Strut your stuff with this completely up-to-date guide Struts guru James Holmes has completely revised and updated his definitive, bestselling Struts volume. You will get soup-to-nuts coverage of Struts 1.3, the latest version of the framework used to create flexible, high-performance web applications. The book features insider tips, tricks, and techniques to make Struts applications sizzle.
The Elis James and John Robins' Show has become cult listening, and that cult has registered for charitable status, published quarterly accounts and been given a full blessing by the Archbishop of Broadcasting. It's official: Elis and John are a religion, and this book is their Holy Vible. Have you ever failed to Keep It Session? Is your new flatmate a complete coin? Have you ever eaten Space Raiders on the toilet and written 'Grief Is Living' in your journal? Then this book is for you. If not, don't worry, it won't be long before you're making up games, looking at Freddie, or facing your own personal farthing-gate. Our obsessions make us what we are, and though you may never have addressed a will to Brian May or cried watching Ronnie O' Sullivan make a 147, you'll have done something similar, and Elis and John are here to tell you that you're not weird, so come on in, and taste the vibe! Or should I say, READ the vibe!
Since Sherlock Holmes first learned of the sinister house of ruthless criminals, his focus has been two-fold; stop the organization from accomplishing any more ruinous felonious acts and, more importantly, uncover the criminal genius behind the whole enterprise. In a compressed timeframe, and relying on his trusted companion, Dr. John H. Watson, and a cadre of colleagues, Holmes was able to devise schemes to prevent the kidnapping of a family member of the English throne, upend an attempt on the life of the German Emperor, Kaiser Wilhelm II, and stop simultaneous assassination efforts against Queen Victoria and President Carnot of France. Yet, despite all of these successes, Holmes seemed no closer to learning who was orchestrating all this malicious activity. However, before Holmes could focus on identifying his foe, yet another gauntlet has been thrown down in his path. A cryptic telegram from his brother Mycroft calls him back to London post haste. Another threat to the stability of the nation has arisen and Holmes is once again called upon to use every bit of his skill, ingenuity, and strategy to solve this latest mystery. With every fiber of his being, Holmes hopes solving this latest puzzle will finally bring him closer to learning the identity of the man with whom he has been blindly matching wits, and enable him to bring that villain to justice.
Sherlock Holmes, his trusted friend, Dr. John Watson, and his older brother, Mycroft, successfully unraveled a devious assassination plot against one of Queen Victoria's family. Aided by a colorful assortment of associates, a clever trap was set to attempt to stop the gang of villains from carrying out their deadly intent. Holmes had hoped their capture would lead him a step closer to the mastermind behind all of the wide-reaching criminalities. But, dead men tell no tales, and Holmes quickly learned whoever was at the head of this sinister house was a ruthless master, who did not suffer defeat without penalty, and who made certain no one would ever get an opportunity to tell what they knew. Meanwhile, Ormond Sacker, a friend of Holmes from their university days, insinuated himself into a group of anarchists gathered in a boisterous cabaret in Paris, and learned of another assassination planned for Germany. Racing to Berlin on the Orient Express, and with the aid of a retired French detective, C. Auguste Dupin, an Italian lothario, and a clever and fearless journalist, Sacker concocts a scheme to upend the assassination attempt, at the risk of his own life. Moreover, Holmes is convinced the world has not heard the last of this sinister house. And his apprehensions are soon realized when threats loom large in England and on the Continent.
James L. Robertson focuses on folk encountering their constitutions and laws, in their courthouses and country stores, and in their daily lives, animating otherwise dry and inaccessible parchments. Robertson begins at statehood and continues through war and depression, well into the 1940s. He tells of slaves petitioning for freedom, populist sentiments fueling abnegation of the rule of law, the state’s many schemes for enticing Yankee capital to lift a people from poverty, and its sometimes tragic, always colorful romance with whiskey after the demise of national Prohibition. Each story is sprinkled with fascinating but heretofore unearthed facts and circumstances. Robertson delves into the prejudices and practices of the times, local landscapes, and daily life and its dependence on our social compact. He offers the unique perspective of a judge, lawyer, scholar, and history buff, each role having tempered the lessons of the others. He focuses on a people, enriching encounters most know little about. Tales of understanding and humanity covering 130 years of heroes, rascals, and ordinary folk—with a bundle of engaging surprises—leave the reader pretty sure there’s nothing quite like Mississippi history told by a sage observer.
