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In Black Suffering, James Henry Harris explores the nexus of injustices, privations, and pains that contribute to the daily suffering seen and felt in the lives of Black folks. This suffering is so normalized in American life that it often goes unnoticed, unseen, and even--more often--purposely ignored. The reality of Black suffering is both omnipresent and complicated--both a reaction to and a result of the reality of white supremacy, its psychological and historical legacy, and its many insidious and fractured expressions within contemporary culture. Because Black suffering is so wholly disregarded, it must be named, discussed, and analyzed. Black Suffering articulates suffering as an everyday reality of Black life. Harris names suffering's many manifestations, both in history and in the present moment, and provides a unique portrait of the ways Black suffering has been understood by others. Drawing on decades of personal experience as a pastor, theologian, and educator, Harris gives voice to suffering's practical impact on church leaders as they seek to forge a path forward to address this huge and troubling issue. Black Suffering is both a mixtape and a call to consciousness, a work that identifies Black suffering, shines a light on the insidious normalization of the phenomenon, and begins a larger conversation about correcting the historical weight of suffering carried by Black people. The book combines elements of memoir, philosophy, historical analysis, literary criticism, sermonic discourse, and even creative nonfiction to present a "remix" of the suffering experienced daily by Black people.
In late summer 1923, legal hangings in Texas came to an end, and the electric chair replaced the gallows. Of 520 convicted capital offenders sentenced to die between 1923 and 1972, 361 were actually executed, thus maintaining Texas’ traditional reputation as a staunch supporter of capital punishment. This book is the single most comprehensive examination to date of capital punishment in any one state, drawing on data for legal executions from 1819 to 1990. The authors show persuasively how slavery and the racially biased practice of lynching in Texas led to the institutionalization and public approval of executions skewed according to race, class, and gender, and they also track long-term changes in public opinion up to the present. The stories of the condemned are masterfully interwoven with fact and interpretation to provide compelling reading for scholars of law, criminal justice, race relations, history, and sociology, as well as partisans on both sides of the debate.
This is one of the most important baseball books to be published in a long time, taking a comprehensive look at black participation in the national pastime from 1858 through 1900. It provides team rosters and team histories, player biographies, a list of umpires and games they officiated and information on team managers and team secretaries. Well known organizations like the Washington's Mutuals, Philadelphia Pythians, Chicago Uniques, St. Louis Black Stockings, Cuban Giants and Chicago Unions are documented, as well as lesser known teams like the Wilmington Mutuals, Newton Black Stockings, San Francisco Enterprise, Dallas Black Stockings, Galveston Flyaways, Louisville Brotherhoods and Helena Pastimes. Player biographies trace their connections between teams across the country. Essays frame the biographies, discussing the social and cultural events that shaped black baseball. Waiters and barbers formed the earliest organized clubs and developed local, regional and national circuits. Some players belonged to both white and colored clubs, and some umpires officiated colored, white and interracial matches. High schools nurtured young players and transformed them into powerhouse teams, like Cincinnati's Vigilant Base Ball Club. A special essay covers visual representations of black baseball and the artists who created them, including colored artists of color who were also baseballists.
Grossman’s rich, detailed analysis of black migration to Chicago during World War I and its aftermath brilliantly captures the cultural meaning of the movement.
A taut analysis of black liberation theology, connecting scholarship to practical congregational ministry. The chapters of this book focus on liberation and evangelism, the urban community, and black theology as well as church administration, worship, education, and self-esteem.
At the start of the Civil War, volunteers from six counties in southeastern Alabama formed the 15th Alabama Infantry Regiment. As part of Robert E. Lee's Army of Northern Virginia--and briefly serving with Braxton Bragg's Army of Tennessee--the 15th Alabama was one of the Confederacy's most active regiments and fought in many of the war's key battles. Based on firsthand accounts, this volume chronicles the regiment's experiences from its organization in July 1861 through its surrender at Appomattox. Detailed firsthand accounts are given of the 15th's action at Shenandoah, Gettysburg, Chickamauga and Spotsylvania, along with intimate descriptions of camp life. Service records of each member are provided, including enlistment, hometown, battle wounds and, where applicable, cause of death.
Preaching mediates the word of God into a cultural matrix. And no American preaching has done so more effectively and powerfully than African American preaching, claims noted homiletician James Harris. Known for its rhetorical strength, social-justice orientation, and dead-on connection to the community's lived experience, black preaching is here analyzed and proposed as a model for all preaching. Harris grounds black preaching in the self-understanding of the historic black church and its most prominent preachers, from Martin Luther King Jr. to Samuel Proctor. Harris also explores the hermeneutical and aesthetic dimensions of preaching, especially at the intersection of sacred text and the broader culture. He then lays out the specific distinguishing characteristics of black preaching, including verbal cadence and rhythm, use of gestures, and, most thoroughly, the narrative model of the sermon. His last chapter, ''Preaching Plainly,'' provides specific instructions on how to put the sermon together employing this model.
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