James L Neibaur's Books

Frank Sinatra on the Big Screen

The Singer as Actor and Filmmaker

By: James L. Neibaur,Gary Schneeberger

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Frank Sinatra on the Big Screen

The Singer as Actor and Filmmaker

By: James L. Neibaur,Gary Schneeberger

Frank Sinatra is an iconic figure in music, but his film career is often overlooked. His innate talent as an actor is proven in many serious dramatic roles, including films like Man with the Golden Arm, The Manchurian Candidate, and From Here to Eternity, for which he received an Oscar. From romantic musical comedies to Rat Pack films, Frank Sinatra achieved a great deal of success in motion pictures. He even took a stab at directing. This book examines each of Frank Sinatra's movies, from his early years as a bobby soxer idol, to more serious roles that exhibited the depth of his talent. Provided are background stories, production information, critical assessments, and an explanation of how his career as a recording artist connected to the movie. Discover through 60 photographs, interviews, and more, this underappreciated aspect of Sinatra's career.

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265

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McFarland

Published Date

ISBN 10

1476684502

ISBN 13

9781476684505

The Fall of Buster Keaton

His Films for MGM, Educational Pictures, and Columbia

By: James L. Neibaur

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The Fall of Buster Keaton

His Films for MGM, Educational Pictures, and Columbia

By: James L. Neibaur

Born into a family of vaudevillians, Buster Keaton made his first film appearance in 1917 at the age of 21. By the early 1920s, he had established himself as one of the geniuses of silent cinema with such films as Sherlock, Jr. and The Navigator and his 1925 work, The General, placed at number 18 in the American Film Institute's poll of the 100 greatest features, the highest ranked silent film on the survey. But with the advent of sound in the late 1920s, silent stars like Keaton began to fall out of favor and the great comedian's career began to decline. In The Fall of Buster Keaton, James Neibaur assesses Keaton's work during the talking picture era, especially those made at MGM, Educational, and Columbia studios. While giving some attention to the early part of Keaton's career, Neibaur focuses on Keaton's contract work with the three studios, as well as his subsequent work as a gagman, supporting player, and television pitchman. The book also recounts the resurgence of interest in Keaton's silent work, which resulted in a lifetime achievement Oscar and worldwide recognition before his death in 1966. This fascinating account of an artist's struggle and triumph during the more challenging period of his career will be of interest to anyone wanting to learn about one of film's most influential performers.

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244

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Scarecrow Press

Published Date

ISBN 10

0810876833

ISBN 13

9780810876835

Clark Gable in the 1930s

The Films That Made Him King of Hollywood

By: James L. Neibaur

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Clark Gable in the 1930s

The Films That Made Him King of Hollywood

By: James L. Neibaur

The 1930s represented the strongest and most significant decade in Clark Gable's career. Later known as The King of Hollywood, Gable started out as a journeyman actor who quickly rose to the level of star, and then icon. With his ruggedly attractive looks and effortless charisma, Gable was the sort of manly romantic lead that bolstered features alongside the likes of Jean Harlow, Joan Crawford, and Spencer Tracy. The decade culminated with Gable's most noted movie, Gone With the Wind. This book traces Gable's early career, film-by-film, offering background information and a critical assessment of each of his movies released during the 1930s.

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206

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McFarland

Published Date

ISBN 10

1476680442

ISBN 13

9781476680446

The Hal Roach Comedy Shorts of Thelma Todd, ZaSu Pitts and Patsy Kelly

By: James L. Neibaur

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The Hal Roach Comedy Shorts of Thelma Todd, ZaSu Pitts and Patsy Kelly

By: James L. Neibaur

Hoping to follow his Laurel and Hardy success with a female comedy team, producer Hal Roach paired Thelma Todd with ZaSu Pitts in a 1931 series of two-reel shorts. Pitts left the studio for other pursuits, was replaced by Patsy Kelly and the series continued to be successful. Todd died under mysterious circumstances in 1935 and Kelly tried to carry on, first with Pert Kelton, then with Lyda Roberti. When Roberti died in 1938, the series ended. This book takes the first film-by-film look at each of the comedies these women made, how they responded to different directors and how production adapted to changes along the way. Credits, production information, period reviews, and critical assessments are included.

