In 1892, "Gentleman" James J. Corbett defeated John L. Sullivan to become the heavyweight champion of the world, using his "scientific boxing" techniques.Corbett is considered by many to be the "father of modern boxing" for being the first person to apply scientific principles to the art of pugilism. This classic book contains sections on fundamental boxing techniques, proper footwork, fouling techniques, and the various boxing rules of his time.
In 1892, "Gentleman" James J. Corbett defeated John L. Sullivan to become the heavyweight champion of the world. Using his own "scientific boxing" techniques, Corbett delivered a blistering lesson to the previously unbeatable Sullivan, ending the fight with a knockout in the 21st round. With Corbett's win, a new era in boxing began. ***** Corbett is considered by many to be the "father of modern boxing" for being the first person to apply scientific principles to the art of pugilism. In "Scientific Boxing," the creator of such boxing innovations as the "left hook" distills his scientific methodology into an accessible manual of boxing techniques. This classic book contains sections on fundamental boxing techniques, fouling techniques, and the various boxing rules of his time. ***** This deluxe edition of "Scientific Boxing" contains additional photos and an added account of the fight between Corbett and Sullivan. ***** James J. Corbett (1866-1933) held the title of heavyweight champion from 1892 to 1897. He was the first to win the title under the Marquis of Queensberry rules. College educated, Corbett was also an actor, writer, and boxing coach. ***** "Corbett marked the turning point in ring history, replacing mauling sluggers with the new school of faster, scientific boxers." Bob Burrill, "Who's Who in Boxing
Jess Willard, the "Pottawatomie Giant," won the heavyweight title in 1915 with his defeat of Jack Johnson, the first black heavyweight champion. At 6 feet, 6 inches and 240 pounds, Willard was considered unbeatable in his day. He nonetheless lost to Jack Dempsey in 1919 in one of the most brutally one-sided contests in fistic history. Willard later made an initially successful comeback but was defeated by Luis Firpo in 1923 and retired from the ring. He died in 1968, largely forgotten by the boxing public. Featuring photographs from the Willard family archives, this first full-length biography provides a detailed portrait of one of America's boxing greats.
Widely regarded as one of America’s great authors, F. Scott Fitzgerald led a life of drama and extravagance that often overshadowed his writing career. This book refocuses attention on how Fitzgerald viewed and approached the business of writing. Fitzgerald scholar James L. W. West III explores the writer’s professional life through personal letters, manuscripts, his business ledger, editions of his novels, and even a “seven-year plan.” In assessing these diverse materials, West reveals fascinating details about what led Fitzgerald to follow authorship as a calling, why he took on certain projects, how he managed his finances, and what influenced his writing style. Connecting Fitzgerald’s career to his literary texts, West also provides new information on the development and publication history of some of Fitzgerald’s most important works, such as The Great Gatsby and Jacob’s Ladder. Throughout, West pays close attention to the delicate balance in Fitzgerald’s career between money and literary respectability, commerce and art. A keen, engaging, and intimate look at Fitzgerald’s day-to-day work of writing for a living, Business Is Good is a must-have for anyone who wants a better understanding of this American literary giant.
This book vividly portrays the experiences of five secondary teachers who were involved in a school restructuring initiative that focused on interdisciplinary curriculum development, team teaching, and block scheduling. Though much has been written during the past decade concerning the need for fundamental restructuring of American schools, the track record in accomplishing change is extremely weak. One reason for this is the lack of understanding of what change means from the point of view of teachers, who are both the objects and subjects of change efforts. The year the authors spent with the teachers resulted in a deeper understanding of the phenomenology of change experiences that can be used to develop more fruitful, empowering, and teacher sensitive strategies. The story of the change experience is presented through five interlocking and mutually reinforcing themes that dominated the teachers' experience and understanding: uncertainty; intensification; lack of administrative leadership; subject allegiance versus team loyalty; and craft pride, caring, and moral purpose.
Vaudeville, as it is commonly known today, began as a response to scandalous variety performances appealing mostly to adult, male patrons. When former minstrel performer and balladeer Tony Pastor opened the Fourteenth Street Theatre in New York in 1881, he was guided by a mission to provide family-friendly variety shows in hopes of drawing in that portion of the audience – women and children – otherwise inherently excluded from variety bills prior to 1881. There he perfected a framework for family-oriented amusements of the highest obtainable quality and style. Historical Dictionary of Vaudeville contains a chronology, an introduction, an extensive bibliography, and the dictionary section has more than 1,000 cross-referenced entries on performing artists, managers and agents, theatre facilities, and the terminology central to the history of vaudeville. This book is an excellent resource for students, researchers, and anyone wanting to know more about vaudeville.
Government accountability in the nineteenth century -- Bivens and government accountability in the twentieth century -- Human rights and War on Terror litigation -- Evaluating the effectiveness of Bivens litigation -- Evaluating justifications for judicial silence -- Congressional ratification of the bivens action -- Applying Bivens to conduct outside of the United States -- Overcoming qualified immunity -- Common-law solutions to judge-made problems.
