A fully illustrated history of the Temple of Solomon • Examines the Temple of Solomon in the Hebrew Scriptures, the New Testament, and Apocryphal writings • Explores its role in the founding of Freemasonry, the legends of the Knights Templar, the doctrines of the Kabbalah, and the teachings of Islam • Explains the sacred nature of the Temple Mount--the site of the Temple of Solomon--and the secrets that may still be hidden there • Richly illustrated, including many photos and images from rare archives The spiritual heart of many esoteric societies, the Temple of Solomon was located atop the Temple Mount in Jerusalem, a site venerated by the three great monotheistic religions as the intersection of Divine and human. Built by King Solomon at the peak of ancient Israel’s power, the Temple of Solomon housed the golden Ark of the Covenant in its Holy of Holies, a sacred chamber where one could communicate directly with God. Centuries after the temple’s destruction, the Temple Mount was used as the headquarters for the Knights Templar during the Crusades, and countless legends have come down through the centuries about the secrets they may have uncovered there, including discovery of the Holy Grail or the Ark of the Covenant. Richly illustrated with biblical and Masonic illustrations, photographs, and ancient and modern paintings--many from rare archives--this book explores the Temple of Solomon in the Hebrew Scriptures, the New Testament, and Apocryphal writings as well as its role in the founding of Freemasonry, the legends of the Knights Templar, the doctrines of the Kabbalah, and Muhammad’s visionary journey from the Temple Mount through the heavens. Seeking to understand the powerful desire of many religions and secret societies to re-create the temple through ritual and prayer, James Wasserman explains why it was built, the magical forces King Solomon may have used in its creation, what its destruction meant for Jews and Christians alike, and why the Knights Templar as well as several modern secret societies named their orders after it. Detailing the sacred architecture of this perfectly proportioned mystical edifice through words and art, the author reveals the Temple of Solomon as the affirmation of God’s presence in human affairs, the spiritual root of Western culture, and an important monument to the Divine nearly forgotten in today’s secular times but sorely needed to bridge the divide between our ancient past and our spiritual future.
The Victorian era produced many famous artists and styles. John Everett Millais and Dante Gabriel Rossetti were part of the famous pre-Raphaelite Brotherhood whose willowy models were often seen in the works of several of the artists. One of the most famous was Elizabeth Siddall, an artist in her own right, who posed for Millais Ophelia, married to Rossetti, and posed for him, Holman Hunt and Walter Deverell. This fascinating book is a must for everyone interested in art and the Victorian era, and in the genres, styles and relationships between art and the events of the day. There are biographies of the artists and models, glimpses of their most famous pieces new insights into the vibrant Victorian art-world - the lives and loves, and the artists dealings with their patrons.Did you know?Rossetti tucked a book of his own poetry into Siddalls hair in her coffin and, later, arranged for her exhumation to reclaim it. After several years, the coffin had preserved her ethereal red hair.
.0000000000In another infinitesimal flash he had taken it in. Pale, dusky skin, covering nothing but bones and tendons of appalling strength; coarse black hairs, longer than ever grew on a human hand; nails rising from the ends of the fingers and curving sharply down and forward, grey horny and wrinkled. He flew out of his chair with deadly inconceivable terror at his heart.The art of telling a ghost story is a refined one and Montague Rhodes James was a master of it. With gentle cunning, he draws the reader into a narrative that at first seems innocuous but which by gentle turns becomes darker and darker until he transfixes you with his prose, creating the most unforgettable, alarming and frightening images. This volume contains all his timeless masterpieces from the four collections of his eerie tales: Ghost Stories of an Antiquary (1904), More Ghost Stories of an Antiquary (1911), A Thin Ghost and Others (1919), A Warning to the Curious and Other Ghost Stories (1925)."With an Afterword by David Stuart Davies.
