Im Jim Edwards, a human; I fly a spaceship named Merlin, who thinks hes human. Since my last book I have acquired a full crew, full of what I dont know. My second in command, though technically not yet recognized by the Alliance, is the sole surviving member of a race of artificially constructed living creatures known as the Betapherim. My seconds name is Mephis, short for the devilish name, Mephistopheles. Then there is crazy Bill, the Teeber, who communicates by thought not word, and consequently has taught Merlin, Mephis and me how to do it, too. Bill also taught me how to use the power of the Claw, as in Claw of Catau, as in, Bills planet, home of the Teeber. It is a mental thing, so dont ask me to explain it, I cant. All I know is it works very well on your enemy, extremely well. Its probably a good thing I have the Claw because war breaks out again between the Alliance and the Tayhest and everyone thinks Im the guy to stop it. It seems there is a legend about the Bojaja, a powerful being known as the Drexa and a singular event also known as the Drexa. And Im supposed to be part of it, can you believe that? If thats not enough to give me a headache, a force known only as the Light appears out of nowhere and really screws with me, almost killing me at one point before disappearing, hopefully, forever. Back on Earth, also known as Tara, I find my true love, Joan, again, and find out she is also part of the great Bojaja Legend. We manage to stop a rebel kidnapping and visit ancient Mayan ruins. Taking a break in space, I find myself rescuing one of my space children, born to a Nack female, yes we did, and then shooting up the Lussecan home world because the bastards deserve it. And so the adventures continue as I find out there is a lot more going on out in space then just guarding my part of the galaxy, a whole helluva lot more. Hope you enjoy it as much as I did. Jim
In his reflections on God, Jesus, suffering, and liberation, James H. Cone relates the gospel message to the experience of the black community. But a wider theme of the book is the role that social and historical context plays in framing the questions we address to God as well as the mode of the answers provided.
The voluminous records of the Pierce and Poor families weave a story that runs from the late eighteenth century until World War I. The extent and qual-ity of their source materials, and their positions as representative middle-class to upper-middle-class New England families, make these subjects of Yankee Family particularly well suited for analyzing processes of continuity and change. McGovern reviews the life-styles of the Pierce and,Poor families both on the frontier and in the Boston area, and focuses on the cross-generational changes in these styles. The study begins with John Pierce at Harvard in the 1790s and follows through to the first decade of the twen-tieth century. The author shows how the "Yankee" mentality, an outgrowth of New England Puritanism, contributed to the family's rise to success, but con-cludes that by the early twentieth cen-tury the Yankee life-style was ending, a victim of social and economic changes in American society that were rendering it irrelevant. Until recently historical scholarship on the American family has been static. Apart from long-standing predilections of historians for political history, there were also theoretical and meth-odological problems deterring schol-arship on the American family. But McGovern's approach holds great promise; it is more sensitive than quan-tification studies to the impact of change on a wider range of human expe-riences because it is inevitably more personal. While this type of family his-tory rewards students of social change, it also affords important insights on con-tinuity. It reveals the existence of a family style which adapts to change with a special corpus of family wisdom, al-ways finding a way to exercise its "known" amidst constant flux thus mitigating some of the effects of change.
Andy Clyde starred in the second-longest series of shorts at Columbia Pictures (after the Three Stooges), with nearly 80 productions from 1934 to 1956. This film-by-film analysis of Clyde's Columbia short comedies features introductory chapters on his early life, stage work, silent films and early talkies, as well as concluding chapters on his appearances in feature films--including several Hopalong Cassidy westerns--and his television roles on such shows as Lassie and The Real McCoys. Rare photos and graphics are included.
In the second half of 1845 the focus of Polk's correspondence shifted from those issues relating, to the formation of his administration and distribution of party patronage to those that would give shape and consequence to his presidency: the admission of Texas, preparation for its defense, restoration of diplomatic relations with Mexico, and termination of joint occupancy of the Oregon Country. In addition to the texts, briefs, and annotations, the editors have calendared all of the documents for the last six months of 1845. Entries for unpublished letters include the documents' dates, addressees, classifications, repositories, and precis. The Polk Project is sponsored by the University of Tennessee and assisted by grants from the National Historical Publications and Records Commission, the National Endowment for the Humanities, and the Tennessee Historical Commission.
A legendary book collector, a connoisseur of fine art, a horticulturist, and a philanthropist, Henry Edwards Huntington is perhaps best known as the founder of the world-renowned Huntington Library, Art Gallery, and Botanical Gardens in San Marino, California. James Thorpe's comprehensive biography of Huntington tells the richly human story of the man who became America's greatest book collector and was a leading figure in the development of southern California. Henry Edwards Huntington was born in New York State in 1850. He began working at the age of 17, eventually moved to California, and in later years was hailed for his vision in developing the street railway system that created the structure of the Los Angeles area. Always a lover of books, Huntington acquired many spectacular volumes—among them the complete Gutenberg Bible on vellum and the library of the Earl of Bridgewater. He also built a splendid art collection and established a grand botanical garden on the grounds of the buildings that would house his art and books. Then, in an act of philanthropy seldom equaled, he gave these great treasures to the public. The intimate side of Huntington's life appears in these pages, too. Thorpe has culled a vast trove of private letters, diaries, and other documents that reveal Huntington's exceptional personal qualities. The author's well-rounded biography of this unassuming yet gifted American is also richly evocative of the times in which Henry Edwards Huntington lived.
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