Modern Skeletons takes us on a lively trip from the New Criticism to cyberspace. For James Sosnoski literar criticism is always a reading of cultures and becomes indeed a form of culture building: critics as storytellers, not as scientists.
This book addresses literary critics in mainstream institutions who, though they vastly outnumber their colleagues in more prestigious institutions, have little voice in the profession. It examines the structures through which the institution of literary criticism pressures its members to accept orthodoxy/heterodoxy as categories to describe their work, which in turn provokes theory wars. This opposition produces a method/ application dichotomy which renders members' pursuits scientistic.
This book addresses literary critics in mainstream institutions who, though they vastly outnumber their colleagues in more prestigious institutions, have little voice in the profession. It examines the structures through which the institution of literary critical pressures its members to accept orthodoxy/heterodoxy as categories to describe their work, which in turn provokes theory wars. This opposition produces a method/application dichotomy that renders members' pursuits scientistic.
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