This 20 page report describes the stratigraphy of the Cedar Mountain and Dakota formations in and around Dinosaur National Monument in northeast Utah and includes new palynology and radiometric age data. The contract between these formations is unconformable in which the Dakota formation has incised into the underlying Cedar Mountain formation. Locally, the Dakota includes a basal marine mudstone and shale unit that contains late Albian dinoflagellate cysts, which represents peak sea level during the Kiowa-Skull Creek depositional cycle and indicates the first marine incursion of the Cretaceous Western Interior Seaway into Utah.
This 20 page report describes the stratigraphy of the Cedar Mountain and Dakota formations in and around Dinosaur National Monument in northeast Utah and includes new palynology and radiometric age data. The contract between these formations is unconformable in which the Dakota formation has incised into the underlying Cedar Mountain formation. Locally, the Dakota includes a basal marine mudstone and shale unit that contains late Albian dinoflagellate cysts, which represents peak sea level during the Kiowa-Skull Creek depositional cycle and indicates the first marine incursion of the Cretaceous Western Interior Seaway into Utah.
Four years after being shipwrecked on the island of Dinotopia, sixteen-year-old Will Denison, now a Skybax Corps pilot, explores the skies over the island while his scientist father explores the legendary caverns of the World Beneath.
Pecos River style pictographs are one of the most complex forms of rock art worldwide. The dramatic prehistoric pictographs on the limestone overhangs of the lower Pecos and Devils Rivers in West Texas have been the subject of preservation and study since the 1930s, and dedicated research continues to this day. The medium is large-scale, polychrome pictographs in open rock shelter settings, emphasizing the animistic/shamanistic religion practiced by the local aboriginal peoples. Creating large-scale rock murals required intelligence, skill, and knowledge. These enigmatic images, some dating to 4,500 years ago and possibly earlier, depict strange, vaguely human and animal shapes and various geometric forms. While full understanding of the meaning of these images is abstruse, archaeologists and other scholars have identified what they believe to be patterns and religious themes, mixed with what could be figures and objects from everyday life in the local hunter-gatherer culture as it existed in the region centuries before the arrival of colonizing Europeans. Although interpretation of these pictographs remains controversial, in Pecos River Style Rock Art: A Prehistoric Iconography, James Burr Harrison Macrae contributes to the beginnings of a syntactic “grammar” for these images that can be applied in diverse contexts without direct reference to any particular interpretation. “The strength of structural-iconographic analysis,” Macrae writes, “is that it relies on repetitive patterns rather than idiosyncratic information, such as trying to make broad inferences from one or only a few sites.” Pecos River Style Rock Art offers the framework of an empirical methodology for understanding these ancient artworks.
In the current global epidemic for chronic diseases such as non alcoholic fatty liver disease (NAFLD), obesity, diabetes and neurodegenerative diseases such as Alzheimer’s disease and Parkinson’s disease have become of major concern to the developed and developing world. Appetite regulation is involved in the aging process with the repression of anti-aging genes connected to insulin resistance and neurodegenerative diseases. Interests in the gene-environment interactions indicate that the anti-aging genes are connected to the metabolism of bacterial lipopolysaccharides (LPS), drugs and xenobiotics. In the developing world relevance to gram negative bacteria and increased plasma bacterial lipopolysaccharides (LPS) outer membrane endotoxins bindto cell membranes and interfere with cholesterol and amyloid beta (Aβ) interactionswith repression of anti-aging genes to mediate accelerated neuron death. Biotherapeutics and nutritional biotherapy have become important to reverse these global chronic diseases. Biotherapeutics that involve Indian spice therapy require reassessment with relevance to insulin therapy, immunotherapy, antimicrobial therapy and drug therapeutics. Combined insulin and Indian spice therapy interferes with human insulin biological activity relevant to the prevention of uncontrolled intracellular glucose levels and mitochondrial apoptosis. Magnesium therapy reverses cell senescence associated with various chronic diseases such as cardiovascular disease, diabetes and Alzheimer’s disease. Factors such as stress, core body temperature and food quality influence biotherapeutics with prevention of NAFLD, diabetes and neurodegenerative diseases.
The first comprehensive history of squash in the United States, Squash incorporates every aspect of this increasingly popular sport: men's and women's play, juniors and intercollegiates, singles and doubles, hardball and softball, amateurs and professionals. Invented by English schoolboys in the 1850s, squash first came to the United States in 1884 when St. Paul's School in New Hampshire built four open-air courts. The game took hold in Philadelphia, where players founded the U.S. Squash Racquets Association in 1904, and became one of the primary pastimes of the nation's elite. Squash launched a U.S. Open in 1954, but its present boom started in the 1970s when commercial squash clubs took the sport public. In the 1980s a pro tour sprung up to offer tournaments on portable glass courts in dramatic locales such as the Winter Garden at the World Trade Center. James Zug, with access to private archives and interviews with hundreds of players, describes the riveting moments and sweeping historical trends that have shaped the game. He focuses on the biographies of legendary squash personalities: Eleo Sears, the Boston Brahmin who swam in the cold Atlantic before matches; Hashim Khan, the impish founder of the Khan dynasty; Victor Niederhoffer, the son of a Brooklyn cop; and Mark Talbott, a Grateful Dead groupie who traveled the pro circuit sleeping in the back of his pickup. A gripping cultural history, Squash is the book for which all aficionados of this fast-paced, exciting game have been waiting.
