This study of Victor Hugo's work aims to uncover the diversity, the thematic and narrative singularity, and the shifting ironies and resistance to interpretative closure of his writing. Novels examined include: ""Notre-Dame de Paris"", ""Les Miserables"", ""Les Travailleurs de la Mer"", ""Quatre vingt-treize"", and ""L'Homme qui Rit"". The 11 essays in the volume bring together various critical approaches from French, British and American scholars, in an attempt to provide a new point of departure and to provoke discussion of Victor Hugo's novels. This publication marks the bicentenary of Hugo's birth in 1802.
The Avengers journey into deep space, where they unite the intergalactic races against the Builders--deadly aliens who seek to destroy the known galaxy. While the heroes are gone, Thanos sets his sights on Earth, sending the Black Order to launch the assault. It falls to the Inhumans, Black Panther, Doctor Strange, the X-Men, and more to defend the planet. It falls to the other heroes of Earth--the Inhumans, the Black Panther, Namor the Sub-Mariner, Doctor Strange, the X-Men, and more--to defend Attilan, Wakanda, Atlantis, and the rest of the planet. To defeat Thanos, the defending forces will need to employ a new weapon--one that may be as deadly as the invading force.
For years, Thor lived on Earth as protector, champion and Avenger - endearing himself to the entire world. Having lived a mortal's life, Earth's well-being was of paramount importance to the Asgardian God of Thunder. His ascension to the throne interfered with that mission. Asgard's interests forced Thor to ignore Earth. So wielding a power only the greatest of gods might possess, Asgard's liege transported his realm to the skies above Manhattan, the better to guide and protect the whole of humanity. Now, see how the Thunder God's presence on Earth affects the lives of people both ordinary and extraordinary and not for the better. Collecting THOR (1998) #59-67 and material from MARVEL DOUBLE-SHOT #1.
“This is a sophisticated and fascinating argument written in a very enjoyably entertaining style. It is hard for me to see how readers initially interested in these texts will not be ‘swept off their feet’ by the core assertions of this author, and the devastatingly comprehensive way in which he demonstrates those arguments.” —Brent Steele, University of Kansas In Textual Conspiracies, James R. Martel applies the literary, theological, and philosophical insights of Walter Benjamin to the question of politics and the predicament of the contemporary left. Through the lens of Benjamin’s theories, as influenced by Kafka, of the fetishization of political symbols and signs, Martel looks at the ways in which various political and literary texts “speak” to each other across the gulf of time and space, thereby creating a “textual conspiracy” that destabilizes grand narratives of power and authority and makes the narratives of alternative political communities more apparent. However, in keeping with Benjamin’s insistence that even he is complicit with the fetishism that he battles, Martel decentralizes Benjamin’s position as the key theorist for this conspiracy and contextualizes Benjamin in what he calls a “constellation” of pairs of thinkers and writers throughout history, including Alexis de Tocqueville and Edgar Allen Poe, Hannah Arendt and Federico García Lorca, and Frantz Fanon and Assia Djebar.
This scholarly analysis of the music of Taylor Swift identifies how and why she is one of the early 21st century's most recognizable and most popular stars. By the age of 13, singer-songwriter Taylor Swift had already inked a development deal with a major record label. This early milestone was an appropriate predictor of what accomplishments were to come. Now a superstar artist with an international fanbase of millions and several critically acclaimed and commercially successful albums, Swift has established herself as one of the most important musicians of the 21st century. This accessible book serves Taylor Swift fans as well as students of contemporary popular music and popular culture, critically examining all of this young artist's work to date. The book's organization is primarily chronological, covering Taylor Swift's album and single releases in order of release date while also documenting the elements of her music and personality that have made her popular with fans of country music and pop music across a surprisingly diverse age range of listeners. The chapters address how Swift's songs have been viewed by some fans as anthems of empowerment or messages of encouragement, particularly by members of the LGBTQ community, those who have been bullied or been seen as outsiders, and emerging artists. The final chapter places Swift's work and her public persona in the context of her times with respect to her use of and relationship with technology—for example, her use of social media and songwriting technology—and her expressions of a new type of feminism that is unlike the feminism of the 1970s.
This study of Victor Hugo's work aims to uncover the diversity, the thematic and narrative singularity, and the shifting ironies and resistance to interpretative closure of his writing. Novels examined include: ""Notre-Dame de Paris"", ""Les Miserables"", ""Les Travailleurs de la Mer"", ""Quatre vingt-treize"", and ""L'Homme qui Rit"". The 11 essays in the volume bring together various critical approaches from French, British and American scholars, in an attempt to provide a new point of departure and to provoke discussion of Victor Hugo's novels. This publication marks the bicentenary of Hugo's birth in 1802.
