Translation of fifteen lyrics marked "Ch" found in University of Pennsylvania MS French 15, along with a detailed inventory of the contents and a study of English and Chaucerian connections. When Chaucer began his service in the English courts in the late 1350s, the French lyric in the formes fixes of ballade, rondeau, virelay, and chant royal was the poetry of the court. Chaucer no doubt composed such poetry. Among extant anthologies of lyrics in the fixed forms from that time, University of Pennsylvania MS French 15, comprising 310 poems of which about half are anonymous, seems the most likely to contain works written by Chaucer. To add to the likelihood, fifteen of the best anonymous poems - ten ballades, four chants royaux, and a rondeau - have the intriguing initials "Ch" entered just beneath the rubrics. Besides editions and translations of the fifteen lyrics, Chaucer and the Poems of "Ch" provides a record of the numerous filiations of the Pennsylvania MS collection with Chaucer and England. This record includes text of a fascinating exchange of poems between Chaucer's early contemporaries, Philippe de Vitry and Jean de la Mote, the text of Granson's Cinq Balades Ensievans in the closest version extant to Chaucer's Complaint of Venus, and an analysis of the contents of the MS as they relate to Chaucer. Chaucer and the Poems of "Ch" concludes with a detailed inventory of this little-studied MS with particular note of Chaucerian aspects of it.
Modern readers can sometimes be unsure about the language and the literary conventions of medieval and Renaissance verse--lyrical works written at a time before poetry was assumed to be about personal expression. This readers' guide introduces to a 21st century audience some of the greatest masterpieces of English poetry spanning five centuries. Focusing on poems by Chaucer, Wyatt, Shakespeare, Milton and others, the author discusses the development of poetic technique, explains the rhetorical culture of earlier centuries and describes the various lyric forms--including lover's complaints, sonnets and elegies--that poets used to communicate with readers.
The Workes is a collection of the writings of King James VI & I, founding monarch of Great Britain and the United States. Although it includes many of the king's most famous writings, The Workes remains practically unknown to the general populace. We once asked an antiquarian bookseller if he had a copy of James' Workes for sale. He responded, "He [King James] never wrote anything." Given the scarcity of this primary source document, it is with great pleasure that the Miscellany Press presents this special unabridged facsimile edition of James' Workes of 1616--we know of no other facsimile or reprint edition as complete. Our edition of James' Workes includes easy-to-understand prefatory materials to help orient the reader to this fascinating volume. We are not sure how any history library could be considered complete without this important title.
James VI and I united the crowns of England and Scotland. His books are fundamental sources of the principles which underlay the union. In particular, his Basilikon Doron was a best-seller in England and circulated widely on the Continent. Among the most important and influential British writings of their period, the king's works shed light on the political climate of Shakespeare's England and the intellectual background to the civil wars which afflicted Britain in the mid-seventeenth century. James' political philosophy was a moderated absolutism, with an emphasis on the monarch's duty to rule according to law and the public good. Locke quoted his speech to parliament of 1610 approvingly, and Hobbes likewise praised 'our most wise king'. This edition is the first to draw on all the early texts of James' books, with an introduction setting them in their historical context.
A year after the death of James I in 1625, a sensational pamphlet accused the Duke of Buckingham of murdering the king. It was an allegation that would haunt English politics for nearly forty years. In this exhaustively researched new book, two leading scholars of the era, Alastair Bellany and Thomas Cogswell, uncover the untold story of how a secret history of courtly poisoning shaped and reflected the political conflicts that would eventually plunge the British Isles into civil war and revolution. Illuminating many hitherto obscure aspects of early modern political culture, this eagerly anticipated work is both a fascinating story of political intrigue and a major exploration of the forces that destroyed the Stuart monarchy.
James VI and I united the crowns of England and Scotland. His books are fundamental sources of the principles that underlay the union and among the most influential writings of their period. James' political philosophy was a moderated absolutism, shedding light on the political climate of Shakespeare's England and the intellectual background to the civil wars of the mid-seventeenth century. This edition is the first to draw on all the early texts of James' books, with an introduction setting them in their historical context.
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