From Nobel Prize-winning scientist James D. Watson, a living legend for his work unlocking the structure of DNA, comes this candid and entertaining memoir, filled with practical advice for those starting out their academic careers. In Avoid Boring People, Watson lays down a life’s wisdom for getting ahead in a competitive world. Witty and uncompromisingly honest, he shares his thoughts on how young scientists should choose the projects that will shape their careers, the supreme importance of collegiality, and dealing with competitors within the same institution. It’s an irreverent romp through Watson’s colorful career and an indispensable guide to anyone interested in nurturing the life of the mind.
The second World War dramatically affected Canada's shipbuilding industry. James Pritchard describes the rapidly changing circumstances and personalities that shaped government shipbuilding policy, the struggle for steel, the expansion of ancillary industries, and the cost of Canadian wartime ship production.
This remarkably illuminating portrait of Tennessee Williams lifts the veil on the heart and soul of his artistic inspiration: the unspoken collaboration between playwright and actor. At a low moment in Williams’s life, he summoned to New Orleans a young twenty-year-old writer, James Grissom, who had written him a letter asking for advice. After a long, intense conversation, Williams sent Grissom on a journey on his behalf to find out if he or his work had mattered to those who had so deeply mattered to him. Among the more than seventy women and men with whom Grissom talked were giants of American theater and film: Lillian Gish, (“the escort who brought me to Blanche”), Jessica Tandy (the original Blanche DuBois on Broadway), Eva Le Gallienne (“She was a stone against which I could rub my talent and feel that it became sharper”), Maureen Stapleton, Julie Harris, Bette Davis, Katherine Hepburn, Elia Kazan, Marlon Brando, John Gielgud, and many more. Follies of God provides dazzling insight into how Williams conjured the dramatic characters and plays that so transformed American theater.
In this inaugural volume of the Alexis de Tocqueville Lectures, James Ceaser traces the way certain "foundational" ideas—including nature, history, and religion—have been understood and used over the course of American history. Ceaser treats these ideas as elements of political discourse that provide the ground for other political ideas, such as liberty or equality. Three critical commentators challenge Ceaser's arguments, and a spirited debate about large and enduring questions in American politics ensues.
Historians have long contested the degree to which the central tenet of the Declaration of Independence—that all men are created equal—has manifested itself in American society and national policy. According to James L. Huston, many historians have focused too intently on class differences, slavery, and inequalities arising from ethnicity, sexuality, and gender, while overlooking important areas where notions of equality flourished during the century and a half after the Declaration’s signing. In The American and British Debate Over Equality, 1776–1920, Huston examines the egalitarian communities in rural northern America, particularly those enclaves that differed from the openly aristocratic cities and towns of the British Isles. In the aftermath of the American Revolution, British and American writers alike recognized that a growing philosophical rift divided the two nations: whereas Great Britain continued to embrace the inequality of its hierarchical class system, the United States professed allegiance to democratic ideals of equality—limited though these were by racial and gender norms of the day. Huston argues that the two countries engaged in an intellectual debate during the next century and a half over which ideal—equality or inequality—worked best in promoting social stability, political hegemony, and economic success. Exploring the effects of equality and inequality on many aspects of American life, he examines civil behavior, social customs, treatment of others, politics, education, religion, economic opportunity, and general public optimism. Drawing from decades of publications by American and British writers, Huston reveals the rhetorical strategies contemporary observers employed in defending or rejecting the organization of a society around broader notions of human equality. The American and British Debate Over Equality, 1776–1920 informs the modern debate over equality and inequality, not by theorizing and philosophizing, but by offering a glimpse into the practical applications of a functioning egalitarian society as compared to one that extolled monarchy and institutionalized inequality.
This second edition of Laster's Catalog combines in one volume the listings from the first catalog with the voluminous material that has appeared since 1973, more than doubling the number of citations. It is designed as an aid for the church musician and/or pastor seeking to plan unified worship services. It will also be of use to those church musicians who follow the Liturgical Calendar and plan music appropriate to the appointed lessons, as well as a source for non-church choir directors who would like to locate choral settings based on a particular passage from Scripture. Entries are arranged from Genesis through Revelation. Each main entry citation provides the biblical reference (book, chapter, and verse), as well as a reference to additional passages from Scripture used in the anthem. The composer, arranger, or editor and the title are listed as they appear on the octavo. Information on voicing, solos, and instrumental accompaniment is noted; the name of the publisher, the most recent date of publication and the octavo number appear at the end of each citation, where information on instrumental parts, other versions of the same title, and collections where the work might appear are also listed. Composer and title indexes round off the work.
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