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186

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McFarland

Published Date

ISBN 10

1476634319

ISBN 13

9781476634319

Buster Keaton's Silent Shorts, 1920-1923

By: James L. Neibaur,Terri Niemi

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Buster Keaton's Silent Shorts, 1920-1923

By: James L. Neibaur,Terri Niemi

By the mid-1920s, Buster Keaton had established himself as one of the geniuses of cinema with such films as Sherlock, Jr., The Navigator, and his 1927 work The General, which was the highest ranked silent on the American Film Institute's survey of the 100 greatest films. Before Keaton ventured into longer works, however, he had honed his skills as an actor, writer, and director of short films produced in the early 1920s. In Buster Keaton's Silent Shorts: 1920-1923, James L. Neibaur and Terri Niemi provide a film-by-film assessment of these brilliant two-reelers. The authors discuss the significance of each short--The High Sign, One Week, Convict 13, The Scarecrow, Neighbors, The Haunted House, Hard Luck, The Goat, The Playhouse, The Boat, The Paleface, Cops, My Wife's Relations, The Blacksmith, Frozen North, Daydreams, The Electric House, The Balloonatic, and The Love Nest--to the Keaton filmography, as well as each film's importance to cinema. Offering a clear and in-depth perspective on these 19 films, the authors explain what makes these shorts effective and why they're funny. Buster Keaton's Silent Shorts will enlighten both scholars and casual fans alike about the early work produced by one of cinema's most gifted comedians and filmmakers.

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275

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Rowman & Littlefield

Published Date

ISBN 10

0810887401

ISBN 13

9780810887404

The Silent Films of Harry Langdon (1923-1928)

By: James L. Neibaur

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The Silent Films of Harry Langdon (1923-1928)

By: James L. Neibaur

Harry Langdon was a silent screen comedian unlike any other. Slower in pace, more studied in movement, and quirkier in nature, Langdon challenged the comic norm by offering comedies that were frequently edgy and often surreal. After a successful run of short comedies with Mack Sennett, Langdon became his own producer at First National Pictures, making such features as Tramp Tramp Tramp, The Strong Man, and Long Pants before becoming his own director for Three's a Crowd, The Chaser, and Heart Trouble. In The Silent Films of Harry Langdon (1923-1928), film historian James Neibaur examines Langdon's strange, fascinating work during the silent era, when he made landmark films that were often ahead of their time. Extensively reviewing the comedian's silent screen work film by film, Neibaur makes the case that Langdon should be accorded the same lofty status as his contemporaries: Charlie Chaplin and Buster Keaton. With fascinating insights into the work of an under-appreciated artist, this book will be of interest to both fans and scholars of silent cinema.

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249

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Scarecrow Press

Published Date

ISBN 10

0810885301

ISBN 13

9780810885301

The Essential Jack Nicholson

By: James L. Neibaur

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The Essential Jack Nicholson

By: James L. Neibaur

For ten years Jack Nicholson toiled in low-budget films and guest spots in such television shows as Dr. Kildare and The Andy Griffith Show before his breakout performance in Easy Rider. Despite “retiring” in 2010, Nicholson remains one of the most revered actors of the last half century. Nominated for twelve Academy Awards—the most of any male actor—Nicholson has received three Oscars and countless other honors. The Essential Jack Nicholson looks at the key films in the career of one of Hollywood’s biggest stars. After a brief profile of the actor, James L. Neibaur highlights each of Nicholson’s most important works, explaining why his performances are essential viewing. In addition to Easy Rider, the films discussed include Five Easy Pieces, The Last Detail, Chinatown, One Flew over the Cuckoo’s Nest, The Shining, Reds, Terms of Endearment, Prizzi’s Honor, Ironweed, Batman, A Few Good Men, As Good as It Gets, About Schmidt, and The Departed. Neibaur also provides details about each film’s production, critical reaction, commercial reception, major nominations, and awards. A filmography of all of Nicholson’s movie roles (and select television performances) is also included. The Essential Jack Nicholson is a valuable source of information for fans of this iconic star and his films.

