. These papers shed light on the formation of Maxwell's ideas and theories within the structure of a professional scientific discipline, physics, that had only recently taken shape. While Maxwell responded to and relied on the work of his colleagues, his interpretations often placed his work apart from theirs, to be exploited by later generations of physicists.
Offering the widest scope of any study of one of popular music's most important eras, Songs of the Vietnam Conflict treats both anti-war and pro-government songs of the 1960s and early 1970s, from widely known selections such as Give Peace a Chance and Blowin' in the Wind to a variety of more obscure works. These are songs that permeated the culture, through both recordings and performances at political gatherings and concerts alike, and James Perone explores the complex relationship between music and the society in which it is written. This music is not merely an indicator of the development of the American popular song; it both reflected and shaped the attitudes of all who were exposed to it. Whereas in previous wars, musicians rallied behind the government in the way of Aaron Copland and Samuel Barber, the Vietnam conflict provoked anger, frustration, and rage, all of which comes through in the songs of the time. This reference work provides indispensable coverage of this phenomenon, in chapters devoted to Anti-War Songs, Pro-Government Songs, and what might be called Plight-of-the-Soldier (or Veteran) songs. A selected discography guides the reader to the most notable recordings, all of which, together, provide a unique and important perspective on perhaps the 20th century's most contentious time.
This special bundle contains seven books that detail Canada’s long and storied history in the performing arts. We learn about Canada’s early Hollywood celebrity movie stars; Canadians’ vast contributions to successful international stage musicals; the story of The Grand, a famous theatre in London, Ontario; reminiscences from the early days of radio; the history of the renowned Stratford Festival; and a lavish history of the famous National Ballet of Canada. Canada’s performing artists blossomed in the twentieth century, and you can learn all about it here. Includes Broadway North Let’s Go to The Grand! Once Upon a Time in Paradise Passion to Dance Sky Train Romancing the Bard Stardust and Shadows
A Pulitzer Prize winner’s “immensely readable” history of the United States from FDR’s election to the final days of the Cold War (Publishers Weekly). The Crosswinds of Freedom is an articulate and incisive examination of the United States during its rise to become the world’s sole superpower. Here is a young democracy transformed by the Great Depression, the Second World War, the Cold War, the rapid pace of technological change, and the distinct visions of nine presidents. Spanning fifty-six years and touching on many corners of the nation’s complex cultural tapestry, Burns’s work is a remarkable look at the forces that gave rise to the “American Century.”
On October 8, 1918, seventeen soldiers from the 82nd Division, American Expeditionary Force, led by acting Sgt. Bernard Early, flanked a German machine gun nest that had inundated their unit with withering fire. In this sneak attack, they successfully surprised and captured more than 80 German soldiers before an unseen machine gun suddenly opened fire and killed six men. Acting Cpl. Alvin York, a member of the patrol, received the credit for taking control of the squad and single-handedly killing 20 Germans, capturing 132 prisoners, and eliminating 35 machine guns, all before leading the men back to Allied lines. For this act of bravery, York not only received the Medal of Honor and was promoted to sergeant, but he also rose to fame and glory. The 1941 movie Sergeant York, starring Gary Cooper, solidified York as a legend and one of the most well-known military figures in American history. In Unraveling the Myth of Sgt. Alvin York, historian James P. Gregory Jr. tells the story of the other sixteen soldiers who took part in the battle, capture, and return before fading into relative obscurity in the shadow of Sergeant York. As the tale reached mythological proportions, the other survivors began to speak out, seeking recognition for their parts in the engagement, only to be stymied by improper investigations, cover-ups, and media misrepresentations. Here, Gregory recovers the story of these other men and the part they played alongside York while revealing the process of mythmaking in twentieth-century America.