This illustrated encyclopedia offers in-depth coverage of one of the most fascinating and widely studied periods in American history. Extending from the end of World War I in 1918 to the great Wall Street crash in 1929, the Jazz age was a time of frenetic energy and unprecedented historical developments, ranging from the League of Nations, woman suffrage, Prohibition, the Red Scare, the Ku Klux Klan, the Lindberg flight, and the Scopes trial, to the rise of organized crime, motion pictures, and celebrity culture."Encyclopedia of the Jazz Age" provides information on the politics, economics, society, and culture of the era in rich detail. The entries cover themes, personalities, institutions, ideas, events, trends, and more; and special features such as sidebars and photos help bring the era vividly to life.
DIVA critique of the Law & Economics movement, this book draws connections between conceptions of science and efforts at legitimating American legal theory as an objective enterprise./div
Speculative modernists--that is, British and American writers of science fiction, fantasy and horror during the late 19th and early 20th centuries--successfully grappled with the same forces that would drive their better-known literary counterparts to existential despair. Building on the ideas of the 19th-century Gothic and utopian movements, these speculative writers anticipated literary Modernism and blazed alternative literary trails in science, religion, ecology and sociology. Such authors as H.G. Wells and H.P. Lovecraft gained widespread recognition--budding from them, other speculative authors published fascinating tales of individuals trapped in dystopias, of anti-society attitudes, post-apocalyptic worlds and the rapidly expanding knowledge of the limitless universe. This book documents the Gothic and utopian roots of speculative fiction and explores how these authors played a crucial role in shaping the culture of the new century with their darker, more evolved themes.
In 1537, the Abbot Jervais Guillaume de Forrestier disappeared along with the treasures of an abbey. Over 300 years later, explorers at a neolithic site discovered the body of their expedition leader. He was found in a trench, bound to a chair. That's when Inspector MacDonald called on Sherlock Holmes. Arriving in the pleasant village of Little Stoke, Holmes learns there is more at stake than the murder of an aging academic. Two powerful families continue an age old dispute over the lands their ancestors once held. They each request that Holmes assist them in order to discover the whereabouts of the long-lost charters that granted their lands. Holmes soon finds himself surrounded by unique village personalities, strange nursery rhymes, mysterious ancient barrows, and the ruins of a mediaeval Abbey church. As he delves into the case with Watson by his side, he learns that the murder which drew him to Little Stoke was the final act in a play that has been running for over three centuries. Suppressed for over 50 years, now the story can be told—of murder, deception, the lust for power and unimagined fortune. It is the story of The Charters Affair Winner—1994 Eaton Literary Award—Book Category.
The ethnically diverse scope, broad chronological coverage, and mix of biographical, critical, historical, political, and cultural entries make this the most useful and exciting poetry reference of its kind for students today. American poetry springs up out of all walks of life; its poems are "maternal as well as paternal...stuff'd with the stuff that is coarse and stuff'd with the stuff that is fine," as Walt Whitman wrote, adding "Of every hue and caste am I, of every rank and religion." Written for high school and undergraduate students, this two-volume encyclopedia covers U.S. poetry from the Colonial era to the present, offering full treatments of hundreds of key poets of the American canon. What sets this reference apart is that it also discusses events, movements, schools, and poetic approaches, placing poets in their social, historical, political, cultural, and critical contexts and showing how their works mirror the eras in which they were written. Readers will learn about surrealism, ekphrastic poetry, pastoral elegy, the Black Mountain poets, and "language" poetry. There are long and rich entries on modernism and postmodernism as well as entries related to the formal and technical dimensions of American poetry. Particular attention is paid to women poets and poets from various ethnic groups. Poets such as Amiri Baraka, Nathaniel Mackey, Natasha Trethewey, and Tracy Smith are featured. The encyclopedia also contains entries on a wide selection of Latino and Native American poets and substantial coverage of the avant-garde and experimental movements and provides sidebars that illuminate key points.
