As she sits watching a seemingly perfect family and a handsome lifeguard on the beach, a lonely, troubled girl projects herself into the fantasy lives she has created for them.
Chester the cat is more than ever convinced that Bunnicula is a vampire when there is a harvest of white vegetables on the morning after the night that Bunnicula was probably wandering through the neighborhood.
When their family goes on vacation, Chester the cat and Harold the dog go to stay at Chateau Bow-Wow, where--with the other residents--they becomes involved in various mysteries and intrigues.
First there is the omen: A relentless rain stops suddenly at 3:00 am and Chester shows Harold and Howie a cat carrier, open and waiting, by the front door. Chester, who has been reading avidly about the paranormal, predicts that they will soon be traveling someplace, and chances are they are not going to like it. Indeed they are not, as the very next day, with the sun shining bright and clear, the Monroes finally leave for their vacation, dropping Chester, Harold, and Howie off at the scene of some previous harrowing experiences -- Chateau Bow-Wow, the boarding kennel that Chester so aptly had dubbed "Howliday Inn." And this visit promises to be no less harrowing than the last one. The three are greeted by a whole new group of temporary residents. There's Hamlet, the Great Dane, whose sadness grows deeper with his certainty that his beloved master Archie will never return to pick him up. And Bob and Linda, a pair of yuppie puppies from fashionable Upper Centerville who have been left at Chateau Bow-Wow with a more than adequate supply of gourmet treats, also seem to have been left with a more than adequate supply of worries. Then there are Felony and Miss Demeanor, sinister sisters in crime who pride themselves as cat burglars, and The Weasel who tries almost too hard to make a good impression. Chester is certain that nothing bodes well and he is right. Unexplained voices, buried bones, a collar with the name Rosebud on it, and a secret code all make for a paranormal experience that none of the guests at Chateau Bow-Wow will ever forget.
Something is under Simon’s bed. He can hear it breathing. Is it a monster? Simon has to find out. He shines a flashlight under the bed, to discover that something is hiding there—but what? This warm and humorous story will delight any child who has ever envisioned monsters lurking in the bedtime darkness.
As a school assignment, a 13-year-old boy writes an alphabiography--life from A to Z--and explores issues of friendship, family, school, and the difficulties of being a gay teenager.
An overnight camping trip! Not Harold's idea of fun. Too many mosquitoes, ticks and cockleburs. But when the Monroe family set out, their faithful dog Harold was with them, mostly because he remembered that camping could also bring s'mores and toasted marshmallows. Howie, the other family dog, and Chester the cat were also included in the trip. Only Chester thought the idea was completely insane. The woods, he informed Harold, were not only full of cockleburs and ticks, but of spirits, evil spirits who prey on the innocent. And on this, the worst night of the year -- St. George's Eve, when all spirits are set loose -- who knew what could happen. What Harold knew was that Chester was a well read, over-stimulated cat, full of weird ideas. He did not take Chester's worries too seriously. He had s'more to think about. But then, the Monroes set up camp near two strange men and their even stranger dog, and things began to happen that made even Harold wonder. Could Chester be right? This begins a long night, full of terrors and alarms, full of Chester's horrifying tale of how Bunnicula, the vampire bunny, was born and came to America, full of storms and a total sense of danger; and at the end came surprises that even Chester could not have predicted. Once again, the Monroe family may be the victims of evil forces or only of Chester's strange imagination. But whichever, the result is suspenseful and very, very funny.
Dear possible reader of this book, I want to be a writer, just like my uncle Harold, who wrote a bunch of books about our friend Bunnicula. So I wrote this story. And boy! Did I ever get into trouble! My friend Delilah stopped speaking to me because I put her in my book. Uncle Harold stopped speaking to me because I didn’t put him in my book. A writer’s life isn’t easy! But back to my story: It’s about how a talented and lovable (not to mention smart) wirehaired dachshund puppy named Howie saves the world from a disgusting, evil menace named...oops, that would give away the story. But trust me, this menace is disgusting and evil, all right!!! Your friend, Howie
Harold the dog and his fellow pets, Howie and Chester, stand guard over Mr. Monroe, who's made of chocolate fudge. But when they fall asleep, the fudge suddenly turns white and disappears altogether. Has Bunnicula the vampire bunny struck again? Full color.
When I was new, my grandpa was very old." When Emily was two, her grandpa sang songs to her. When she was four, he read her stories. When Emily is five, her beloved grandfather dies. Her family decides to remember him in two ways: with a Christian funeral, because Grandpa was Christian, and a Jewish service, because Emily's family is Jewish. Both ways are beautiful. But Emily finds a way of remembering her grandpa that is just as beautiful and meaningful...and that's all her own. In this tender story for all families a young girl learns how to say goodbye to her grandpa without letting go of his memory.
The Monroes leave their cat and two dogs alone on Halloween night, unaware that their pets are about to be visited by a strange figure who might be a wicked witch.