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213

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Rowman & Littlefield

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ISBN 10

1442269898

ISBN 13

9781442269897

James Cagney Films of the 1930s

By: James L. Neibaur

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James Cagney Films of the 1930s

By: James L. Neibaur

One of the biggest stars of the golden age of Hollywood, James Cagney appeared in more than sixty films throughout his career. In addition to starring in the classics White Heat, Mister Roberts, and One, Two, Three, Cagney received the Academy Award for his performance as George M. Cohan in Yankee Doodle Dandy. From his debut in Sinner’s Holiday to one of his many gangster portrayals in The Roaring Twenties, the actor appeared in more than thirty films of the 1930s. Though he started out in supporting roles, Cagney quickly became a leading man and by the end of the decade, he was a box-office star. In James Cagney Films of the 1930s, James L. Neibaur reviews the first decade of the great actor’s work. A film-by-film look at Cagney’s movies during this pivotal period, this book traces the actor’s transition from a song-and-dance man on stage to a tough guy on screen. Although Cagney occasionally was able to deviate from studio typecasting—in such films as Footlight Parade and A Midsummer Night’s Dream—his most notable roles were in gangster dramas like The Public Enemy and Angels with Dirty Faces. Throughout this book, Neibaur provides readers with plot summaries, production details, and critical and commercial reception of each film. For fans of the actor’s work, James Cagney Films of the 1930s is an invaluable resource that will also appeal to anyone interested in movie-making during one of Hollywood’s greatest eras.

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229

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Rowman & Littlefield

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ISBN 10

1442242205

ISBN 13

9781442242203

The Films of Judy Garland

By: James L. Neibaur

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The Films of Judy Garland

By: James L. Neibaur

Judy Garland was an entertainment icon whose performances on stage, screen and television had a tremendous impact across decades and media. This film-by-film study of her work follows her progression from pig-tailed child to a top motion picture star, with such timeless classics as The Wizard of Oz, Meet Me in St Louis, and A Star is Born. Garland's talent and versatility as an actress are explored through each of her movie roles. More than just a reference filmography, this work examines how Garland's talents were realized and understood by producers and the world. It analyzes the star's relatonships with various co-stars and directors and details how she balanced her painful insecurities with her often focused and driven approach to her work. Through the context of her work on film, Judy Garland's innate and enduring star power is readily appreciated and acknowledged.

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203

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McFarland

Published Date

ISBN 10

147664702X

ISBN 13

9781476647029

The Elvis Movies

By: James L. Neibaur

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The Elvis Movies

By: James L. Neibaur

Elvis Presley’s stature as the “King of Rock and Roll” will never be challenged. Between his first RCA hit single in 1956—the number-one smash “Heartbreak Hotel”—and his death in 1977, Elvis amassed more than 100 hits on the music charts. Presley’s dominance on the music chart was paralleled only by the singer’s motion picture career. Between 1956 and 1969, Elvis appeared in more than thirty films, further cementing his place as one of the most popular entertainers of the twentieth century. While there have been countless books that explore the real Elvis tucked beneath layers of showbiz mythology, such volumes often dismiss his motion picture career as insignificant or overlook his onscreen work entirely. In The Elvis Movies, James L. Neibaur looks at the thirty-one features that Presley made, from Love Me Tender in 1956 to Change of Habit in 1969. Most of these were star vehicles tailor-made for his image. As Neibaur points out, Elvis had a real interest in being a good actor, but his initial promise was soon thwarted by anti-creative decisions that sold a packaged version of the singer. Despite lapsing into a predictable formula of lightweight musicals, Elvis Presley’s star power ensured that the films became box office successes. Neibaur examines each film, providing information about their production and offering assessments about their value in general, as well as their place in the Presley canon. Additional details include behind-the-scenes personnel, costars, DVD availability, and featured hit songs. An entertaining and informative look at an often underrated aspect of the singer’s career, The Elvis Movies offers readers insight into his films. This volume will be a welcome resource to fans of the singer who want to know more about the King and his successful ventures on the big screen.

