For other novelists the value of Henry James's Notebooks is immense and to brood over them a major experience. The glow of the great impresario is on the pages. They are occasionally readable and endlessly stimulating, often moving and are ocasionally relieved by a drop of gossip."—V. S. Pritchett, New Statesman "The Notebooks take us into his study, and here we can observe him, at last, in the very act of creation at his writing table."—Leon Edel, Atlantic Monthly "A document of prime importance."—Edmund Wilson, New Yorker
Volume 1. This volume includes 122 letters, 67 of which are published for the first time, written between June 6, 1880, and October 20, 1881. The letters recorded Henry James's confirmation of his identity as a London resident, follow his struggles with the complexities of his professional life, and illustrate his closer attention to family and friends. His friends, such as Henry and Clover Adams, and family members, such as his brother William, view him as their resident Londoner. When his sister, Alice, and her companion, Katharine Loring, travel to Britain, James both supervises Alice's state of health and also reports on its status to their parents. The letters show James's professional life as he shifts away from writing pot-boiling reviews and short fiction toward the greater novels that continue to be associated with him, especially The Portrait of a Lady. We also see James negotiating with publishers and arranging whenever possible simultaneous publication in Britain and the United States in order to maximize his writing income. This volume concludes with James's much-anticipated return to his native America, buoyed by his completion of "The Portrait of a Lady." The journey marked a significant milestone in the author's life.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Lou Malloy meets a young and beautiful PI, Hilary Kelly, and together they fight to keep their freedom and $15 million in Mob money as Malloy and Kelly race to protect what he earned the hard way and find the people responsible for his sisters death.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Making a Grade takes historiographic and sociological perspectives developed to understand large-scale scientific and technical systems and uses them to highlight the standardization that went into standardized testing.
Recipient of the Approved Edition seal from the Modern Language Association's committee on scholarly editions This volume of The Complete Letters of Henry James, 1880-1883 includes 178 letters, 98 of which are published for the first time, written from November 1, 1881, to January 1, 1883. The letters record Henry James's establishment as one of the preeminent professional writers in Britain and the United States and follow James's return journeys to the United States following the deaths of his parents. This volume concludes with James's assumption of his role as the executor of his father's will and thus the de facto head of the family.
This volume of The Complete Letters of Henry James, 1883–1884 includes 125 letters, of which 72 are published for the first time, written from January 29, 1884, to November 9, 1884. The letters mark Henry James’s confidence and achievements as an internationally important professional writer, including his participation in conceiving and carrying out with editors and publishers complicated plans to distribute his work and maximize his income. James details his work on mid-career novels The Bostonians and The Princess Casamassima as well as work on a number of tales that would help to define his career. This volume concludes with James’s anticipation of the arrival in England from the United States of his sister, Alice, who would never again return to her homeland.
This second volume of The Complete Letters of Henry James, 1887–1888 contains 182 letters, of which 120 are published for the first time, written from late December 1887 to November 19, 1888. These letters continue to mark Henry James’s ongoing efforts to care for his sister, develop his work, strengthen his professional status, build friendships, engage timely political and economic issues, and maximize his income. James details work on The Aspern Papers, The Reverberator, Partial Portraits, and The Tragic Muse. This volume opens with some of James’s social visits, includes the death of longtime friend Lizzie Boott, and concludes with James on the Continent.
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