Selected by the Modern Library as one of the 100 best novels of all time THE COMPLETE UNCENSORED EDITION • THE WORLD WAR II MASTERPIECE AS IT WAS MEANT TO BE READ • WINNER OF THE NATIONAL BOOK AWARD Diamond Head, Hawaii, 1941. Pvt. Robert E. Lee Prewitt is a champion welterweight and a fine bugler. But when he refuses to join the company’s boxing team, he gets “the treatment” that may break him or kill him. First Sgt. Milton Anthony Warden knows how to soldier better than almost anyone, yet he’s risking his career to have an affair with his commanding officer’s wife. Both Warden and Prewitt are bound by a common bond: The Army is their heart and blood—and, possibly, their death. This new edition features an Afterword by George Hendrick, a James Jones scholar, who discusses the novel’s origin and eventual censorship at the hands of its first publisher. Now the original language has at last been restored to the most important American novel to come out of World War II. From Here to Eternity re-creates the authentic soldier experience and captures, like nothing else, the honor and savagery of man. Foreword by William Styron “A work of genius.”—Saturday Review “Extraordinary and utterly irresistible . . . a compelling and compassionate story.”—Los Angeles Times “A blockbuster of a book . . . raw and brutal and angry.”—The New York Times “Ferocious . . . the most realistic and forceful novel I’ve read about life in the army.”—The New Yorker
This book shows how primitive games relate to the broader framework of the theory of games and provides a general discussion of the different types of primitive games. It deals with applications of primitive games to particular areas of social research.
“The ultimate literary bucket list.” —THE WASHINGTON POST Celebrate the pleasure of reading and the thrill of discovering new titles in an extraordinary book that’s as compulsively readable, entertaining, surprising, and enlightening as the 1,000-plus titles it recommends. Covering fiction, poetry, science and science fiction, memoir, travel writing, biography, children’s books, history, and more, 1,000 Books to Read Before You Die ranges across cultures and through time to offer an eclectic collection of works that each deserve to come with the recommendation, You have to read this. But it’s not a proscriptive list of the “great works”—rather, it’s a celebration of the glorious mosaic that is our literary heritage. Flip it open to any page and be transfixed by a fresh take on a very favorite book. Or come across a title you always meant to read and never got around to. Or, like browsing in the best kind of bookshop, stumble on a completely unknown author and work, and feel that tingle of discovery. There are classics, of course, and unexpected treasures, too. Lists to help pick and choose, like Offbeat Escapes, or A Long Climb, but What a View. And its alphabetical arrangement by author assures that surprises await on almost every turn of the page, with Cormac McCarthy and The Road next to Robert McCloskey and Make Way for Ducklings, Alice Walker next to Izaac Walton. There are nuts and bolts, too—best editions to read, other books by the author, “if you like this, you’ll like that” recommendations , and an interesting endnote of adaptations where appropriate. Add it all up, and in fact there are more than six thousand titles by nearly four thousand authors mentioned—a life-changing list for a lifetime of reading. “948 pages later, you still want more!” —THE WASHINGTON POST
James Mussell reads nineteenth-century scientific debates in light of recent theoretical discussions of scientific writing to propose a new methodology for understanding the periodical press in terms of its movements in time and space. That there is no disjunction between text and object is already recognized in science studies, Mussell argues; however, this principle should also be extended to our understanding of print culture within its cultural context. He provides historical accounts of scientific controversy, documents references to time and space in the periodical press, and follows magazines and journals as they circulate through society to shed new light on the dissemination and distribution of periodicals, authorship and textual authority, and the role of mediation in material culture. Well-known writers like H. G. Wells and Arthur Conan Doyle are discovered in new contexts, while other authors, publishers, editors, and scientists are discussed for the first time. Mussell is persuasive in showing how his methodology increases our understanding of the process of transformation and translation that underpins the production of print and informs current debates about the status of digital publication and the preservation of archival material in electronic forms. Adding to the book's usefulness are an extended bibliography and a discussion of recent debates regarding digital publication.