Robert Hatch's critical life spanned five decades. Starting in 1947 and continuing until 1984, he wrote about drama (and film) for The New Republic, The Nation, Theatre Arts, The Reporter, and Horizon. Along with John Simon, Robert Brustein, Richard Gilman, and Stanley Kauffmann, Hatch was one of the most potent, influential authors in the New York school of twentieth-century American arts criticism. With style and erudition Open Hatch discusses plays and productions from the following countries: England, the United States, France, Russia, Ireland, Germany, Switzerland, Italy, Czechoslovakia, Norway, Greece, and Australia. Among the many works discussed are The Master Builder, by Henrik Ibsen; The Three Sisters, by Anton Chekhov; Cat on a Hot Tin Roof, by Tennessee Williams; The Bourgeois Gentleman, by Molière; The Iceman Cometh, by Eugene O'Neill; Measure for Measure, by William Shakespeare; The Good Woman of Setzuan, by Bertolt Brecht; Exiles, by James Joyce; Endgame, by Samuel Beckett; The Blacks, by Jean Genet; The Caretaker, by Harold Pinter; Who's Afraid of Virginia Woolf?, by Edward Albee; Dutchman, by LeRoi Jones; and Leonce and Lena, by Georg Büchner. Also included in Open Hatch are articles on the following subjects: the idea of repertory; the Living Theatre; the Actors' Studio; Broadway and Off-Broadway; melodrama; and scene design. In addition, one may find in this rich collection bio-critical pieces on such figures as Tyrone Guthrie, Orson Welles, and John Arden. The precision, wit, and wisdom of Hatch's writing chime in Open Hatch, as he reveals his sense of cultural mission - and love of all the arts - by applying to theater and drama the same high standards that are applied to fiction, poetry, art, and music.
THE DUTCH CAPER First in the Cormack and Woodward series, it involves a dangerous mission into wartime Europe in order to try and find vital information about the ‘Liechtenstein' onboard radar system that Luftwaffe night fighters are using to shoot down RAF bombers in ever increasing numbers. The only way to do this is to steal a night fighter from a securely guarded Luftwaffe air base... Based on a true story. EMERALD Sequel to The Dutch Caper, where Cormack and Woodward have to fly into Berlin during the last days of the War, in order to bring out ‘Emerald', a highly placed British agent, who is being hunted, not just by the Gestapo, but by Soviet Intelligence as well. The action takes place against a background of a Berlin that is being systematically destroyed by the attacking Red Army. BERLIN ENDGAME The third book in the series, set during the Berlin Blockade of 1948. Cormack and Woodward uncover an assassination plot that, if successful, could spark armed conflict in Berlin that, almost inevitably, will lead to World War Three... Bad enough that they don't know when or where the killing is to take place, but even worse is the suspicion that their own superiors could be involved...
Theological interest in art is at a premium. However, theological engagement with art is often enacted without a clear sense of method. This text argues for a theological methodology in engaging the arts, and, specifically, the author puts forward a theological model for understanding human creativity in the light of Jesus’ sacrificial redemption. In dialogue with theology, philosophy, psychology, and art theory, the author establishes the relevance and applicability of an incarnational and sacrificial model of human creativity. Theological models also do more than provide a conceptual framework for theological inquiries. They engage the imagination. A theological model for human creativity is like an invitation to join in the creative vision God has for the world, and to embody this vision in one’s own creative work. Therefore, Creativity as Sacrifice does not merely articulate a conceptual framework for human creativity; it also casts a vision for human life as a creative response to the gracious gifts of a creative God.
