Since the days of the “Psychopharm Revolution,” antidepressant medications such as SSRIs and SNRIs have been a foundation of modern psychiatric practice. Today, 40 million Americans take antidepressants, and global antidepressant prescribing is on the rise. Simultaneously, however, a gap has emerged between pharmacologic innovation and methodology. Amidst patient reports of antidepressant side effects, evidence is mounting that antidepressant discontinuation often leads to withdrawal - which can be severe. And although today’s clinicians are trained how to prescribe antidepressants, they are not trained how to safely stop them. There is currently zero field-wide consensus regarding antidepressant discontinuation best practices. In addition to a stunning ethical failure, this represents a serious void in the psychiatric model... a riddle that too many patients and clinicians are being forced to solve alone. Functional Medicine for Antidepressant Withdrawal presents a comprehensive, evidence-based paradigm for antidepressant discontinuation that prioritizes the repletion of underlying nutritional deficiencies. Bridging concept and application, it provides health professionals with clinically proven tools for mitigating antidepressant withdrawal and guiding patients successfully through taper. It also reveals a path to the standard of care that we all deserve, one illuminated by science and upheld by the mandates of ethical, conscientious, personalized medicine.
Integrative Medicine for Depression A disease that has long plagued humankind, depression is debilitating. Despite the frequency with which they’re prescribed, drugs alone don’t always provide relief, and often have side effects that limit effectiveness. There’s new hope for treatment, as emerging evidence suggests depression can be triggered by biochemical imbalances and nutritional deficiencies. In the newly updated edition of Integrative Medicine for Depression, mental health expert Dr. James M. Greenblatt emphasizes the treatment of depression using an integrative regimen that first seeks to understand the whole person. This book offers fresh new possibilities for those who suffer from depression. Incorporating decades of research and treatment in this groundbreaking work, Dr. Greenblatt explains: ■ The biologic mechanisms that cause depression ■ Why previous treatments may have failed ■ Nutritional approaches to improve mood ■ Ways to minimize the side effects of antidepressants ■ Strategies for a personalized supplement program
A deadly neurological malady characterized by progressive and irreparable shrinking of brain tissue, Alzheimer’s disease causes declines in memory, social abilities, and communication skills that accelerate aging and eventually lead to death. Conventional medicine has failed to develop treatments for this terrifying disease. No drug or proprietary medicine has been shown to be effective. In this groundbreaking book, leading integrative psychiatrist Dr. James M. Greenblatt reveals that hope has come from new research showing the answer lies with an integrative approach, of which nutrition is a key factor. The key lies in low-dose nutritional lithium, a naturally occurring mineral with a long and well-documented history of restoring brain and nervous system function at the molecular level. Integrative Medicine for Alzheimer’s presents this simple and effective approach to the prevention and treatment of dementia, delivering a wealth of scientific support for the clinical use of nutritional lithium, including: ■ Insight into the causes of Alzheimer’s disease ■ New information about nutritional lithium and its clinical use in the prevention Alzheimer’s disease ■ Research showing how antioxidants and anti-inflammatory nutrients support brain health ■ A roadmap for you and your doctor to build an integrative treatment plan to preserve healthy brain function
This book offers the first new medical treatment plan in 50 years for anorexia nervosa, the "self-starvation" disease that affects adolescents and women of all ages in the U.S. and is now increasingly common in men. Written by a leading psychiatrist and eating disorder expert, the book is based on cutting-edge research on nutritional deficiencies in anorexia that have been long ignored, and the use of a simple but revolutionary brain test that can help psychiatrists select the best medication for each individual person. James Greenblatt, MD, explains that anorexia is a complex disorder with genetic, biological, psychological, and cultural contributing factors. In other words, anorexia is not primarily a psychiatric illness as has been believed for so long; rather, it is a medical illness of starvation that causes malnutrition in the body and the brain. Successful treatment must focus on correcting this malnutrition. Dr. Greenblatt has helped many patients with anorexia recover simply by correcting their nutritional deficiencies, and here he explains specifically which nutrients must be supplemented as part of treatment. Answers to Anorexia finally offers patients and their families new hope for successful treatment of this serious, frustrating, and enigmatic illness.