Over the course of the twentieth century, scientists came to accept four counterintuitive yet fundamental facts about the Earth: deep time, continental drift, meteorite impact, and global warming. When first suggested, each proposition violated scientific orthodoxy and was quickly denounced as scientific—and sometimes religious—heresy. Nevertheless, after decades of rejection, scientists came to accept each theory. The stories behind these four discoveries reflect more than the fascinating push and pull of scientific work. They reveal the provocative nature of science and how it raises profound and sometimes uncomfortable truths as it advances. For example, counter to common sense, the Earth and the solar system are older than all of human existence; the interactions among the moving plates and the continents they carry account for nearly all of the Earth's surface features; and nearly every important feature of our solar system results from the chance collision of objects in space. Most surprising of all, we humans have altered the climate of an entire planet and now threaten the future of civilization. This absorbing scientific history is the only book to describe the evolution of these four ideas from heresy to truth, showing how science works in practice and how it inevitably corrects the mistakes of its practitioners. Scientists can be wrong, but they do not stay wrong. In the process, astonishing ideas are born, tested, and over time take root.
To most Americans, homicide appears to be a random act,one committed by a deranged and irrational killer in a haphazard, unpredictable manner. Murder is seen as a chaotic, disorganized act beyond the realm of reason. In Wicked Deeds, James O'Kane shows that homicide is actually rather predictable, and patterned with respect to its assailants and victims, the circumstances in which it takes place, the time and location where it occurs, and the motives which precipitate the murderous act. Engagingly written and solidly grounded in evidence, this is a definitive study of murder in the United States. O'Kane explores the phenomena of homicide, illustrating the journalists' "who, what, why, when, and where" of murder. He differentiates criminal homicide, such as murder in the first and second degree, from other types of killings, including legal and quasi-legal killings. These include suicide, abortion, accidental death, terrorism, and other non-criminal types of homicide, such as justifiable and excusable homicide. The author's focus is criminal homicide, and he uses age, sex, race, and socioeconomic status, as well as demographic data to explain ever-recurring patterns of murder in the United States. Wicked Deeds analyzes numerous categories of murder: intimate partner homicide, child and family murders, multiple victim killings, including mass murder and serial homicide. Each type of murder is illustrated by accounts of actual murders reported in the media and on internet sites. Approximately 200 cases illustrate the typical homicides as well as the bizarre ones. In portraying the patterns and regularities of murder in the United States, Wicked Deeds is an essential treatment of a subject too often given over to sensationalism. It will be of keen interest to professionals and students of criminal justice, as well as those interested in American culture and the general reader who wants to grasp the patterns underlying the headlines.
First Published in 2015. This encyclopaedic collection includes Volumes 1 (A-L) and 2 (M-Z) as well as essays on the settlement of America. It can be argued that the westward expansion occurred only one week after the English landfall at Jamestown, Virginia, on May 14, 1607. Beginning on May 21, Captain John Smith, one of the colonization company’s leaders, and twenty-one companions made their way northwest up the James River for some 50 or 60 miles (80 or 96 km).
The first full-length study of its type highlighting over 400 British literary detectives, many famous through their film and TV adaptations. Using essays to highlight different types of detectives and focusing on some of the more famous such as Sherlock Holmes and Inspector Morse, popular crime fiction writer and former President of Britain's Crime Writers Association, Russell James celebrates the role of the detective in British fiction. Illustrations include original film posters and first edition covers from classic detective fiction. Future books by Russell James in this series will include Great British Fictional Villains and US Fictional Detectives and Villains.
These two complete indexes rectify a number of shortcomings in the existing finding aids to Maryland wills. Altogether about 5,000 wills for St. Mary's County and 7,500 wills for Somerset County, many of them dated prior to 1800, are indexed.
This is the first complete biography of actress Peg Entwistle, known as the "Hollywood Sign Girl" because of her suicide fall from the HOLLYWOODLAND sign in 1932. It details her childhood, stage and film career, marriage and divorce, and her suicide and almost cult-like pop culture status today. Extensively researched and written with the complete cooperation of the Entwistle family, this work includes excerpts from interviews with Peg Entwistle's brother Milton and her cousin Helen Reid, both of whom recalled much of Peg's years living in Hollywood, her career and private life, and her final weeks. It also features many of Peg Entwistle's own words from extant letters to her family and newly discovered interviews with theatrical reporters. Nearly 30 previously unpublished images from the author's collection, the Entwistle family, and a number of other sources complete an intimate look at a life that was defined by far more than its famously unhappy end.