The next book in the acclaimed Cormack and Woodward series, set during the Berlin Blockade of 1948, which has sometimes been described as the Cuban Missile Crisis of the 1940s, where a highly volatile situation could easily have developed into a full-blown conflict. Cormack arrives in Berlin to take over a new post as the head of a counter-intelligence unit whose job is both to detect Soviet agents and to deal with Black Market activity. He is soon re-united with his old friend Woodward, who is involved in the Airlift, and the two find themselves in the middle of an undercover operation in which an ex-Nazi assassin has been smuggled into Berlin. But who has he been sent to kill, and why? Their investigations lead them into discovering the shadowy outlines of a conspiracy whose plans, if successful, could lead to millions of deaths… and some of the conspirators seem to be their own superiors. Not knowing whom they can trust, Cormack and Woodward somehow have to prevent the assassination taking place. They do not even know who the victim is to be, nor where or when it is to happen, but the price of failure is World War Three…
When her little village is overrun by all manner of creatures, a young witch’s talents are tested: “The exuberant chaos is charming.” —Kirkus Reviews Arianwyn is a fully qualified witch now, but somehow magic doesn’t feel any easier than it did in her apprentice days. The Hex has driven all manner of supernatural creatures out of the Great Wood and into her little town—some benign, others dark, and others downright mischievous. The Spellorium has never been so busy! What’s more, the High Elder has set her a dangerous secret mission. With Gimma acting weirder than usual and her friendships crumbling under pressure, Arianwyn faces the toughest spell of her witching career. Can she really see it through alone? Praise for The Apprentice Witch “Arianwyn is a likable hero, with well-drawn struggles.” —The New York Times Book Review “One of those rare, unputdownable gems. [It] is somewhat reminiscent of J.K. Rowling’s Fantastic Beasts and Where to Find Them, and fans of magical fantasy will be enthralled with the details of this fascinating world.” —School Library Journal “Will at once open a new and imaginative world and feel like a book you have loved forever.” —Jennifer Nielsen, New York Times–bestselling author of The False Prince
From the prediction of complex weather patterns to the design of swimsuits, modeling has, over the years, quietly but steadily become an essential part of almost every field and industry-and steelmaking is no exception. Factors such as visual opacity, high operating temperature, and the relatively large size of industrial reactors often preclude di
The enhanced 5th Edition of Goodwin's series, A History of Modern Psychology, explores the modern history of psychology including the fundamental bases of psychology and psychology's advancements in the 20th century. Goodwin's 5th Edition focuses on the reduction of biographical information with an emphasis on more substantial information including ideas and concepts and on ideas/research contributions.
In the present volume, James Robinson shows how the Holiness movement contributed to the rise of Pentecostalism, with emphasis on those sectors that practiced divine healing. Although other scholars have undertaken to explore this story, Robinson's treatment is by far the most thorough examination to date. He draws productively on the burgeoning secondary literatures on Pentecostalism and healing, and brings to light frequently overlooked, yet revealing primary sources. The events narrated are fascinating in their own right, and are important to the histories of Pentecostalism and healing for how they clarify the processes by which divine healing was pursued, debated, and often disparaged. The text also contributes to larger medical and social histories, offering tantalizing glimpses of the roots of some of today's most popular and contested medical and religious responses to sickness and health.
The second of four volumes comprising a biographical dictionary of state house speakers from 1911 to 1994, this book covers speakers from Illinois, Indiana, Iowa, Kansas, Michigan, Minnesota, Missouri, Nebraska, North Dakota, Ohio, South Dakota, and Wisconsin. Entries provide basic biographical and career information on more than 1,400 speakers. The book opens with an analytical introduction and includes useful statistical appendixes. The four volumes, covering state speakers in the West, Midwest, Northeast, and South, are designed to complement Charles R. Ritter's and Jon L. Wakelyn's book American Legislative Leaders, 1850-1910 (1989).
This is one of the most important baseball books to be published in a long time, taking a comprehensive look at black participation in the national pastime from 1858 through 1900. It provides team rosters and team histories, player biographies, a list of umpires and games they officiated and information on team managers and team secretaries. Well known organizations like the Washington's Mutuals, Philadelphia Pythians, Chicago Uniques, St. Louis Black Stockings, Cuban Giants and Chicago Unions are documented, as well as lesser known teams like the Wilmington Mutuals, Newton Black Stockings, San Francisco Enterprise, Dallas Black Stockings, Galveston Flyaways, Louisville Brotherhoods and Helena Pastimes. Player biographies trace their connections between teams across the country. Essays frame the biographies, discussing the social and cultural events that shaped black baseball. Waiters and barbers formed the earliest organized clubs and developed local, regional and national circuits. Some players belonged to both white and colored clubs, and some umpires officiated colored, white and interracial matches. High schools nurtured young players and transformed them into powerhouse teams, like Cincinnati's Vigilant Base Ball Club. A special essay covers visual representations of black baseball and the artists who created them, including colored artists of color who were also baseballists.
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