Anorexia nervosa is a life-threatening disorder associated with high rates of relapse and ineffective therapeutic models. Conventional treatments overlook the biological consequences of self-starvation – consequences that impact brain function, cognition, and behavior. As mainstream medicine continues to ignore the proven relationship between nutrition and mental health, this book delivers lifesaving information. Dr. Greenblatt outlines how to correct nutrient deficiencies and decrease anxiety – the keys to lasting recovery from anorexia. Answers to Anorexia presents a model of anorexia treatment that prioritizes the correction of nutritional deficiencies. In tandem with other interventions, this model comprises an approach that is comprehensive, cogent, and successful.
Every year millions of Americans struggle to lose weight, financing a huge dieting industry that earns fifty-five billion dollars annually. Despite their efforts, two-thirds of American adults remain either obese or overweight. It’s clear that dieting doesn’t work, and failed attempts to lose weight only make the situation worse by encouraging disordered eating behavior. In Integrative Medicine for Binge Eating, respected psychiatrist and eating disorder expert Dr. James M. Greenblatt explains how appetite is controlled by the brain’s neurochemical systems. The book’s inspiring New Hope model combines the best in traditional and complementary approaches for recovery from Binge Eating Disorder and food addiction. Unlike dieting, which provides only a temporary fix, this book offers a permanent solution based on scientific research to help you reclaim a healthy relationship with food and end the vicious cycle of food addiction. The book delivers: ■ Insight into genetics and eating disorders ■ How laboratory evaluations can point the way to individualized support ■ The role of vitamins and minerals in controlling Binge Eating Disorder ■ The role of medications in controlling Binge Eating Disorder
In "The Breakthrough Depression Solution: A Personalized 9-Step Method for Beating the Physical Causes of Your Depression," Dr. James Greenblatt, a pioneer in integrative medicine and dually certified child and adult psychiatrist, lays out a proven approach to identifying and healing the physical contributors to your depression. Despite the dozens of antidepressants on the market, millions of people who seek treatment for depression fail to find ongoing relief from their symptoms. Others must go through months of medication trials before finding the prescription(s) that works best for them. In "The Breakthrough Depression Solution," Dr. Greenblatt uses what he's coined THE ZEEBrA approach to take readers beyond traditional treatment strategies toward healing. Dr. Greenblatt argues that, to treat depression, clinicians must understand the connection between mind and body and start looking at the unique biochemistry of each individual, including physical factors such as nutrition, genetics, hormones, and stress. Finding the right treatment is easier than people think and may be as simple as taking a vitamin or mineral tablet. The author discusses the latest technology and the many tests available to ensure that medications and other treatments are targeted to each individual for the best outcome possible. A chapter describing the tests that patients can ask for empowers readers to get the treatment they deserve.
Discover the ADHD solution for your child with this holistic, evidence-based, and customizable approach to alleviating unwanted symptoms without relying on medication. “A clear, effective, and science-based program that gives you all the building blocks to treat ADHD naturally and effectively.”—Daniel G. Amen, M.D., founder of Amen Clinics and New York Times bestselling author of Change Your Brain, Change Your Life ADHD is not a discipline problem. It is a medical condition with a range of possible underlying causes unique to each person. Dr. James Greenblatt has seen thousands of children and adults struggling with the symptoms of ADHD—hyperactivity, inattentiveness, impulsiveness, and often irritability and combativeness. To really heal, the ADHD child needs personalized treatment to correct the biologic imbalances that affect the brain and trigger symptoms. Rather than simply prescribing medication, Dr. Greenblatt tailors remedies to his ADHD patients’ individual needs, detecting and treating the underlying causes of the disorder. Finally Focused provides a comprehensive solution to the ADHD patient’s unique biochemical imbalances using proven natural and medical methods to easily treat problems such as nutritional deficiencies or excesses, dysbiosis (a microbial imbalance inside the body), sleeping difficulties, and food allergies—all of which surprisingly can cause or worsen the symptoms of ADHD. Dr. Greenblatt’s effective Plus-Minus Healing Plan allows parents to understand the reasons behind their child’s symptoms and provides customizable tools to eliminate them. Adults with ADHD can do the same. And if conventional medication is still necessary, this integrative approach will minimize or even eliminate troublesome side effects. With Dr. Greenblatt’s expert advice, millions of children and adults with ADHD will finally get the help they need to achieve true wellness.