Respected Christian educator, Dr. James Stobaugh, offers an entire year of high school British history curriculum in an easy to teach and comprehensive volume. British History: Observations & Assessments from Early Cultures to Today employs clear objectives and challenging assignments for the eleventh grade student without revisionist or anti-Christian perspectives. From before the Anglo-Saxon invasions to the end of an empire, British history trends, philosophies, and events are thoroughly explored. The following components are covered for the student: Critical thinking - Examinations of historical theories, terms, and concepts - History makers who changed the course of Britain's history - Overviews and insights into world views. Students will complete this course knowing the rise of the British empire that influenced nearly every corner of the earth!
Robert Darnton, Roger Chartier, and others have written much on the history of reading in the Old Regime, but this is the first broad study of reading to focus on the period after 1800. How and why did people understand texts as they did in modern France? In answering this question, James Allen moves easily from one interpretive framework to another and draws on a wide range of sources--novels, diaries, censor reports, critical reviews, artistic images, accounts of public and private readings, and the letters that readers sent to authors about their books. As he analyzes reading "in the public eye," the author explores the formation of "interpretive communities" during the years when reading silently and alone gradually became more common than reading aloud in a group. In the Public Eye discusses printing, publishing, literacy, schooling, criticism, and censorship, to study the social, cultural, economic, and political forces that shaped French interpretive practice. Examining the art and act of reading by different audiences, it discloses the mentalities of literate people for whom few other historical records exist. The book will be essential reading for those interested in modern French history, post-structuralist literary theory and criticism, reader-response theory and criticism, and social and intellectual history in general. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Jean-Baptiste Carpeaux (1827-1875) was an extraordinarily gifted sculptor, the greatest in 19th-century France before Rodin, and embodied the emotionally charged artistic climate of his era ... Carpeaux's wrenching representations of human forms, shown in beautiful color details and illustrations, echo his turbulent personal life, fraught with episodes of violence and fatal illness. The book covers the entire span of Carpeaux's career, and includes the masterpiece Ugolino and His Sons, newly discovered drawings, and a number of rarely seen or studied works. Previously unpublished letters between Carpeaux and his family and friends, a wealth of archival material, and the most detailed chronology of the artist's life ever published."--Yale University Press website.
This is the first comprehensive study of the Irish writers of the Victorian age, some of them still remembered, most of them now forgotten. Their work was often directed to a British as well as an Irish reading audience and was therefore disparaged in the era of W.B. Yeats and the Irish Literary Revival with its culturally nationalist agenda. This study is based on a reading of around 370 novels by 150 authors, including still-familiar novelists such as William Carleton, the peasant writer who wielded much influence, and Charles Lever, whose serious work was destroyed by the slur of 'rollicking', as well as Joseph Sheridan LeFanu, George Moore, Emily Lawless, Somerville and Ross, Bram Stoker, and three of the leading authors from the new-woman movement, Sarah Grand, Iota, and George Egerton. James H. Murphy examines the work of these and many other writers in a variety of contexts: the political, economic, and cultural developments of the time; the vicissitudes of the reading audience; the realities of a publishing industry that was for the most part London-based; the often difficult circumstances of the lives of the novelists; and the ever changing genre of the novel itself, to which Irish authors often made a contribution. Politics, history, religion, gender and, particularly, land, over which nineteenth-century Ireland was deeply divided, featured as key themes for fiction. Finally, the book engages with the critical debate of recent times concerning the supposed failure of realism in the nineteenth-century Irish novel, looking for more specific causes than have hitherto been offered and discovering occasions on which realism turned out to be possible.
A microhistory of eighteenth-century systemic change that places ordinary French lives alongside global advances Provincializing Global History explores the subtle transformation of the coastal province of the Languedoc in the eighteenth century. Mining a wealth of archival sources, James Livesey unveils how provincial elites and peasant households unwittingly created new practices. Managing local political institutions, establishing new credit systems, building networks of natural historians, and introducing new plants and farm machinery to the region opened up the inhabitants of the province to new norms and standards. The practices were gradually embedded in daily life and allowed the province to negotiate the new worlds of industrial society and capitalism.
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