Collects Tales to Astonish (1994) #1, Strange Tales (1994) #1, Tales of Suspense (1995) #1. Classic comic book titles from the past inspire fully painted Marvel masterworks featuring some of the world's greatest heroes! When a sadistic killer who claims to be descended from Loki goes on the rampage, it will take three Avengers to face a mad Viking - Hank Pym, the Wasp and the Hulk! Things take a turn for the monstrous in stories featuring Doctor Strange, the Thing, Human Torch and Nick Fury! And old friends Captain America and Iron Man are recruited by S.H.I.E.L.D. to stop a deadly new terror threat using Stark technology! Celebrate the heroic legacy of the Marvel Age of Comics with these strange tales of suspense guaranteed to astonish!
Peter David's 100-plus-issue run on INCREDIBLE HULK remains one of the character's most popular periods. Now, see how it all began in David's first string of Hulk stories as the gray-skinned goliath - or is that the sardonic strongman? - leaps into action against horrors from the grave, the stars and the house next door! Featuring the revitalization of one of the Hulk's longtime foes, the Leader! Guest-starring the original X-Men!
Collects Heroes Reborn: Captain America #1-12. On the Earth of Heroes Reborn, Steve Rogers seems to have found the life of his dreams, but it's up to Nick Fury and the Falcon to awaken him to his role of Captain America! It's new origins for old enemies when Cap faces even darker versions of the Red Skull and the Sons of the Serpent!
This introduction to the philosophy of Jean-Luc Nancy gives an overview of his philosophical thought to date and situates it within the broader context of contemporary French and European thinking. The book examines Nancy’s philosophy in relation to five specific areas: his account of subjectivity; his understanding of space and spatiality; his thinking about the body and embodiment; his political thought; and his contribution to contemporary aesthetics. In each case it shows the way in which Nancy develops or moves beyond some of the key concerns associated with phenomenology, post-structuralism, and what could broadly be termed the “post-modern.”
A "sad and corrupt" age, a period of "crisis" and "upheaval"—what T.S. Eliot famously summed up as "the panorama of futility and anarchy which is contemporary history." Modernism has always been characterized by its self-conscious sense of suffering. Why, then, was it so obsessed with laughter? From Baudelaire, Nietzsche, Bergson and Freud to Pirandello, Beckett, Hughes, Barnes, and Joyce, no moment in cultural history has written about laughter this much. James Nikopoulos investigates modernity’s paradoxical relationship with mirth. Why was the gesture we conventionally associate with happiness deemed the only sensible way of responding to a world, as Max Weber wrote, that had been "disenchanted of its gods?" In answering these questions, Nikopoulos also delves into our ongoing relationship with laughter. He looks to contemporary research in emotion and evolutionary theory, as well as to the two-thousand-plus-year history of the philosophy of humor, in order to propose a novel way of understanding laughter, humor, and their complicated relationships with modern life. The Stability of Laughter explores how art unsettles the simplifications we revert to in our attempts to make sense of human history and social interaction.
Contemporary events management is a diverse and challenging field. This introductory textbook fully explores the multidisciplinary nature of events management and provides the student with all the practical skills and professional knowledge they need to succeed in the events industry. It introduces every core functional area of events management, such as marketing, finance, project management, strategy, operations, event design and human resources, in a vast array of different event settings from sport to political events. This new edition has been updated to include: New and updated content on technological developments in events such as virtual/hybrid events, artificial intelligence, virtual/augmented reality, holograms in music events, software for event planning and projection mapping. New content on eSports, the sustainability sector, employability skills, policy changes, diversity and inclusion, ethics and responsibility in events, and contemporary event safety and security issues including the threat of terrorism. New and updated case studies that cover a wider range of regions. A fully updated and extended companion website that includes web and video links, quizzes and a case study archive for students, as well as PowerPoint slides for instructors and a brand-new instructor manual full of teaching strategy ideas. Every topic is brought to life through vivid case studies, personal biographies and examples of best practice from the real world of events management. Written by a team of authors with many years’ experience of working in the events industry, Events Management: An Introduction is the essential course text for any events management programme.
Throughout the twentieth century in the lands of Yugoslavia, socialists embarked on multiple projects of supranational unification. Sensitive to the vulnerability of small nations in a world of great powers, they pursued political sovereignty, economic development, and cultural modernization at a scale between the national and the global – from regional strategies of Balkan federalism to continental visions of European integration to the internationalist ambitions of the Non-Aligned Movement. In Mediating Spaces James Robertson offers an intellectual history of the diverse supranational politics of Yugoslav socialism, beginning with its birth in the 1870s and concluding with its violent collapse in the 1990s. Showcasing the ways in which socialists in Southeast Europe confronted the political, economic, and cultural dimensions of globalization, the book frames the evolution of supranational politics as a response to the shifting dynamics of global economic and geopolitical competition. Arguing that literature was a crucial vehicle for imagining new communities beyond the nation, Robertson analyzes the manuscripts, journals, and personal correspondence of the literary left to excavate the cultural geographies that animated Yugoslav socialism and its supranational horizons. The book ultimately illuminates the innovative strategies of cultural development used by socialist writers to challenge global asymmetries of power and prestige. Mediating Spaces reveals the full significance of supranationalism in the history of socialist thought, recovering a key concern for an era of renewed geopolitical contestation in Eastern Europe.