A world history textbook chronicling the rise of Western and Eastern civilizations. Includes photos, art, illustrated charts, vocabulary exercises, and review questions.
Renaissance Literature and Linguistic Creativity interrogates notions of linguistic creativity as presented in English literary texts of the late sixteenth century. It considers the reflections of Renaissance English writers upon the problem of how linguistic meaning is created in their work. The book achieves this consideration by placing its Renaissance authors in the context of the dominant conceptualisation of the thought-language relationship in the Western tradition: namely, that of 'introspection'. In taking this route, author James Harmer undertakes to provide a comprehensive overview of the notion of 'introspection' from classical times to the Renaissance, and demonstrates how complex and even strange this notion is often seen to be by thinkers and writers. Harmer also shows how poetry and literary discourse in general stands at the centre of the conceptual consideration of what linguistic thinking is. He then argues, through a range of close readings of Renaissance texts, that writers of the Shakespearean period increase the fragility of the notion of 'introspection' in such a way as to make the prospect of any systematic theory of meaning seem extremely remote. Embracing and exploring the possibility that thinking about meaning can only occur in the context of extreme cognitive and psychological limitation, these texts emerge as proponents of a human mind which is remarkably free in its linguistic nature; an irresistible mode of life unto itself. The final argumentative stratum of the book explores the implications of this approach for understanding the relationship between literary criticism, philosophy, and other kinds of critical activity. Texts discussed at length include Edmund Spenser's The Faerie Queene and shorter poetry, George Chapman's Ovids Banquet of Sence, Shakespeare's Titus Andronicus and Hamlet, and John Donne's Elegies.
When a single mom and aspiring actress ends up on an important jury, she must team up with an FBI agent to hunt down a vicious and powerful mob boss. Andie DeGrasse is not your typical juror. Hoping to get dismissed from the pool, she tells the judge that most of her legal knowledge comes from a bit part curling around a stripper's pole in The Sopranos. But she still ends up as juror #11 in a landmark trial against a notorious mob boss. The case quickly becomes the new Trial of the Century. Mafia don Dominic Cavello, known as the Electrician, is linked to hundreds of gruesome, unspeakable crimes. Senior FBI agent Nick Pellisante has been tracking him for years. He knows Cavello's power reaches far beyond the courtroom, but the FBI's evidence against the ruthless killer is iron-clad. Conviction is a sure thing. As the jury is about to reach a verdict, the Electrician makes one devastating move that no one could have predicted. The entire nation is reeling, and Andie's world is shattered. For her, the hunt for the Electrician becomes personal, and she and Pellisante come together in an unbreakable bond: they will exact justice . . . at any cost. James Patterson spins an all-out heart-pounding legal thriller that pits two people against the most vicious and powerful mobster since John Gotti. Judge & Jury is a stunning feat by "one of America's most influential authors" (New York Times).
Shipwrecked: Disaster and Transformation in Homer, Shakespeare, Defoe, and the Modern World presents the first comparative study of notable literary shipwrecks from the past four thousand years, focusing on Homer’s Odyssey, Shakespeare’s The Tempest, and Defoe’s Robinson Crusoe. James V. Morrison considers the historical context as well as the “triggers” (such as the 1609 Bermuda shipwreck) that inspired some of these works, and modern responses such as novels (Golding’s Lord of the Flies, Coetzee’s Foe, and Gordon’s First on Mars, a science fiction version of the Crusoe story), movies, television (Forbidden Planet, Cast Away, and Lost), and the poetry and plays of Caribbean poets Derek Walcott and Aimé Césaire. The recurrent treatment of shipwrecks in the creative arts demonstrates an enduring fascination with this archetypal scene: a shipwreck survivor confronting the elements. It is remarkable, for example, that the characters in the 2004 television show Lost share so many features with those from Homer’s Odyssey and Shakespeare’s The Tempest. For survivors who are stranded on an island for some period of time, shipwrecks often present the possibility of a change in political and social status—as well as romance and even paradise. In each of the major shipwreck narratives examined, the poet or novelist links the castaways’ arrival on a new shore with the possibility of a new sort of life. Readers will come to appreciate the shift in attitude toward the opportunities offered by shipwreck: older texts such as the Odyssey reveals a trajectory of returning to the previous order. In spite of enticing new temptations, Odysseus—and some of the survivors in The Tempest—revert to their previous lives, rejecting what many might consider paradise. Odysseus is reestablished as king; Prospero travels back to Milan. In such situations, we may more properly speak of potential transformations. In contrast, many recent shipwreck narratives instead embrace the possibility of a new sort of existence. That even now the shipwreck theme continues to be treated, in multiple media, testifies to its long-lasting appeal to a very wide audience.
