the book illuminates economic, social, and cultural factors; it also examines issues of gender as well as the roles of commoners, samurai, business leaders, novelists, and priests.
A sweeping work of original scholarship, Down and Out in Late Meiji Japan examines the daily lives of Japan’s hinmin (poor people), particularly urban slum-dwellers, in the late 1800s and early 1900s. James Huffman draws on newspaper articles, official surveys, and reminiscences to recreate for readers life as experienced by the poor themselves—something not attempted before in scholarship on this era. He begins by explaining the causes behind the fast-increasing numbers of poor neighborhoods in major cities after the late 1880s and goes on to describe in fascinating detail what those neighborhoods looked like and what their inhabitants did for a living: collecting night soil, weaving textiles, making match boxes and other piecework, pulling rickshaws, building the structures that made Japan “modern,” and supplying much of the era’s entertainment, including sex. He also explores what hinmin did outside of work: what they ate, where they did their wash, how they stretched their meager budgets by using pawn brokers, and how they dealt with illness and other disasters and grappled with the painful necessity of sending children to work rather than to school. Huffman argues that despite the tremendous challenge of day-to-day living, hinmin confronted life as energetic agents, embracing it as avidly as members of the more affluent classes. Reading sources carefully, and often against the grain, he reveals that many of the poor found meaning in their work, took an active and even influential part in their cities’ politics, and nursed ambitions for a better life. And nearly all took part in the pleasures and festivities that urban neighborhoods offered. Later chapters examine poverty outside the cities and the large-scale emigration of indigent farmers to Hawai‘i’s sugar plantations, beginning in 1885. In his conclusion, Huffman looks at late-Meiji hardship in light of twenty-first-century poverty and the global income disparity that has captured the public’s attention in recent years.
No institution did more to create a modern citizenry than the newspaper press of the Meiji period (1868-1912). Here was a collection of highly diverse, private voices that provided increasing numbers of readers - many millions by the end of the period - with both its fresh picture of the world and a changing sense of its own place in that world. Creating a Public is the first comprehensive history of Japan's early newspaper press to appear in English in more than half a century. Drawing on decades of research in newspaper articles and editorials, journalists' memoirs and essays, government documents and press analyses, it tells the story of Japan's newspaper press from its elitist beginnings just before the fall of the Tokugawa regime through its years as a shaper of a new political system in the 1880s to its emergence as a nationalistic, often sensational, medium early in the twentieth century. More than an institutional study, this work not only traces the evolution of the press' leading papers, their changing approaches to circulation, news, and advertising, and the personalities of their leading editors; it also examines the interplay between Japan's elite institutions and its rising urban working classes from a wholly new perspective - that of the press. What emerges is the transformation of Japan's commoners (minshu) from uninformed, disconnected subjects to active citizens in the national political process - a modern public. Conversely, minshu begin to play a decisive role in making Japan's newspapers livelier, more sensational, and more influential. As Huffman states in his Introduction: "The newspapers turned the people into citizens; the people turned the papers into mass media." In addition to providing new perspectives on Meiji society and political life, Creating a Public addresses themes important to the study of mass media around the world: the conflict between social responsibility and commercialization, the role of the press in spurring national development, the interplay between readers' tastes and editors' principles, the impact of sensationalism on national social and political life. Huffman raises these issues in a comparative context, relating the Meiji press to American and Japanese press systems at similar points of development. With its broad coverage of the press' role in modernizing Japan, Creating a Public will be of great interest to students of mass media in general as well as specialists of Japanese history.
Environmental Regulation: Law, Science, and Policy demystifies the complexity of environmental law. It provides up-to-date, comprehensive and accessible coverage of this growing and rapidly changing field. After exploring the causes of environmental problems and the moral values they implicate, the casebook provides a structural overview of the regulatory system. It considers how environmental law seeks to protect public health and the environment from climate change, toxic chemicals, hazardous wastes, and air and water pollution. This casebook also covers land use regulation, protection of biodiversity, environmental impact assessment, environmental enforcement, and international environmental law. Written in a style accessible to the non-specialist, this casebook affords instructors flexibility in organizing courses. Effective teaching and study aids include outlines of the structure of each environmental statute, real-world-based problems and questions, “pathfinders” explaining where to find crucial source materials for every major topic, an extensive glossary, and a list of acronyms. The casebook is kept current with annual statutory and case supplements. New to the Tenth Edition: ● West Virginia v. EPA and the amorphous “major questions” doctrine ● Sackett v. EPA narrows the reach of the Clean Water Act’s protection of wetlands ● State climate and environmental rights litigation ● The Inflation Reduction Act of 2022 and the green energy transition ● 2023 amendments to the National Environmental Policy Act ● Papal climate encyclical Laudato Si updated by Pope Francis Professors and students will benefit from: ● comprehensive and up-to-date coverage in a style accessible to the non-specialist ● self-contained chapters for flexibility in organizing courses ● a detailed examination of policy focus on environmental statutes how statutes translate into regulations factors that affect real-world behavior ● effective teaching and study aids outlines of the structure of each environmental statute real-world-based problems and questions “pathfinders” explaining where to find crucial source materials for every major subject area extensive glossary list of acronyms
This book details the relationship between private property and government. As private property is important to both individual welfare and the public interest, the book provides an intellectual framework for the analysis and resolution of contemporary property rights disputes.