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297

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Rowman & Littlefield

Published Date

ISBN 10

1442230746

ISBN 13

9781442230743

The Clint Eastwood Westerns

By: James L. Neibaur

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The Clint Eastwood Westerns

By: James L. Neibaur

While the western was a staple of cinema for many decades, the form began to fade as its greatest star, John Wayne, made fewer films of distinction toward the end of his career. In the mid-1960s, the genre was redefined by a handful of directors, including Don Siegel and Italian filmmaker Sergio Leone, who offered something edgier, bloodier, and more violent. Working with both directors was an actor who had made a name for himself on the small screen in the hit western Rawhide. While Clint Eastwood would also star in and direct a number of successes with contemporary settings, his work in westerns represents the most significant part of his film career. In The Clint Eastwood Westerns, James L. Neibaur takes a film-by-film look at each of the superstar’s signature works, from A Fistful of Dollars in 1964 to his modern-day classic Unforgiven, which earned him two Academy Awards, including best director. The author discusses in detail the production, impact, influences, and successes (both critical and commercial) of each film. In addition, Neibaur examines the continued success and influence of these works—how they redefined, challenged, and progressed the western genre. The book also features chapters that look at Eastwood’s other films in the context of his overall career. From the spaghetti westerns he made with Leone, including The Good, the Bad, and the Ugly,to his revisionist look at the Old West in Unforgiven, The Clint Eastwood Westerns shines a spotlight on some of the most thrilling films of the genre. For devotees of Eastwood—the actor or director—or simply fans of the western, this book is an entertaining look at one of Hollywood’s most enduring stars.

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197

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Rowman & Littlefield

Published Date

ISBN 10

1442245042

ISBN 13

9781442245044

Early Charlie Chaplin

The Artist as Apprentice at Keystone Studios

By: James L. Neibaur

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Early Charlie Chaplin

The Artist as Apprentice at Keystone Studios

By: James L. Neibaur

Before making a name for himself as an undisputed master of cinema, Charlie Chaplin first developed his acting, writing, and directing skills at Keystone Studios. This book examines each of these films, assessing the important early work of a comedian who became a timeless icon.

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251

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Scarecrow Press

Published Date

ISBN 10

0810882426

ISBN 13

9780810882423

Arbuckle and Keaton

Their 14 Film Collaborations

By: James L. Neibaur

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Arbuckle and Keaton

Their 14 Film Collaborations

By: James L. Neibaur

From 1917 to 1919, Joseph Schenck produced a series of Comique comedies starring master movie comedian Roscoe "Fatty" Arbuckle and featuring an apprentice, Joseph Frank "Buster" Keaton. These films were initially deemed significant by modern archivists for representing the first movie appearances of Keaton, widely considered one of the most important figures in motion picture history. But the Comique films also remain the most important of Arbuckle's career because they feature him at the height of his cinematic genius and powers. The 14 short comedies starring Arbuckle and Keaton are incredibly important to the history of cinema and are analyzed in this book. After two chapters of biographical introductions, the rest of the book discusses their collaborative efforts and reveals the way in which the films evolved from Arbuckle's wild slapstick to feature more of the subtlety and cleverness of Keaton. Closing sections discuss what became of Arbuckle and Keaton afterward, commenting significantly on the scandal that undermined Arbuckle's career.