In the field of adaptation studies today, the idea of reading an adapted text as "faithful" or "unfaithful" to its original source strikes many scholars as too simplistic, too conservative, and too moralizing. In Uncanny Fidelity: Recognizing Shakespeare in Twenty-First Century Film and Television, James Newlin broadens the scope of fidelity beyond its familiar concerns of plot and language. Drawing upon Sigmund Freud's model of the Uncanny-the sudden sensation of peculiar, discomforting familiarity-this book focuses on films and series that do not selfidentify as adaptations of Shakespeare, but which invoke lost, even troubling aspects of the original. In doing so, Newlin demonstrates how the study of Shakespeare's afterlife can clarify both the historical context of his drama and its relevance for the current political moment. Modeling his new approach to the critical category of fidelity, Newlin closely examines four twentieth-century films and tv series next to their Shakespearean counterparts within the contexts of their casting, genre, and reception. When a director of an unconventional version of The Tempest, for example, chooses to cast a white man as either Caliban or Miranda, they seemingly depart from Shakespeare's original text. Yet with these casting decisions, Newlin argues that The Master (2012) and Brigsby Bear (2017) eerily recall the realities of the early modern theater. The Master unexpectedly depicts something like the mythic "wild man" figure that informed The Tempest's early-colonial context, while Brigsby Bear invokes the exploitative, abusive treatment of boy-actors cast in female roles on the renaissance stage. Similarly, by not explicitly identifying as an adaptation of Othello, the cult comedy series Vice Principals (2016-17) frees itself to more faithfully capture the play's early modern comic context - while also illuminating the parallels between racist discourse in Shakespeare's age and our own. By reading these works as uncannily faithful adaptations, Newlin articulates something like the original response of Shakespeare's audience. Finally, Newlin demonstrates how a filmed adaptation might itself intervene in Shakespeare's critical reception. As a version of The Winter's Tale that ends tragically, the celebrated film Manchester By The Sea (2016) effectively rebuts Stanley Cavell's celebrated reading of Shakespeare's romance. Recognizing the parallels between Manchester By The Sea and The Winter's Tale, Newlin argues that Shakespeare views grief and guilt as forms of certainty - in contradistinction to Cavell's reading of the play as a portrait of skepticism. The first extended treatment of adaptation as a form of uncanny return, Uncanny Fidelity offers students and scholars of Shakespeare in film, adaptation studies, film studies, and psychoanalytic theory a critical framework to further engage the matter of personal response with deeper theoretical rigor. In redefining what constitutes adaptation, Newlin demonstrates how the study of Shakespeare's afterlife can radically challenge our own conception of what we consider to be authentically Shakespearean"--
“For those for whom conservatism means something more than anti-liberalism . . . who wish to dive deep into the conservative tradition in search of pearls” (The American Conservative). Ours is an age full of desires but impoverished in its understanding of where those desires lead—an age that asserts mastery over the world but also claims to find the world as a whole absurd or unintelligible. In The Vision of the Soul, James Matthew Wilson seeks to conserve the great insights of the western tradition by giving us a new account of them responsive to modern discontents. The western- or Christian Platonist–tradition, he argues, tells us that man is an intellectual animal, born to pursue the good, to know the true, and to contemplate all things in beauty. By turns a study in fundamental ontology, aesthetics, and political philosophy, Wilson’s book invites its readers to a renewal of the West’s intellectual tradition. “Conservatism needs a new prophet. James Matthew Wilson is the man for the job, and The Vision of the Soul is his calling card . . . A new classic. For it we give thanks to God, and to Plato.” —Covenant “James Wilson’s important book returns to a conservatism in the tradition of Burke, Eliot, and Russell Kirk. . . . He wants us to focus on beauty and its place in Western culture. The book is a strong defense of that culture, but not an unthinking one.” —Crisis Magazine “A stirring and timely account and defense of the West’s traditional way of understanding the universe and our place in it.” —Matthew M. Robare, The Kirk Center
How did the English Reformation, with its illiberal, intolerant beginnings, lay the groundwork for the Enlightenment—free will, liberty of conscience, religious toleration, constitutionalism, and all the rest? In his provocative rewriting of the history of liberalism, James Simpson uncovers its unexpected debt to Protestant evangelicalism.