The book provides invaluable information to scientists, engineers, and product managers involved with imaging CCDs, as well as those who need a comprehensive introduction to the subject."--Page 4 de la couverture
This practical guide for social workers presents systematic and streamlined techniques for helping clients resolve their problems. It includes an A-Z set of task planners for more than 100 psychosocial problems encountered by human service professionals.
By the middle of 1918 the British Army had successfully mastered the concept of ’all arms’ warfare on the Western Front. This doctrine, integrating infantry, artillery, armoured vehicles and - crucially - air power, was to prove highly effective and formed the basis of major military operations for the next hundred years. Yet, whilst much has been written on the utilisation of ground forces, the air element still tends to be studied in isolation from the army as a whole. In order to move beyond the usual 'aircraft and aces' approach, this book explores the conceptual origins of the control of the air and the role of the Royal Flying Corps (RFC) within the British army. In so doing it addresses four key themes. First, it explores and defines the most fundamental air power concept - the control of the air - by examining its conceptual origins before and during the First World War. Second, it moves beyond the popular history of air power during the First World War to reveal the complexity of the topic. Third, it reintegrates the study of air power during the First World War, specifically that of the RFC, into the strategic, operational, organisational, and intellectual contexts of the era, as well as embedding the study within the respective scholarly literatures of these contexts. Fourth, the book reinvigorates an entrenched historiography by challenging the usually critical interpretation of the RFC’s approach to the control of the air, providing new perspectives on air power during the First World War. This includes an exploration of the creation of the RAF and its impact on the development of air power concepts.
Throughout the twentieth century, Wisconsin won national visibility and praise for its role as a ?laboratory of democracy? within the American federal system. In Wisconsin Politics and Government James K. Conant traces the development of the state and its Progressive heritage from the early territorial experience to contemporary times. Conant includes a discussion of the four major periods of institutional and policy innovation that occurred in Wisconsin during the twentieth century as well as an examination of the state?s constitution, legislature, office of the governor, courts, political parties and elections, interest groups, social welfare policy, local governments, state-local relations, and current and emerging issues. ø Readers of Wisconsin Politics and Government are likely to find a close correspondence between Wisconsin's social, economic, and political experience during the twentieth century and the essential democratic characteristics Alexis de Tocqueville describes in his classic work Democracy in America. For example, Wisconsin?s twentieth-century civil society was highly developed: its elected and administrative officials continuously sought to improve the state's political and administrative institutions, and they worked to enhance the economic and social conditions of the state's citizens. Other modern characteristics of the state's democratic experience include issue-oriented politics, government institutions operating free of scandal, and citizens turning out to vote in large numbers.
Tato publikace je sborníkem 21 příspěvků, přednesených na 9. ročníku konference „Teaching and Learning Corpora“, která se uskutečnila na Masarykově univerzitě v létě 2010. Statě byly vybrány na základě dvou anonymních posudků, poskytnutých vědeckou radou konané konference. Kniha se zabývá rozmanitými způsoby využití jazykových korpusů při výuce a při studiu cizího jazyka, a je rozdělena do čtyř oddílů. Oddíly 1 a 2 pohlížejí na korpus jako vstupní zdroj, zkoumají nejdříve obecně jak mohou korpusy obohatit výuku jazyka, poté na konkrétních případech ukazují, jak převést poznatky do praxe, a nakonec hodnotí jednotlivé využití korpusů studenty. Oddíly 3 a 4 tematizují korpus jako výstup, což představuje především srovnání s korpusy rodilých mluvčích a následnou identifikaci „chyb“ či problémových oblastí, ale také ukazují, co studenti mohou vědět a skutečně ví v různých úrovních pokročilosti, a pokouší se zodpovědět na otázku, co nám tyto informace říkají o samotném procesu učení.
Near the end of the Civil War, Army Chief of Staff Henry W. Halleck described the 16th New York Volunteer Cavalry as "cowed and useless" after they were "cut up" by Confederate Colonel John Mosby's Rangers. The following April the New Yorkers made their place in history when 26 men led by Lieutenant Edward P. Doherty captured and killed John Wilkes Booth. An amalgam of three partially formed regiments, the 16th was plagued by early desertions, poor leadership and a near mutiny as its First Battalion prepared to march to northern Virginia to bolster the outer defenses of Washington in October 1863. The regiment spent most of the remainder of the war chasing Mosby's cavalry. They won a few tactical victories but were mainly confounded by the Confederate guerrillas. Drawing on personal letters, diaries and memoirs by men of the 16th, and the recollections of Mosby's men, this deeply researched history provides fresh perspective on Mosby's exploits and the hunt for Booth.
By providing a comprehensive and multi-layered picture of the troubled relationship between working-class radicals and organised Liberalism in England between 1868 and 1888, Labour and the Caucus offers a new, innovative pre-history of the Labour party.