Find a film quotation for any situation in this collection that’s “full of gems” (Varla Ventura, author of The Book of the Bizarre). From Rhett Butler to Obi-Wan Kenobi, movie quotes have become an integral part of the way we express ourselves. This book gathers great lines with a purpose in mind: finding the right words to toast, celebrate, motivate, or comfort during the important occasions in our lives—whether it’s a wedding, a big game, a memorial service, a graduation, or a workplace event. Moving, inspiring, or just plain funny, you’ll find lots of options—or you can just enjoy reading—with this volume that also includes plenty of trivia and viewing suggestions for movie lovers.
While there has been a significant outpouring of scholarship on Spielberg over the past decade, his films are still frequently discussed as being paternalistic, escapist, and reliant on uncomplicated emotions and complicated special features. Even those critics who are favorable toward his work still tend to view it as essentially optimistic, reassuring, and conservative. This book takes an alternate view of the director's work and proposes that his films are significantly darker and more emotionally and ideologically complex that they are routinely given credit for.
Hitler's favorite film was King Kong. The Blues Brothers is the only film ever that had a cocaine budget. Citizen Kane was booed at the Oscars every time one of its nominations were announced. Marlon Brando didn't read the script when he was shooting Apocalypse Now. Instead, he turned it into a hat. Sean Connery turned down the role of Gandalf in Lord of the Rings. He would?ve been paid $560 million. Although Hattie McDaniel won an Oscar for Gone with the Wind, she wasn't allowed to go to the premier because she was black. Edward Scissorhands was supposed to be a musical. Steven Spielberg thought the theme song for Jaws was terrible. Groundhog Day takes place over 27 years. All of the Ping-Pong balls in Forrest Gump are computer-generated. In Toy Story, the carpets in Sid's house have the same design as the carpets in The Shining. It took eight years for Christopher Nolan to write Inception. Back to the Future was banned in China because the Chinese find time-travel disrespectful to history.
Since the beginnings of African cinema, the realm of beauty on screen has been treated with suspicion by directors and critics alike. James S. Williams explores an exciting new generation of African directors, including Abderrahmane Sissako, Mahamat-Saleh Haroun, Fanta Régina Nacro, Alain Gomis, Newton I. Aduaka, Jean-Pierre Bekolo and Mati Diop, who have begun to reassess and embrace the concept of cinematic beauty by not reducing it to ideological critique or the old ideals of pan-Africanism. Locating the aesthetic within a range of critical fields - the rupturing of narrative spectacle and violence by montage, the archives of the everyday in the 'afropolis', the plurivocal mysteries of sound and language, male intimacy and desire, the borderzones of migration and transcultural drift - this study reveals the possibility for new, non-conceptual kinds of beauty in African cinema: abstract, material, migrant, erotic, convulsive, queer. Through close readings of key works such as Life on Earth (1998), The Night of Truth (2004), Bamako (2006), Daratt (Dry Season) (2006), A Screaming Man (2010), Tey (Today) (2012), The Pirogue (2012), Mille soleils (2013) and Timbuktu (2014), Williams argues that contemporary African filmmakers are proposing propitious, ethical forms of relationality and intersubjectivity. These stimulate new modes of cultural resistance and transformation that serve to redefine the transnational and the cosmopolitan as well as the very notion of the political in postcolonial art cinema.
This fun, absorbing book, packed with quirky bite-sized lists, quizzes and trivia, is an exploration of the Latin language, aiming to prove that it is as vibrant and relevant today as it was 2,500 years ago. It includes sections on Latin in the movies, US state mottoes and place names, and also some choice snippets from real Latin poetry from Catullus, Horace and Virgil, with evocative translations. It contains a fascinating section on the Roman emperors and what they got up to, and gives the basics of the language itself for anyone who would like to learn it. Quizzes allow the reader to guess the names of famous books, songs and James Bond films, cunningly translated into Latin. From the spells in Harry Potter to the use of Latin in Asterix, to the Latin terms that litter law and medicine to the meaning behind UK football club mottoes, this book is the perfect gift for anyone who wants to brush up their Latin, whether they studied it at school or not.
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