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220

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McFarland

Published Date

ISBN 10

1476609993

ISBN 13

9781476609997

James Cagney Films of the 1930s

By: James L. Neibaur

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James Cagney Films of the 1930s

By: James L. Neibaur

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229

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Rowman & Littlefield

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1442242205

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9781442242203

Stan Without Ollie

The Stan Laurel Solo Films, 1917-1927

By: Ted Okuda,James L. Neibaur

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Stan Without Ollie

The Stan Laurel Solo Films, 1917-1927

By: Ted Okuda,James L. Neibaur

Long before his momentous teaming with Oliver Hardy, comedian Stan Laurel (1890-1965) was a motion picture star in his own right. From his film debut in Nuts in May (1917) through his final solo starring effort Should Tall Men Marry? (1928), Laurel headlined dozens of short comedies for a variety of producers and production companies, often playing characters far removed from the meek, dimwitted "Stanley" persona that we know and love. This is a film-by-film look at the pictures Stan made as a solo artist, as well as those he wrote and directed for other stars, shows his development as a movie comedian and filmmaker. Comedy legend Jerry Lewis, a longtime friend and admirer of Stan Laurel, provides an affectionate and eloquent foreword. Included are several rare photographs and production stills.

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249

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McFarland

Published Date

ISBN 10

0786489871

ISBN 13

9780786489879

The Bob Hope Films

By: James L. Neibaur

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The Bob Hope Films

By: James L. Neibaur

Bob Hope got his start in show business when he was in his twenties, remained active past the age of 90, and lived to be 100. His longevity was remarkable, especially when one considers that he was active in vaudeville, radio, motion pictures and television. He excelled in each of these popular forms of entertainment, but his films are the most genuine testaments to his timeless comedy. His smart quips, fast pace, and breezy manner were perfect ingredients for the brand of comedy that was popular during World War II and the years immediately following the war. This book begins with a discussion of Bob Hope's early career and the short films that he starred in, and then covers each of the Hope films beginning with The Big Broadcast of 1938. The Hope films, the author says, do not have deep subtexts or clever cinematic innovations, but provide clever, uplifting entertainment that continues to inspire laughter and offer solid examples of the humor that made Americans smile during and after World War II. Cast and credit information is provided for each film.

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209

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McFarland

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ISBN 10

0786410507

ISBN 13

9780786410507

The Monster Movies of Universal Studios

By: James L Neibaur

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The Monster Movies of Universal Studios

By: James L Neibaur

This history and critique of classic scary films “honors Universal’s horror legacy. . . . an excellent resource for film students and monster movie fanatics” (Library Journal). In 1931 Universal Studios released Dracula starring Bela Lugosi. This box office success was followed by a string of films featuring macabre characters and chilling atmospherics, including Frankenstein, The Mummy, and The Invisible Man. With each new film, Universal established its place in the Hollywood firmament as the leading producer of horror films, a status it enjoyed for more than twenty years. In The Monster Movies of Universal Studios, James L. Neibaur examines the key films produced by the studio from the early 1930s through the mid-1950s. In each entry, Neibaur recounts the movie’s production, provides critical commentary, considers the film’s commercial reception, and offers an overall assessment of the movie’s significance. Neibaur also examines the impact these films had on popular culture, an influence that resonates in the cinema of fear today. From the world premiere of Dracula to the 1956 release of The Creature Walks among Us, Universal excelled at scaring viewers of all ages—and even elicited a few chuckles along the way by pitting their iconic creatures against the comedic pair of Abbott and Costello. The Monster Movies of Universal Studios captures the thrills of these films, making this book a treat for fans of the golden age of horror cinema. “Studio stills and trade ads for several of the films add a suitably scary touch to this treat for fans and scholars alike. ― Booklist “An impressive work of film scholarship.” ― Cinema Retro

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245

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Rowman & Littlefield

Published Date

ISBN 10

144227817X

ISBN 13

9781442278172

The W.C. Fields Films

By: James L. Neibaur

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The W.C. Fields Films

By: James L. Neibaur

W.C. Fields was at the top among comedians during Hollywood's Golden Era of the 1930s and 1940s and has since remained a comic icon. Despite his character's misanthropic, child-hating, alcoholic tendencies, his performances were enduringly popular and Fields became personally defined by them. This critical study of his work provides commentary and background on each of his films, from the early silents through the cameos near the end of his life, with fresh appraisals of his well known classics. Pictures once believed to be lost that have been discovered and restored are discussed, and new information is given on some that remain lost.