Written in the fearless voice of Detective Alex Cross, Alex Cross's Trial is a #1 New York Times bestseller of murder, love, and above all, bravery. From his grandmother, Alex Cross has heard the story of his great uncle Abraham and his struggles for survival in the era of the Ku Klux Klan. Now, Alex passes the family tale along to his own children in a novel he's written-a novel called Trial. As a lawyer in turn-of-the-century Washington D.C., Ben Corbett represents the toughest cases. Fighting against oppression and racism, he risks his family and his life in the process. When President Roosevelt asks Ben to return to his home town to investigate rumors of the resurgence of the Ku Klux Klan there, he cannot refuse. When he arrives in Eudora, Mississippi, Ben meets the wise Abraham Cross and his beautiful granddaughter, Moody. Ben enlists their help, and the two Crosses introduce him to the hidden side of the idyllic Southern town. Lynchings have become commonplace and residents of the town's black quarter live in constant fear. Ben aims to break the reign of terror-but the truth of who is really behind it could break his heart. Written in the fearless voice of Detective Alex Cross, Alex Cross's Trial is a gripping story of courage in the face of prejudice and terror.
Henry Martyn Lazelle (1832-1917), born in Enfield, Massachusetts, the son of a farmer, orphaned at the age of four, and raised by a succession of relatives and family friends, was the only cadet in the history of the U.S. Military Academy to be suspended and sent back a year (for poor grades and bad behavior) and eventually return as Commandant of the Corps of Cadets. After graduating from West Point in 1855, he scouted with Kit Carson, was wounded by Apaches, and spent nearly a year as a "paroled" prisoner-of-war at the outbreak of the Civil War. Exchanged for a Confederate officer, he took command of a Union cavalry regiment, chasing Mosby's Rangers throughout northern Virginia. The early days of Reconstruction brought him to the Carolinas. Later he represented the U.S. at British Army maneuvers in India and commanded units and posts in the Far West and the Dakotas during the relocation and ravaging of the American Indian nations. Due in part to an ingrained disposition to question the status quo, Lazelle's service as a commander and senior staff officer was punctuated at times with contention and controversy. In charge of the official records of the Civil War in Washington, he was accused of falsifying records, exonerated, but dismissed short of tour. As Commandant of Cadets at West Point, he was a key figure during the infamous court martial of Johnson Whittaker, one of West Point's first African American cadets. Again, he was relieved of duty after a bureaucratic battle with the Academy’s Superintendent. Lazelle retired in 1894 as Colonel of the 18th U.S. Infantry at Fort Bliss, Texas, where his Army career had begun 38 years earlier. Along the way, he authored articles on military strategy and tactics, took up spiritualism, and published two books on the relationship between science and theology.
This lively survey of the ever-changing Irish-American experience contains “many perceptive, and sometimes surprising, observations” (The Irish Times). Irish-American Autobiography explores the evolution of Irishness in America through memoirs that describe, define, and redefine what it means to be Irish. From athletes and entertainers to saloon keepers, community activists, and Catholic priests, Irish-Americans of all stripes share their thoughts and perceptions on their ever-evolving ethnic identity. Poet and Irish studies specialist James Silas Rogers begins his evocative analysis with celebrity memoirs by athletes like boxer John L. Sullivan and ballplayer Connie Mack―written when the Irish were eager to put their raffish origins behind them. Later, he traces the many tensions registered by lesser-known Irish-Americans who’ve told their life stories. South Boston step dancers set themselves against the larger culture, framing their identity as outsiders looking in. Even the classic 1950s sitcom The Honeymooners speaks to the poignant sense of exclusion felt by its creator Jackie Gleason. Rogers also examines the changing role of Catholicism as a cultural touchstone for Irish Americans, and examines the painful diffidence of priest autobiographers. Irish-American Autobiography becomes, in the end, a story of a continued search for connection—documenting an “ethnic fade” that never quite happened.
From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. "It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended."—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, "ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.
The Mississippi Valley in western Illinois – thirty years after the Civil War. Japheth Bunt, a veteran of that war, is a man who lives to hunt and drink – at the expense of honest work. No one’s ideal of a husband or a father. Hannah Bunt, of pioneer stock, is the strong-willed woman who fell in love with him years before, and content with her hard, but simple life on Coon Creek. Elias Bunt – their son. An adventurous boy who watches in fear as his life and the lives of those he loves are threatened by a bitter family feud that rages in the woods and on the roads of Hancock County, Illinois. And, as the 19th century rolls into the 20th, a grown Elias is torn between his love for two women, and his misplaced loyalty to the notorious outlaw, Charlie Birger – as the Bunts are caught up in a struggle to survive the violence and bootleg whiskey war that sweeps across the Mississippi River Valley. A story filled with drama and turmoil, love and hate, heartbreak and humor – with a cast of unforgettable characters as vivid and colorfully drawn as the turbulent times that produced them.
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