The Canadian Sioux are descendants of Santees, Yanktonais, and Tetons from the United States who sought refuge in Canada during the 1860s and 1870s. Living today on eight reserves in Manitoba and Saskatchewan, they are the least studied of all the Sioux groups. This book, originally published in 1984, helps fill that gap in the literature and remains relevant even in the twenty-first century. Based on Howard’s fieldwork in the 1970s and supplemented by written sources, The Canadian Sioux, Second Edition descriptively reconstructs their traditional culture, many aspects of which are still practiced or remembered by Canadian Sioux although long forgotten by their relatives in the United States. Rich in detail, it presents an abundance of information on topics such as tribal divisions, documented history and traditional history, warfare, economy, social life, philosophy and religion, and ceremonialism. Nearly half the book is devoted to Canadian Sioux religion and describes such ceremonies as the Vision Quest, the Medicine Feast, the Medicine Dance, the Sun Dance, warrior society dances, and the Ghost Dance. This second edition includes previously unpublished images, many of them photographed by Howard, and some of his original drawings.
The Choctaws are among the largest and best-known Indian tribes originally of the Southeastern United States, but over the centuries they have become one of the most acculturated to white ways, known more for what they absorbed of white culture than for their own distinctive traditions. Since the removal of the greatest part of the tribe to Oklahoma in the 1830s, Euro-American acculturation has become especially dominant. Nevertheless, among the isolated group of Choctaws that remained in Mississippi after Removal and a few individuals in Oklahoma, the old tribal dances and songs have been preserved. This book discusses all aspects of the Choctaw dances and songs performed today by dance troupes in Mississippi and Oklahoma. It describes the social organization of the troupes, the construction and use of their musical instruments, and their costumes. Extensive historical information surveys the early literature on Choctaw music and dance, the divergent experiences of the Mississippi and Oklahoma Groups, and the recent movement toward cultural revival among traditionalists in both states. The choreography for each dance that survives in the Choctaw repertory is described in detail and illustrated by photographs. The book also contains an overview of Choctaw dance music, with a classification of the song and in-depth analyses of musical elements, form, and design. The structure of dance events is reconstructed here for the first time. Musical transcriptions of thirty songs are included. The authors, using a comparative approach, have focused on the relationship between contemporary performances in Oklahoma and Mississippi. Despite regional variations in performance practice, the Choctaws have sustained considerable continuity in their dance and music in this century, successfully resisting fierce pressure to assimilate and thereby lose all remaining vestiges of their culture. This is the first book-length study of Choctaw music and dance since 1943, with much new information on the dances. It will be welcomed by ethnomusicologists, dance ethnologists, students of Native American culture, anthropologists, folklorists, and anyone interested in American Indian dance.
The culture of the Ponca Indians is less well known than their misfortunes. A model of research and clarity, The Ponca Tribe is still the most complete account of these Indians who inhabited the upper central plains. Peaceably inclined and never numerous, they built earth-lodge villages, cultivated gardens, and hunted buffalo. James H. Howard considers their historic situation in present-day South Dakota and Nebraska, their trade with Europeans and relations with the U.S. government and, finally, their loss of land along the Niobrara River and forced removal to Indian Territory. The tragic events surrounding the 1877 removal, culminating in the arrest and trial of Chief Standing Bear, are only part of the Ponca story. Howard, a respected ethnologist, traces the tribe’s origins and early history. Aided by Ponca informants, he presents their way of life in his descriptions of Ponca lodgings, arts and crafts (pottery was made from blue clay found on the Missouri River), clothing and ornaments, food, tools and weapons, dogs and horses, kinship system, governance, sexual practices, and religious ceremonies and dances. He tells what is known about a proud (and ultimately divided) tribe that was led down a “trail of tears.” The Ponca Tribe was originally published in 1965 as a bulletin of the Smithsonian Institution’s Bureau of American Ethnology. Introducing this edition is Donald N. Brown, a professor of sociology at Oklahoma State University, Stillwater, and a Ponca authority.
In November 1922 a momentous discovery, unlike any other before or since, changed our understanding of the ancient world. However, until now the marvelous story of Carter’s quest for Tutankhamun and its culmination in his unearthing of the intact, treasure-filled tomb has been told without a reliable account of the man behind the discovery and the myths that have surrounded it. Carter's legendary discovery in the Valley of the Kings and his painstaking clearance of the intact royal burial are the topic of this definitive biography.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.