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200

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McFarland

Published Date

ISBN 10

1476627487

ISBN 13

9781476627489

The Jean Harlow Films

By: James L. Neibaur

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The Jean Harlow Films

By: James L. Neibaur

One of the powerful icons of 1930s Hollywood film, Jean Harlow died a tragically early death in 1937 at age 26. During her brief career, she delivered memorable performances in such MGM classics as Red Dust (1932), Bombshell (1933), Dinner at Eight (1933) and Libeled Lady (1936), among others. Taking a film-by-film look at Harlow's work and her own impressions of her costars and directors, this retrospective traces her growth as an actress--from tentative supporting player to top star at a prestigious studio--and how her often tumultuous life informed her performances.

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222

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McFarland

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ISBN 10

1476674841

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9781476674841

The Andy Clyde Columbia Comedies

By: James L. Neibaur

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The Andy Clyde Columbia Comedies

By: James L. Neibaur

Andy Clyde starred in the second-longest series of shorts at Columbia Pictures (after the Three Stooges), with nearly 80 productions from 1934 to 1956. This film-by-film analysis of Clyde's Columbia short comedies features introductory chapters on his early life, stage work, silent films and early talkies, as well as concluding chapters on his appearances in feature films--including several Hopalong Cassidy westerns--and his television roles on such shows as Lassie and The Real McCoys. Rare photos and graphics are included.

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213

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McFarland

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ISBN 10

1476630976

ISBN 13

9781476630977

The Monster Movies of Universal Studios

By: James L Neibaur

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The Monster Movies of Universal Studios

By: James L Neibaur

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144227817X

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9781442278172

Buster Keaton's Silent Shorts

1920-1923

By: James L. Neibaur,Terri Niemi

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Buster Keaton's Silent Shorts

1920-1923

By: James L. Neibaur,Terri Niemi

By the mid-1920s, Buster Keaton had established himself as one of the geniuses of cinema with such films as Sherlock, Jr., The Navigator, and his 1927 work The General, which was the highest ranked silent on the American Film Institute's survey of the 100 greatest films. Before Keaton ventured into longer works, however, he had honed his skills as an actor, writer, and director of short films produced in the early 1920s. In Buster Keaton’s Silent Shorts: 1920-1923, James L. Neibaur and Terri Niemi provide a film-by-film assessment of these brilliant two-reelers. The authors discuss the significance of each short—The High Sign, One Week, Convict 13, The Scarecrow, Neighbors, The Haunted House, Hard Luck, The Goat, The Playhouse, The Boat, The Paleface, Cops, My Wife’s Relations, The Blacksmith, Frozen North, Daydreams, The Electric House, The Balloonatic, and The Love Nest—to the Keaton filmography, as well as each film’s importance to cinema. Offering a clear and in-depth perspective on these 19 films, the authors explain what makes these shorts effective and why they’re funny. Buster Keaton’s Silent Shorts will enlighten both scholars and casual fans alike about the early work produced by one of cinema's most gifted comedians and filmmakers.

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276

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Scarecrow Press

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ISBN 10

081088741X

ISBN 13

9780810887411

Butterfly in the Rain

The 1927 Abduction and Murder of Marion Parker

By: James L. Neibaur

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Butterfly in the Rain

The 1927 Abduction and Murder of Marion Parker

By: James L. Neibaur

On December 17, 1927 in Los Angeles, twelve year old Marion Parker, daughter of a prominent banker, was called to the school office where a stranger told her that her father had been in an accident and that she must leave with him right away. Fewer than 48 hours later, she was dead. What started as a tragic, but otherwise ordinary, kidnapping turned out to be a shocking murder by one of the period’s most twisted killers, William Edward Hickman. James L. Neibaur takes a step into history, depicting how this abduction was soon labeled the “crime of the century” and sparked a change in the nation’s attention to such cases. With a media-driven nationwide manhunt, one of the biggest and most wide-ranging in California history, and then a desperate attempt at sparing the killer’s life with the unfamiliar insanity plea, this infamous case left the abduction and murder of Marion Parker to be etched into 1920s pop culture. The murder of Marion Parker brought to light the unthinkable reality of child abduction. Neibaur resourcefully weaves together the events surrounding the crime in the context of the contemporary culture and attitudes of the late 1920s, covering the impact of the media’s first involvement in a criminal justice case, and how the admired notions of the glamorized ‘20s were crushed by this ordinary family’s chilling reality.