“This will be a fight against overwhelming odds from which survival cannot be expected. We will do what damage we can.” With these words, Lieutenant Commander Robert W. Copeland addressed the crew of the destroyer escort USS Samuel B. Roberts on the morning of October 25, 1944, off the Philippine Island of Samar. On the horizon loomed the mightiest ships of the Japanese navy, a massive fleet that represented the last hope of a staggering empire. All that stood between it and Douglas MacArthur’ s vulnerable invasion force were the Roberts and the other small ships of a tiny American flotilla poised to charge into history. In the tradition of the #1 New York Times bestseller Flags of Our Fathers, James D. Hornfischer paints an unprecedented portrait of the Battle of Samar, a naval engagement unlike any other in U.S. history—and captures with unforgettable intensity the men, the strategies, and the sacrifices that turned certain defeat into a legendary victory. BONUS: This edition includes an excerpt from James D. Hornfischer's Neptune's Inferno. Praise for The Last Stand of the Tin Can Sailors “One of the finest WWII naval action narratives in recent years, this book follows in the footsteps of Flags of Our Fathers. . . . Exalting American sailors and pilots as they richly deserve. . . . Reads like a very good action novel.”—Publishers Weekly “Reads as fresh as tomorrow's headlines. . . . Hornfischer's captivating narrative uses previously classified documents to reconstruct the epic battle and eyewitness accounts to bring the officers and sailors to life.”—Texas Monthly “Hornfischer is a powerful stylist whose explanations are clear as well as memorable. . . . A dire survival-at-sea saga.”—Denver Post “In The Last Stand of the Tin Can Sailors, James Hornfischer drops you right into the middle of this raging battle, with 5-inch guns blazing, torpedoes detonating and Navy fliers dive-bombing. . . . The overall story of the battle is one of American guts, glory and heroic sacrifice.”—Omaha World Herald
This biography introduces the young Fukuchi, in the first months after the Meiji Restoration of 1868, as a newspaper editor just beginning to write critically on social and political issues. His outspoken and politically indiscreet editorials soon made him the first journalist in history of Japan to be jailed for his writings. During the early Meiji years, he continued to grope for an ideal and a position, even joining the regime as a brash and innovative official. Only when he was independent of the government bureaucracy, however, did Fukuchi assume a position of pivotal importance. During the peak years of his career from 1874 to 1888, he demonstrated the crucial advantage enjoyed by those Japanese who had gained Western knowledge and, as editor of the Tokyo Nichi Nichi, made his most distinctive contributions to Meiji society and to journalism in Japan. Using a politically awakened press, which he had invigorated with Western techniques of journalism, Fukuchi provided the popular rationale for the course followed by the government and became the period’s leading nonofficial advocate of the “gradualist” approach toward constitutional government. He also founded Japan’s first “gradualist” political party. The Constitutionalist Imperial Party, during his years as an editor. Despite his great influence, Fukuchi left the press world in 1888, disappointed over failures and changing alliances, a vivid illustration of the precarious nature of leadership in a transitional period. Too long allied with the forces of innovation to become a casualty of change, however, he embarked on a new life as a writer of novels, plays, and history, and emerged in the 1890’s as Japan’s foremost playwright. In the life of Fukuchi Gen’ichirō is the story of a history-making figure, a man whose career embodied the response of Meiji Japan to the Western challenge of modernization, and yet a man whose personal life was inescapably subject to the tensions of an era of rapid social and political change. James Huffman’s fine biography is a notable book about an exciting man, a maker and mirror of his times.
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