The Disordered Body presents a fascinating look at how three epidemics of the medieval and Early Renaissance period in Western Europe shaped and altered conceptions of the human body in ways that continue today. Authors Suzanne E. Hatty and James Hatty show the ways in which concepts of the disordered body relate to constructions of disease. In so doing, they establish a historical link between the discourses of the disordered body and the constructs of gender. The ideas of embodiment, contagion and social space are placed in historical context, and the authors argue that our current anxieties about bodies and places have important historical precedents. They show how the cultural practices of embodied social interaction have been shaped by disease, especially epidemics.
Lambert Strether, a mild middle-aged American of no particular achievements, is dispatched to Paris from the manufacturing empire of Woollett, Massachusetts. The mission conferred on him by his august patron, Mrs. Newsome, is to discover what, or who, is keeping her son Chad in the notorious city of pleasure, and to bring him home. But Strether finds Chad transformed by the influence of a remarkable woman; and as the Parisian spring advances, he himself succumbs to the allure of the 'vast bright Babylon' and to the mysterious charm of Madame de Vionnet.
The Disordered Body presents a fascinating look at how three epidemics of the medieval and Early Renaissance period in Western Europe shaped and altered conceptions of the human body in ways that continue today. Authors Suzanne E. Hatty and James Hatty show the ways in which concepts of the disordered body relate to constructions of disease. In so doing, they establish a historical link between the discourses of the disordered body and the constructs of gender. The ideas of embodiment, contagion and social space are placed in historical context, and the authors argue that our current anxieties about bodies and places have important historical precedents. They show how the cultural practices of embodied social interaction have been shaped by disease, especially epidemics.
Nick Durand grows from childhood to adolesence in St. Ives, a small mining town in the hard coal region of upstate Pennsylvania during the Depression years of the 1930s. As the adult world around him struggles with economic hard times and reacts to explosive national and internatioinal crises, he witnesses outbursts of social violence in the street outside his home, hard fought political campaigns, acts of personal kindness and treachery,and games of adult passion and ambition that he only dimly understands. At the same time he experiences with a loosely knit gang of same-age friends adventures, torments, and startling joys of eary youth. In the course of the book one of Nick's mother's closest friends, the vivacioius Thelma Lark, becomes entangled in a dangerous affair with a charismatic local politician, Nick and his father try to solve a mysterious apparent murder, Nick fears that a "hex" has invaded his home, holidays and weddings are celebrated, mysteries of life and death are pondered, prayers are raised, and Nick feels budding drives of desire and romantic love while discovering moral complexity in his family and friends as America moves toward entrance into the Second World War.
A moral examination of one of the first Jewish senators, confidante to Jefferson Davis, and champion of the cause of slavery Judah P. Benjamin (1811–1884) was a brilliant and successful lawyer in New Orleans, and one of the first Jewish members of the U.S. Senate. He then served in the Confederacy as secretary of war and secretary of state, becoming the confidant and alter ego of Jefferson Davis. In this new biography, author James Traub grapples with the difficult truth that Benjamin, who was considered one of the greatest legal minds in the United States, was a slave owner who deployed his oratorical skills in defense of slavery. How could a man as gifted as Benjamin, knowing that virtually all serious thinkers outside the American South regarded slavery as the most abhorrent of practices, not see that he was complicit with evil? This biography makes a serious moral argument both about Jews who assimilated to Southern society by embracing slave culture and about Benjamin himself, a man of great resourcefulness and resilience who would not, or could not, question the practice on which his own success, and that of the South, was founded.
Moore was twenty years old when he joined the 35th Massachusetts Regiment in 1862. The eight-four letters in this collection span the years from August 1862 to the end of the War and include correspondence to and from Pvt. Moore and five family members. Moore's diaries from 1863 to 1864 are also included, as well as the 1867 diary of Sarah Jones, the girl he married. The family is traced long after the war, revealing their travels and accomplishments. -- P. [4] of cover.
In the first comprehensive study of African American war literature, Jennifer James analyzes fiction, poetry, autobiography, and histories about the major wars waged before the desegregation of the U.S. military in 1948. Examining literature about the Civil War, the Spanish-American Wars, World War I, and World War II, James introduces a range of rare and understudied texts by writers such as Victor Daly, F. Grant Gilmore, William Gardner Smith, and Susie King Taylor. She argues that works by these as well as canonical writers such as William Wells Brown, Paul Laurence Dunbar, and Gwendolyn Brooks mark a distinctive contribution to African American letters. In establishing African American war literature as a long-standing literary genre in its own right, James also considers the ways in which this writing, centered as it is on moments of national crisis, complicated debates about black identity and African Americans' claims to citizenship. In a provocative assessment, James argues that the very ambivalence over the use of violence as a political instrument defines African American war writing and creates a compelling, contradictory body of literature that defies easy summary.