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231

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Rowman & Littlefield

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ISBN 10

1442251204

ISBN 13

9781442251205

The Essential Jack Nicholson

By: James L. Neibaur

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The Essential Jack Nicholson

By: James L. Neibaur

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213

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Rowman & Littlefield

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ISBN 10

1442269898

ISBN 13

9781442269897

The Essential Mickey Rooney

By: James L. Neibaur

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The Essential Mickey Rooney

By: James L. Neibaur

Mickey Rooney is a cinematic icon whose career lasted from the silent era into the twenty-first century. From the shorts he made as Mickey McGuire to supporting roles in such films as Night at the Museum, Rooney had more than 300 film appearances to his credit. Mickey Rooney was not just a movie star, he was the most popular film performer for several years in a row in the 1930s. In addition to his four Academy Award nominations, Rooney received two special Oscars, including an honorary award for his variety of memorable performances spanning several decades. In The Essential Mickey Rooney, James L. Neibaur examines more than sixty feature films in which the actor appeared, from starring roles in Boys Town, Babes in Arms, and The Human Comedy to acclaimed supporting performances in The Bold and the Brave and The Black Stallion. In addition to familiar works like the Andy Hardy comedies or musicals opposite Judy Garland, lesser known films like Quicksand and Drive a Crooked Road are discussed as examples of the masterful performances he offered again and again. An actor of rare talent and unrestrained exuberance, Rooney appeared so often on film that it probably is impossible to view every performance of his career—one that lasted longer than any other actor in Hollywood. While minor roles are not discussed here, all of his vintage works are, making The Essential Mickey Rooney an indispensable resource for anyone wanting to learn more about the best work of this film icon.

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Page Count

313

Publisher

Rowman & Littlefield

Published Date

ISBN 10

1442260963

ISBN 13

9781442260962

The Fall of Buster Keaton

His Films for MGM, Educational Pictures, and Columbia

By: James L. Neibaur

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The Fall of Buster Keaton

His Films for MGM, Educational Pictures, and Columbia

By: James L. Neibaur

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Page Count

244

Publisher

Scarecrow Press

Published Date

ISBN 10

0810876833

ISBN 13

9780810876835

The Charley Chase Talkies

1929-1940

By: James L. Neibaur

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The Charley Chase Talkies

1929-1940

By: James L. Neibaur

Charley Chase began his film career in early 1913 working as a comedian, writer, and director at the Al Christie studios under his real name, Charles Parrott. Chase then joined Mack Sennett's Keystone studio in 1914, costarring in early films of Charlie Chaplin and Roscoe “Fatty” Arbuckle, as well as directing the frenetic Keystone Cops. By 1924 he was starring in a series of one-reel comedies at Hal Roach studios, graduating to two-reel films the following year. In 1929, he made the transition to sound films. Along with the continuing popularity of his own short comedies, Chase often directed the films of others, including several popular Three Stooges efforts. In The Charley Chase Talkies: 1929-1940, James L. Neibaur examines, film-by-film, the comedian's seventy-nine short subjects at Roach and Columbia studios. The first book to examine any portion of Chase’s filmography, this volume discusses the various methods Chase employed in his earliest sound films, his variations on common themes, his use of music, and the modification of his character as he reached the age of forty. Neibaur also acknowledges the handful of feature film appearances Chase made during this period. A filmmaker whom Time magazine once declared was receiving the most fan mail of any comedian in movies, Charley Chase remains quite popular among classic film buffs, as well as historians and scholars. A detailed look into the work of an artist whose career straddled the silent and sound eras, The Charley Chase Talkies will be appreciated by those interested in film comedy of the 1920s and 30s.

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