This my story to help others find their way out of the hurt and pain of a bad childhood. I been through it all, having been abused and neglected to the point of horrific nightmares, demons attacking me! I found alcohol and drugs to cover up the pain and fear, but only to make everything worse! It's a sad story, but it has a good ending, of how God works in people's lives and how his Mighty hand can deliver a soul from turmoil to freedom! Once you pick this book up you will not put it down until the END!
This is a depiction of the traumatic experiences, dark moments, eye-opening situations, and a tale that relates to a lot of foster kids and foster parents! This is a story that helps you see and understand the background and history of Dejuan D. James and others who have entered the world of the living with new people on a daily basis who are not related to them. This is based on a true story! However, most names have been changed to hide identities. Another interesting fact of this book is that it was written entirely from the confines of an iPhone 7 in the Pages application!
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Music, Magazines & Mayhem Between 1994 and 1997, James Brown's loaded magazine became the the must-buy and must-be-in publication of the decade. It won every award going, year after year, and came to define not only its audience but also a generation. Bright, loud, funny, provocative, ambitious and careless, loaded was read from the barracks of Afghanistan to the England dressing room at Euro '96. It captured a hedonistic lifestyle of alcohol, cocaine and more. The last great hurrah before the end of the century. It was the biggest noise in the golden generation of magazine publishing, rocketing from zero to half a million sales in a matter of months. What MTV had been to the 80s, loaded was to the 90s. ANIMAL HOUSE follows James Brown's remarkable career from a high school drop-out fanzine writer with few qualifications to NME features editor aged 22, and loaded founder at 27. In between, his mother died in tragic circumstances and gradually his own drug and alcohol use began to take over. Loaded's unexpected success legitimised (and paid for) James's lifestyle, and it wasn't until he crashed and burned at GQ, and went through rehab, that any sense of perspective kicked in. Recuperating on the island of Mustique whilst plotting his return with Oz founder Felix Denis, James was asked by neighbour Lord Patrick Lichfield: "How on earth did you manage to sell so many magazines whilst taking so many drugs?" This book is his answer.
Another day in the Sacramento County Juvenile Hall health clinic. Michelle walked in, eyes wide open, long dirty-blonde hair pulled back, and county-issued white T-shirt with blue pants two sizes too large. At 15, she was a veteran of the foster care system and determined to get out. Like many kids in trouble, Michelle didn't really understand how serious her problems were. Over six years of being moved from one foster home to the next, she'd developed dangerous coping behaviors sexual activity, alcohol and drug use, and running away. With her self- esteem virtually nonexistent, she was desperately alone in the world and oblivious to risk. She was ready to do almost anything to avoid being placed in yet another group home. Could she be saved from herself until she became mature enough to understand and think responsibly about her life? This is the story of what happened when the author, the registered nurse who saw Michelle in the clinic that day-a happily married man with two children of his own-stepped in to try to help. He and his wife hoped to become the last in Michelle's string of foster parents. In the three-way tug of war that ensued, the author contended for months with Child Protective Services, encountering numerous delays, bureaucratic hurdles, outright incompetence, and even a cover-up at juvenile hall. At the same time he had to try to protect Michelle from herself as she engaged in her own misguided struggle for "freedom" from CPS. What started out as the author's desire to help a teen in trouble eventually progressed to fighting for his job, his integrity, his ethics, and his reputation. Was the system more concerned with self-preservation, procedures, and protecting its own than with the children it was supposed to care for?
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
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