Introduction: Translocal Anglo-India -- A Cultural Company-State and the Colonial Public Sphere -- Newspapers and Reading Publics in Eighteenth-Century India -- The Vagrant Muse: Fashioning Reputation across Eurasia -- Undoing Britain in Bengal -- Tristram Shandy in Bombay -- Agonies of Empire: Captivity Narratives and the Mysore Wars, 1767-1799 -- Literary Culture of Colonial Outposts: Penang, Sumatra, Java, 1771-1816.
Television Personalities offers an exciting, engaging approach to studying and understanding the most prominent and popular performers in television and celebrity culture. It is an original, indispensable guide for undergraduate and postgraduate students of media, television and celebrity studies, as well as those interested in digital culture more widely.
This book is the factual story of the development of armed helicopters in the US Army and their first employment in combat. The story is dramatically told by the courageous men who lived it--flying daily into enemy infested areas facing murderous fire from automatic and anti-aircraft weapons. In late 1961 the US Government deployed five Transportation Helicopter Companies (H-21 lift ships) to South Vietnam to increase the mobility of South Vietnamese ground forces. The Viet Cong quickly recognized that the H-21s were unarmed and began shooting at them endangering the lives of American crewmen. A helicopter company equipped with 25 UH-1 helicopters had been cobbled together on Okinawa by the Commander US Army Pacific. Believing the company was soon to be deployed to Vietnam, the men assigned to the unit armed its helicopters by scrounging weapons systems left over from WW ll and Korea stored in Army/Air Force depots in Okinawa. Machine guns and 2.75 inch rockets were jury rigged onto the UH-1s. .Officially designated the Utility Tactical Helicopter Company, but widely known as the UTT, the company deployed to Saigon in September 1962. After some jurisdictional squabbles with the Air Force over roles and missions, UTT began combat operations in October. It quickly became widely known for professionalism and the courage of its crew members. Such was its fame that for years South Vietnamese military personnel called all armed helicopters UTT. Unfortunately over its years in RVN the Company endured frequent designation changes--UTT/68th/197th/334th Armed Helicopter Company. Why remains a mystery even today. The Companys legacy is strong and endures today. Armed helicopters are a major component of US Army combat forces. The current Army Apache program (over 600) is a direct descendent. Additionally, the Marines and Navy have strong armed helicopter programs, as does every major military power in the world. Ironically it all began with a small group of courageous men mounting scavenged weapons [mostly outmoded] on helicopters originally designed for medical evacuation. This is their story.
Celebrated historian of World War II James Holland chronicles the astonishing Allied victory at the Battle of the Admin Box in Burma (now Myanmar), a turning point of the war in the Far East In February 1944, in one of the most astonishing battles of World War II, a ragtag collection of British clerks, drivers, doctors, muleteers, and other base troops, stiffened by a few dogged Yorkshiremen and a handful of tank crews, managed to defeat a much larger and sophisticated contingent of some of the finest infantry in the Japanese army on their march towards India. What became known as the Battle of the Admin Box, fought amongst the paddy fields and jungle of Northern Arakan over a fifteen-day period, turned the battle for Burma. Not only was it the first decisive victory for Allied troops against the Japanese, more significantly, it demonstrated how the Japanese could be defeated. Lessons learned in this otherwise insignificant corner of the Far East set up the campaign in Burma that would follow, as General William Slim’s Fourteenth Army finally turned the tide of the war in the East. In Burma ’44, acclaimed World War II historian James Holland offers a dramatic tale of victory against incredible odds. As momentous as the Battle of the Bulge ten months later, the Admin Box was a triumph of human grit and heroism and remains one of the most significant yet underappreciated conflicts of the entire war. In Holland’s hands, it is finally given its proper place in the history of World War II.
One of the Best Books of the Year The Washington Post • Los Angeles Times • Milwaukee Journal Sentinel The story of Frank Sinatra’s second act, Sinatra finds the Chairman on top of the world, riding high after an Oscar victory—and firmly reestablished as the top recording artist of his day. Following Sinatra from the mid-1950s to his death in 1998, Kaplan uncovers the man behind the myth, revealing by turns the peerless singer, the (sometimes) powerful actor, the business mogul, the tireless lover, and—of course—the close associate of the powerful and infamous. It was in these decades that the enduring legacy of Frank Sinatra was forged, and Kaplan vividly captures “Ol’ Blue Eyes” in his later years. The sequel to the New York Times best-selling Frank, here is the concluding volume of the definitive biography of "The Entertainer of the Century.
Tort Law: Principles in Practice is an approachable and engaging casebook, with a variety of pedagogical features and tools to examine tort law doctrine and rules and their application in practice. Introductory text for each chapter, subsection, and cases frame the issues under discussion, aiding student comprehension. Key Features: Text boxes and photographs, sample pattern jury instructions, checklists, and end-of-chapter essay questions. Chapter Goals are listed at the beginning of each chapter to highlight the key areas of coverage and provide a checklist for students when reviewing material. New key cases (e.g., new cases dealing with “but-for” causation and cutting edge coverage of the seat-belt defense showing a recent trend toward acceptance of this defense). Expanded short practice problems after most cases.
