This discography addresses all the recordings made by The Boston Symphony Orchestra and by the Boston Symphony Chamber Players. Each entry contains complete details of the recording session and work, including all the soloists and choruses, as well as issued discs and tapes in many formats. The material is cross-referenced in indexes organized by composer, conductor, and soloist. In addition to commercial recordings, this volume has separate sections on recordings issued by the U.S. government, recordings made by BSO musicians under other ensemble names, and 'pirate' recordings of BSO concerts and broadcasts.
America is at war with itself over the right to vote, or, more precisely, over the question of who gets to exercise that right and under what circumstances. Conservatives speak in ominous tones of voter fraud so widespread that it threatens public trust in elected government. Progressives counter that fraud is rare and that calls for reforms such as voter ID are part of a campaign to shrink the electorate and exclude some citizens from the political life of the nation. North Carolina is a battleground for this debate, and its history can help us understand why--a century and a half after ratification of the Fifteenth Amendment--we remain a nation divided over the right to vote. In Fragile Democracy, James L. Leloudis and Robert R. Korstad tell the story of race and voting rights, from the end of the Civil War until the present day. They show that battles over the franchise have played out through cycles of emancipatory politics and conservative retrenchment. When race has been used as an instrument of exclusion from political life, the result has been a society in which vast numbers of Americans are denied the elements of meaningful freedom: a good job, a good education, good health, and a good home. That history points to the need for a bold new vision of what democracy looks like.
During the Civil War, African American war correspondent Thomas Morris Chester was so inspired by the men of the 36th United States Colored Troops that he declared the group to be "a model regiment." Composed primarily of former slaves recruited from Union-occupied areas of eastern North Carolina and southeastern Virginia, the 36th USCT participated in large-scale expeditions to liberate slaves, guarded Confederate prisoners at major POW camps, served in the trenches before Petersburg and Richmond, and stood as one of the first units to enter the abandoned Confederate capital on April 3, 1865. This volume, which includes a complete regimental roster, explores the background of these former slaves and their families, examines their initial recruitment and chronicles their military contributions throughout the war. More than a unit history, the story of the 36th USCT offers a vivid portrait of the challenging transition from slavery to freedom.
How did the Civil War, emancipation, and Reconstruction shape the masculinity of white Confederate veterans? As James J. Broomall shows, the crisis of the war forced a reconfiguration of the emotional worlds of the men who took up arms for the South. Raised in an antebellum culture that demanded restraint and shaped white men to embrace self-reliant masculinity, Confederate soldiers lived and fought within military units where they experienced the traumatic strain of combat and its privations together--all the while being separated from suffering families. Military service provoked changes that escalated with the end of slavery and the Confederacy's military defeat. Returning to civilian life, Southern veterans questioned themselves as never before, sometimes suffering from terrible self-doubt. Drawing on personal letters and diaries, Broomall argues that the crisis of defeat ultimately necessitated new forms of expression between veterans and among men and women. On the one hand, war led men to express levels of emotionality and vulnerability previously assumed the domain of women. On the other hand, these men also embraced a virulent, martial masculinity that they wielded during Reconstruction and beyond to suppress freed peoples and restore white rule through paramilitary organizations and the Ku Klux Klan.
This book is a compelling and balanced history of the California missions and their impact on the Indians they tried to convert. Focusing primarily on the religious conflict between the two groups, it sheds new light on the tensions, accomplishments, and limitations of the California mission experience. James A. Sandos, an eminent authority on the American West, traces the history of the Franciscan missions from the creation of the first one in 1769 until they were turned over to the public in 1836. Addressing such topics as the singular theology of the missions, the role of music in bonding Indians to Franciscan enterprises, the diseases caused by contact with the missions, and the Indian resistance to missionary activity, Sandos not only describes what happened in the California missions but offers a persuasive explanation for why it happened.
New Bern was a valuable port city during the Civil War and the Confederates made many attempts to reclaim it. On March 14, 1862, Federal forces under the command of General Ambrose Burnside overwhelmed Confederate forces in the Battle of New Bern, capturing the town and its important seaport. From that time on, Confederates planned to retake the city. D.H. Hill and James J. Pettigrew made the first attempt but failed miserably. General George Pickett tried in February 1864. He nearly succeeded but called the attack off on the edge of victory. The Confederates made another charge in May led by General Robert Hoke. They had the city surrounded with superior forces when Lee called Hoke back to Richmond and ended the expedition. Author Jim White details the chaotic history of New Bern in the Civil War.
An important extra in the book is a survey of Kostelanetz's career and on evaluation of his achievements, contributed by noted radio historian Dick O'Connor. A foreword by Barbara Haws, archivist and historian of the New York Philharmonic, completes this invaluable reference. --Book Jacket.
The intent of any discography is comprehensiveness, aiming to include every recording within its chosen area, and to list all the important details of each. The discography, New York Philharmonic: The Authorized Recordings, 1917-2005 is no exception. Author James H. North has compiled more than 1500 commercial recordings made by the New York Philharmonic from 1917 to 2005. A fifteen-page Introduction serves as a general history of New York Philharmonic recordings, discussing issues such as the importance of recordings, the orchestra's relationships with various recording companies, the venues used, recordings of interest which were not made (and why they were not), and the record-labeling systems used by Columbia/CBS/Sony, the Philharmonic's long-term business partner. The entries are presented in chronological order of recording sessions and contain important details such as music played, performers, session dates and venues, recording companies and producers, first release dates, and all issues of the recording, including 78- and 45-rpm discs, Long-Playing records, and Compact Discs. Three appendixes catalog the entries by composer, conductor, and soloists respectively, referring the reader to the appropriate entry in the main listing. Two additional appendixes further illustrate the New York Philharmonic's history, one by describing the 78-rpm records made for class use by Ginn and Company during the mid-1920s, the other listing the twenty-five 'Young People's Concerts,' written and conducted by Leonard Bernstein and broadcast worldwide on television from 1958 to 1970, now available on VHS and DVD.
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