Internationally renowned facilitator and public participation consultant James L. Creighton offers a practical guide to designing and facilitating public participation of the public in environmental and public policy decision making. Written for government officials, public and community leaders, and professional facilitators, The Public Participation Handbook is a toolkit for designing a participation process, selecting techniques to encourage participation, facilitating successful public meetings, working with the media, and evaluating the program. The book is also filled with practical advice, checklists, worksheets, and illustrative examples.
Sherlock Holmes, the world's “only unofficial consulting detective”, was first introduced to readers in A Study in Scarlet published by Sir Arthur Conan Doyle in 1887. It was with the publication of The Adventures of Sherlock Holmes, however, that the master sleuth grew tremendously in popularity, later to become one of the most beloved literary characters of all time. In this book series, the short stories comprising The Adventures of Sherlock Holmes have been amusingly illustrated using only Lego® brand minifigures and bricks. The illustrations recreate, through custom designed Lego models, the composition of the black and white drawings by Sidney Paget that accompanied the original publication of these adventures appearing in The Strand Magazine from July 1891 to June 1892. Paget's iconic illustrations are largely responsible for the popular image of Sherlock Holmes, including his deerstalker cap and Inverness cape, details never mentioned in the writings of Conan Doyle. This uniquely illustrated collection, which features some of the most famous and enjoyable cases investigated by Sherlock Holmes and his devoted friend and biographer Dr. John H. Watson, including A Sandal in Bohemia and The Red-Headed League, is sure to delight Lego enthusiasts, as well as fans of the Great Detective, both old and new. LEGO® is a trademark of the LEGO Group of Companies. The LEGO Group has not been involved in nor has it in any other way licensed or authorised the publication of this book. THE ADVENTURE OF THE NOBLE BACHELOR: Sherlock Holmes is consulted by Lord Robert St. Simon whose wife, Hatty Doran, disappeared shortly after their wedding. Inspector Lestrade of Scotland Yard is convinced that culpability rests with Miss Flora Millar, a former acquaintance of Lord St. Simon. Holmes, though,quickly discerns the true fate of Miss Doran as he realizes that the solution to this delicate problem resides in her past back in the United States.
A place like Orlando, Florida is not transformed from swampland to sprawling metropolis through Peter Pan-like flights of fancy, but through theme park expansions requiring developmental schemes that are tough minded and often worsen relationships between the wealthy and the poor. The homeless arrive with their own hopes and illusions, which are soon shattered. The rest of the local population makes its peace with the system. Meanwhile the homeless are reduced to advocacy models that neither middle- nor working-class folks much worry about. They are modern members of Ellison's "invisible men" but they comprise a racial and social mixture unlike any other in the American landscape.This book is primarily about the dark side of this portrait?the poor, near-poor, homeless, and dispossessed who live in the midst of this verdant landscape. The phrase "down and out," has been used to describe people who are destitute or penniless since the late nineteenth century. Here the term is used in a more expansive sense, as synonymous with anyone who lives near, at, or over the edge of financial catastrophe.
This authoritative reference work presents a full image of the Prince of Darkness as he appears throughout traditional theology, mythology, art and literature, and popular culture. This nonsensationalist encyclopedia examines contemporary images of the devil and sorts out the many different forms these images take. Although much of the myths relating to Satan derive directly or indirectly from the Christian tradition, the key sources of diabolical images today are horror movies, heavy metal music, and conservative Christian literature. This encyclopedia gives a brief overview depicting the history and transformation of the meaning of the Prince of Darkness, and 300 entries cover subjects like the angel of death, backward masking (messages revealed when songs are played backward), neopagan witchcraft, UFOs, and The Satanic Bible. Extensive appendixes include the l992 FBI study of satanic ritual abuse, the most influential document ever written on the subject, as well as sample satanic scriptures and a satanic wedding ceremony. Satanism Today also includes a chronology, bibliographies, and references.
The Modern Feminine in the Medusa Satire of Fanny Fern argues that Sara Parton and her literary alter ego, Fanny Fern, occupy a star-power position within the antebellum literary marketplace dominated by women authors of sentimental fiction, writers Nathaniel Hawthorne (in)famously called “the damn mob of scribbling women.” The Fanny Fern persona represents a nineteenth-century woman voicing the modern feminine within a laughter-provoking bourgeois carnival, a forerunner of Hélène Cixous’s laughing Medusa figure and her theory about écriture féminine. By advancing an innovative theory about an Anglo-American aesthetic, comic belles lettres, Caron explains the comic nuances of Parton’s persona, capable of both an amiable and a caustic satire. The book traces Parton’s burgeoning celebrity, analyzes her satires on cultural expectations of gendered behavior, and provides a close look at her variegated comic style. The book then makes two first-order conclusions: Parton not only offers a unique profile for antebellum women comic writers, but her Fanny Fern persona also anchors a potential genealogy of women comic writers and activists, down to the present day, who could fit Kate Clinton’s concept of fumerism, a feminist style of humor that fumes, that embraces the comic power of a Medusa satire.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.