Based on 15 hours of interviews conducted by film scholar Alain Silver, this new book on legendary director of photography James Wong Howe (1899-1976) is a must-read for anyone interested in what happens behind the scenes on a Hollywood set from film aficionados to industry professionals. A two-time Academy-Award(r) winner and still considered one of the greatest cinematographers in the history of American motion pictures, James Wong Howe began his career in 1917 at Famous Players-Lasky as a camera assistant working on silent features directed by such pioneers of narrative cinema as Cecil B. DeMille. Promoted to Director of Photography in 1922, Howe spent almost three decades shooting A-projects while under contract at Paramount, MGM, 20th Century-Fox, Selznick International, and Warner Bros. then another twenty-plus years as a freelance cameraman. At those studios, he shot projects as diverse as the silent Peter Pan, Viva Villa!, The Prisoner of Zenda, Abe Lincoln in Illinois, King's Row, Body and Soul, The Rose Tattoo, Picnic, Hud, Seconds, and almost 60 sixty years after his first job Funny Lady in 1975. "It was the people who were interested in movies as a living art form, people that loved to experiment and found the results gratifying, who made the technical progress in motion pictures." Such comments by Howe about his career, his style, actors, producers, and directors with whom he worked, and his beliefs about what constitutes good camerawork are extensively annotated and profusely illustrated with over 500 images, many of which are keyed to Howe's remarks about specific scenes and shots reflect his direct, professional approach: "There must be a reason for all lighting: what it's for and where it's coming from." Howe provides considerable detail about his work with such producers and directors as DeMille, David O. Selznick, Hall Wallis, William Cameron Menzies, Victor Fleming, John Cromwell, Martin Ritt, Herbert Brenon, John Frankenheimer, and Sidney Lumet. Among the star performers discussed are Humphrey Bogart, James Cagney, Sean Connery, Joan Crawford, Marlene Dietrich, Errol Flynn, Clark Gable, Greta Garbo, John Garfield, Cary Grant, Rita Hayworth, William Holden, Hedy Lamarr, Burt Lancaster, Vivien Leigh, Myrna Loy, Robert Mitchum, Paul Newman, Kim Novak, Laurence Olivier, Robert Redford, Edward G. Robinson, Ann Sheridan, Barbara Stanwyck, Barbra Streisand, Spencer Tracy, and Natalie Wood. Also included are the most complete filmography ever compiled of all of Howe's work (with some newly discovered credits), two essays about lighting and preparation written by Howe himself, a biographical summary, select bibliography, and a complete inde
BEWARE THE HARE! Is he or isn't he a vampire? Before it's too late, Harold the dog and Chester the cat must find out the truth about the newest pet in the Monroe household -- a suspicious-looking bunny with unusual habits...and fangs!
One boring rainy afternoon Teddy Bear decides to bring out his scrapbook, which contains photographs and newspaper clippings from his long and illustrious past.
The animals in the Monroe household fear they are about to be replaced when seven suitcases, apparently containing new pets, arrive on Toby's birthday.
In this concluding volume of the biography of the great Nova Scotia tribune, Joseph Howe extends his horizon well beyond his native province and in the climactic period of a tumultuous political career accepts the union of the British North American colonies and "becomes a Canadian.
Horace and Morris, but mostly Dolores, are back again for another uproarious adventure. When the three best friends decide to try out for the school chorus together, they're shocked when Dolores (who can only sing notes that no one has ever heard before) is the only one who doesn't make the cut. After all, they've always done everything together. Once Horace and Morris start chorus practice, they're so busy that they don't have time to go exploring or climb trees with Dolores anymore. Feeling left out and alone, Dolores decides to take matters into her own hands. But can she prove to Moustro Provolone that there's a place for every kind of voice in the chorus?
The City is the best, funniest, saddest, and most thought-provoking compilation ever assembled on the urban scene. James A. Clapp has arranged more than three thousand quotations—epigrams, epithets, verses, proverbs, scriptural references, witticisms, lyrics, literary references, and historical observations—on urban life from antiquity until the present. These quotes are drawn from the written and spoken words of more than one thousand writers throughout history. This volume, with contributions from speakers, poets, song writers, politicians philosophers, scientists, religious leaders, historians, social scientists, humorists, architects, journalists, and travelers from and to many lands is designed to be used by writers, speechmakers, students, and scholars on cities and urban life. Clapp's text is striking for its sharp contrasts of urban and rural life and the urbanization process in different historical times and geographical areas. This second edition includes four hundred new entries, updated birth dates and occupations of quoted authors, and an expanded and updated introduction and preface. Clapp also added new introduction pages for each section containing pictures and unique quotations. The indexes have also been expanded to include more subjects and cities. The scope of this book is international, including entries on most major and many minor cities of the world. It is noteworthy for its pleasures as well as its insights.
Broadsides explores the political and cultural history of the Navy during the later eighteenth and early nineteenth centuries through contemporary caricature. This was a period of intense naval activity encompassing the Seven Years War, the American War of Independence, the wars against revolutionary and Napoleonic France, and the War of 1812.Naval caricatures were utilised by the press to comment on events, simultaneously reminding the British public of the immediacy of war, whilst satirising the same Navy it was meant to be supporting.The thematic narrative explores topics from politics to invasion, whilst encompassing detailed analysis of the context and content of individual prints. It explores pivotal figures within the Navy and the feelings and apprehensions of the people back home and their perception of the former. The text, like the cariactures themselves, balances humour with the more serious nature of the content. The emergence of this popular new form of graphic satire culminated in the works of James Gillray and Thomas Rowlandson, both here well represented, but a mass of other contemporary illustration makes this work a hugely important source book for those with any interest in the wars and history of this era.
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