In Mysteries of Terra Firma, James Lawrence Powell tells an engrossing three-part tale of how we came to understand the ground on which we walk, and how that ground holds the key to the greatest secrets of deep space and time. Naming his profound stories Time, Drift, and Chance, he tells of the three twentieth-century revolutions in thought that created the amazing science of Earth -- and of all planets to the edge of the universe. The riddle that drove the first revolution is obvious and yet in 1904 remained impenetrable: how old is Earth? An encounter between the imperious Lord Kelvin and a New Zealand farm-boy-turned-physicist, Ernest Rutherford, set the stage for the solution and launched a golden century of geology. As a result, scientists learned that if the 4.5 billion years of geologic time were compressed into a single twenty-four-hour period, Homo sapiens would have arrived only in the last second. The geological Revolution of Time reveals how long the ground on which we walk has existed, and how briefly we have trod that ground. In the early twentieth century, German meteorologist and polar explorer Alfred Wegener proposed a counterintuitive, heretical theory: that terra firma is not so firm; instead of being fixed in place, continents drift. In 1926, petroleum geologists convened in New York City to discuss Wegener's radical idea, where it was met with outrage and skepticism: "If we are to believe Wegener's hypothesis we must forget everything which has been learned in the last seventy years and start all over again," one attendee said. Forty years later, a new generation did exactly that. The Revolution of Drift, the second part of Powell's narrative, showed us how the ground on which we walk moves. Throughout geologic time, meteorites have incessantly bombarded everything in the solar system. Far from serene and predictable, the planets are ruled by random violence on an unimaginable scale. Once a mountain-sized meteorite flew through space, struck the Earth, killed the dinosaurs and two-thirds of all species, and spared the small hamster-sized creature that happened to be our ancestor. The chance of that happening again is essentially zero. So, the final revolution in Powell's history of a golden century of geology is the Revolution of Chance. Simply put, this revolution in thought has transformed our understanding of how lucky we really are. If we can learn so much from considering no more than the rocks beneath our feet, what will we learn when we begin walking on other planets? Mysteries of Terra Firma is both charming in its storytelling and staggering in its implications. Discovering the ground on which we stand is a fascinating journey into our past -- and our future.
1888 - In the midst of the murderous phrenzy plaguing the streets of Whitechapel, a case of mistaken identity, a courier's dispatch containing a coded message, and an urgent request from Scotland Yard draw Sherlock Holmes into a case that uncovers criminal schemes fixed on removing the heads of the governments of England, France, and the German Empire. Convinced these events are not simply calamitous coincidences, Holmes goes to his brother Mycroft, reasoning such endeavors must be orchestrated by a single malicious mastermind. With his trusted colleague, John Watson, at his side, as well as a rogues gallery of characters, old and new, Holmes throws himself into the fray. With international implications, this case tests Holmes' abilities to their very limits, as he doggedly pursues the identity of the man behind the malevolence, and the destruction of such a Sinister House.
This book radically rethinks the philosophical basis of copyright in the arts. The author reflects on the ontology of art to argue that current copyright laws cannot be justified. The book begins by identifying two problems that result from current copyright laws: (1) creativity is restricted and (2) they primarily serve the interests of large corporations over those of the artists and general public. Against this background, the author presents an account of the ontology of artworks and explains what metaphysics can tell us about ownership in the arts. Next, he makes a moral argument that copyright terms should be shorter and that corporations should not own copyrights. The remaining chapters tackle questions regarding the appropriation of tokens of artworks, pattern types, and artistic elements. The result is a sweeping reinterpretation of copyright in the arts that rests on sound ontological and moral foundations. Radically Rethinking Copyright in the Arts will be of interest to scholars and advanced students working in aesthetics and philosophy of art, metaphysics, philosophy of law, and intellectual property law.