A NEW YORK TIMES NOTABLE BOOK Once in a great while a writer comes along who can truly capture the drama and passion of the life of a family. David James Duncan, author of the novel The River Why and the collection River Teeth, is just such a writer. And in The Brothers K he tells a story both striking and in its originality and poignant in its universality. This touching, uplifting novel spans decades of loyalty, anger, regret, and love in the lives of the Chance family. A father whose dreams of glory on a baseball field are shattered by a mill accident. A mother who clings obsessively to religion as a ward against the darkest hour of her past. Four brothers who come of age during the seismic upheavals of the sixties and who each choose their own way to deal with what the world has become. By turns uproariously funny and deeply moving, and beautifully written throughout, The Brothers K is one of the finest chronicles of our lives in many years. Praise for The Brothers K “The pages of The Brothers K sparkle.”—The New York Times Book Review “Duncan is a wonderfully engaging writer.”—Los Angeles Times “This ambitious book succeeds on almost every level and every page.”—USA Today “Duncan’s prose is a blend of lyrical rhapsody, sassy hyperbole and all-American vernacular.”—San Francisco Chronicle “The Brothers K affords the . . . deep pleasures of novels that exhaustively create, and alter, complex worlds. . . . One always senses an enthusiastic and abundantly talented and versatile writer at work.”—The Washington Post Book World “Duncan . . . tells the larger story of an entire popular culture struggling to redefine itself—something he does with the comic excitement and depth of feeling one expects from Tom Robbins.”—Chicago Tribune
Eager investors are buying up shares of an intrepid new company, which is cornering the market in international trade, financing and entertainment. Or to be specific, drugs, loan sharking and prostitution. The reinvented Mafia has incorporated, offering stock options, a Website and online trading. The future is here, and Remo hates it. Mafia scum have burned down his house, Chiun isn’t speaking to him and nobody is answering his ad for an assassin’s apprentice. As an ambitious Don keeps one eye on the Dow, the suffering Dr. Harold Smith lovingly fingers his cyanide pill while the retiring U.S. President, in a departing “salute,” puts CURE in the hangman’s noose. Breathlessly action-packed and boasting a winning combination of thrills, humour and mysticism, the Destroyer is one of the bestselling series of all time.
Spoken words come alive in written verse. In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating “primitive” speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry. Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry’s role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry’s unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.
Grady's style is loose, colorful, challenging and fun. I sometimes thought of Orwell's novel 1984, sometimes of the Dylan song 'Desolation Row'' Patrick Anderson, The Washington Post 'Grady is a master of intrigue' John Grisham Set in 1959, the 'year the music died', The Smoke in Our Eyes is a cinematic, clock-ticking saga set in a small Montana town. When a fatal car accident shatters ten-year-old Lucas's world, he finds himself confronting crime and vengeance, humour and heroism, all against the backdrop of growing up. Alongside the tightly written drama of Lucas and his family, Grady, author of the classic Condor series, evokes a heady mood and sense of place. From the Space Race and the first warnings of global climate change, to the brutal racism of segregation and the hope of a new generation to move us forward, The Smoke in Our Eyes is a fresh rending of rural noir that captures both an intimate story and the volatility of mid-century America.
When it was initially written in 1987, few could have predicted that The Leadership Challenge would become one of the best-selling leadership books of all time. Now, faced with the new challenges of our unpredictable global business environment, Jim Kouzes and Barry Posner--two of the country's premier leadership experts--have completely revised and updated their classic book. Building on the knowledge base of their previous books, the third edition of The Leadership Challenge is grounded in extensive research and based on interviews with all kinds of leaders at all levels in public and private organizations from around the world. In this edition, the authors emphasize that the fundamentals of leadership are the same today as they were in the 1980s, and as they've probably been for centuries. In that sense, nothing's new. Leadership is not a fad. While the content of leadership has not changed, the context has-and in some cases, changed dramatically.
Soldier and explorer William H. Emory traveled the length and breadth of the United States and participated in some of the most significant events of the nineteenth century. This first complete biography of Emory offers new insights into an often-overlooked military figure and provides an important view of an expanding America. Born in Maryland in 1811, Emory was a West Point graduate who resigned his commission to become a civil engineer and join the newly formed Corps of Topographical Engineers. After working along the Canadian boundary, he was selected to accompany Stephen Watts Kearny and the Army of the West in their trek to California in 1846, and his map from that expedition helped guide Forty-Niners bound for the goldfields. Emory worked for nine years on the new border between the United States and Mexico after the Treaty of Guadalupe Hidalgo and the Gadsden Purchase and was responsible for the survey and marking of the boundary. When the Civil War broke out, Emory refused a commission in the Confederate Army, instead commanding a regiment defending Washington, D.C. Later he saw action at Manassas, in the Red River campaign, and in the Shenandoah Valley, where he served under Phil Sheridan. This biography draws on Emory’s personal papers to reveal other significant episodes of his life. While commanding a cavalry unit in Indian Territory, he was the only officer to bring an entire command out of insurrectionary territory. In hostile action of a different kind, he was a major witness in the impeachment trial of Andrew Johnson and offered testimony that helped save the president. William H. Emory: Soldier-Scientist is an important resource for scholars of western expansion and the Civil War. More than that, it is a rousing story of an unsung but distinguished hero of his time.
This guide to common and unique plants found in forests of the Southeast thoroughly covers 330 species of forbs (herbaceous plants), grasses, vines, and shrubs, with a special emphasis on the plants role in wildlife sustenance. Packed with detailed color photographs, the book is a must-have for forest landowners, game and wildlife managers, biologists, outdoors enthusiasts, students--anyone with an interest in the intricate and often unexpected interrelationships between the flora and fauna of our regions forests. Features: Descriptions of native and nonnative (exotic or invasive) plants, including 330 species of forbs, in 180 genera: grasses, sedges, and rushes; woody vines and semiwoody plants; shrubs; palms and yucca; cane; cactus; ferns; and ground lichen 650 color photos Map of physiographic provinces 56 simple black-and-white drawings of flower parts, flower types, and inflorescences, leaf arrangements, leaf divisions, shapes, and margins, and parts of a grass plant Glossary Index of genera by family, index by wildlife species, and index of scientific and common names
A much needed antidote to 'Art Writing' as it is encountered in the art mags . . . his writing is fluent and the style attractive and engaging."--Stephen Foster, University of Iowa
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