In the summer of 1814 a squadron of Royal Navy ships attacked the tiny Connecticut seaport of Stonington, and declared its intention of destroying the town. Over the next four days the British barraged the nearly defenseless civilian population with some fifty tons of explosives, before mysteriously upping anchor and sailing away, leaving Stonington largely intact. Though a mere footnote in America's early naval history, the Battle of Stonington has remained a source of curiosity for two hundred years. Why did the British single out Stonington and then fail so miserably at their goal? To solve the mystery of this curious battle, and explain Britain's failure to level the town, the author takes the reader back some forty years to the Revolution to unfold a surprisingly complex set of circumstances involving people on both sides of the Atlantic and across America. Drawing on contemporary news accounts, secret Royal Navy correspondence, and other primary sources, he investigates events leading up to the puzzling attack and then recounts the exciting details of the battle itself. It is a memorable, masterly told story of brave and honorable people, divided loyalties, and new ideas fighting traditional, old-world values. As the book develops, James Tertius de Kay introduces a fascinating cast of characters that ranks with the best of fiction: Thomas Hardy, the hero of Trafalgar who led the British attack; Jeremiah Holmes, an American merchant captain who led the defense of Stonington; Stephen Decatur and Robert Fulton, two well-known American patriots; and a number of enterprising smugglers and spies. At the same time de Kay pays tribute to the significant roles played by new naval weapons--American submarine vessels and torpedoes, British rockets and bombs--that revolutionized the art of war. The Battle of Stonington brings all these elements into brilliant focus to provide a lively narrative history not just of the events at Stonington but of the entire period. It is a compelling, often humorous story.
Prepare! is a lively 7-level general English course with comprehensive Cambridge English for Schools exam preparation integrated throughout. This flexible course brings together all the tools and technology you expect to get the results you need. Whether teaching general English or focusing on exams, Prepare! leaves you and your students genuinely ready for what comes next: real Cambridge English exams, or real life. The Level 7 Student's Book engages students and builds vocabulary range with motivating, age-appropriate topics. Its unique approach is driven by cutting-edge language research from English Profile and the Cambridge Learner Corpus. 'Prepare to...' sections develop writing and speaking skills. A Student's Book and Online Workbook is also available, separately.
In 1928, Margaret Mead published her first book, entitled Coming of Age in Samoa, in which she described to the Western world an exotic culture where people "came of age" with a minimum of "storm and stress." In 1983, Derek Freeman, an Australian anthropologist, published a book in which he systematically attacked Mead's conclusions about that culture and the way people came of age. Since then, a great deal of attention has been directed toward the Mead-Freeman controversy. This book contributes to that controversy and to the general understanding of adolescent storm and stress by undertaking an interdisciplinary analysis of Freeman's criticisms and an assessment of the plausibility of Mead's work. Addressing the issue of what has become of Mead's Samoa of the 1920s, this book historically tracks the nature of the "coming of age in Samoa" to the present, in order to give the reader an understanding of the circumstances confronting young people in contemporary Samoa. It shows that Mead's Samoa has been lost; what was once a place in which most young people came of age with relative ease has become a place where young people experience great difficulty in terms of finding a place in their society, to the point where they currently have one of the highest suicide rates in the world. While much has been written about this controversy during the past decade, a gap exists in the sense that most of the publicity about Mead's work has missed her main focus concerning the processes governing the "coming of age" of her informants. A valuable historical document and a pioneering study, Mead's book anticipated changes that are still unfolding today in the field of human development. The preoccupation with issues tangential to her main focus--issues involving the Samoan ethos and character--have not only diverted a clear analysis of Mead's work, they have also led to the creation of a number of myths and misconceptions about Mead and her book. The author also has an interest in Mead's original focus on the relative impact of biological and cultural influences in shaping the behavior of those coming of age--in all societies. Despite what has been said by her critics, not only was this a crucial issue during the time of her study, but it is also an issue that is now just beginning to be understood some 60 years later. In addition, the issue of biology versus culture--the so-called nature-nurture debate--carries with it many political implications. In the case of the Mead-Freeman controversy, this political agenda looms large--an agenda which is clearly spelled out in this book.
The Third Book of General Ignorance gathers together 180 questions, both new and previously featured on the BBC TV programme's popular 'General Ignorance' round, and show why, when it comes to general knowledge, none of us knows anything at all.Who invented the sandwich? What was the best thing before sliced bread? Who first ate frogs' legs? Which cat never changes its spots? What did Lady Godiva do? What can you legally do if you come across a Welshman in Chester after sunset?
This work explores the relationship between twenty-five enduring works of horror literature and the classic films that have been adapted from them. Each chapter delves into the historical and cultural background of a particular type of horror--hauntings, zombies, aliens and more--and provides an overview of a specific work's critical and popular reception. Among the print-to-film titles discussed are Frankenstein, Dracula, Doctor Jekyll and Mr. Hyde, The Masque of the Red Death, The Hound of the Baskervilles, The Phantom of the Opera, Psycho, The Exorcist, and The Shining.
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