Ranging from the extraordinary burst of English literary writing under the reign of Richard II to the literature of the Reformation, this title challenges traditional assumptions and argues that the stylistic diversity enjoyed by late medieval writers was curtailed by the authoritarian practice of the 16th-century cultural revolution.
Shedding fresh light on Wordsworth's contested relationship with an England that changed dramatically over the course of his career, James Garrett places the poet's lifelong attempt to control his literary representation within the context of national ideas of self-determination represented by the national census, national survey, and national museum. Garrett provides historical background on the origins of these three institutions, which were initiated in Britain near the turn of the nineteenth century, and shows how their development converged with Wordsworth's own as a writer. The result is a new narrative for Wordsworth studies that re-integrates the early, middle, and late periods of the poet's career. Detailed critical discussions of Wordsworth's poetry, including works that are not typically accorded significant attention, force us to reconsider the usual view of Wordsworth as a fading middle-aged poet withdrawing into the hills. Rather, Wordsworth's ceaseless reworking of earlier poems and the flurry of new publications between 1814 and 1820 reveal Wordsworth as an engaged public figure attempting to 'write the nation' and position himself as the nation's poet.
Individual chapters deal with cultural materialism, new historicism, poststructuralism, and feminist criticism. The theoretical basis of each critical mode is examined and some representative critiques analyzed. Most importantly, in each chapter the various interpretations are tested against Shakespeare's texts, and the strengths and weaknesses of the different readings are assessed.
The emphasis on practical experience over ideology is viewed by many historians as a profoundly American characteristic, one that provides a model for exploring the colonial challenge to European belief systems and the creation of a unique culture. Here Jim Egan offers an unprecedented look at how early modern American writers helped make this notion of experience so powerful that we now take it as a given rather than as the product of hard-fought rhetorical battles waged over ways of imagining one's relationship to a larger social community. In order to show how our modern notion of experience emerges from a historical change that experience itself could not have brought about, he turns to works by seventeenth-century writers in New England and reveals the ways in which they authorized experience, ultimately producing a rhetoric distinctive to the colonies and supportive of colonialism. Writers such as John Smith, William Wood, John Winthrop, Anne Bradstreet, Benjamin Tompson, and William Hubbard were sensitive to the challenge experiential authority posed to established social hierarchies. Egan argues that they used experience to authorize a supplementary status system that would at once enhance England's economic, political, and spiritual status and provide a new basis for regulating English and native populations. These writers were assuaging fears over how exposure to alien environments threatened actual English bodies and also the imaginary body that authorized English monarchy and allowed English subjects to think of themselves as a nation. By reimagining the English nation, these supporters of English colonialism helped create a modern way of imagining national identity and individual subject formation.
Methods and Evaluation in Clinical and Counseling Psychology discusses the many-sided problems that psychology faces, as well as contributions psychology can make in many areas of human concern. This book reviews methods, tests, and therapeutic techniques that represent psychology. The future role of psychology as a profession is also elaborated. Other topics covered include measurement of individual differences; impressionistic-projective approaches; culture-minimized intelligence tests; and Rorschach test and emotional growth. The behavioral disorders; Kahn test of symbol arrangement; forensic psychiatry; and determining cerebral dominance are likewise deliberated. This text also considers the cognitive approaches; hominological therapy; theories of vocational guidance; and clinical psychology and law. This publication is beneficial to practicing psychologists and other professions that deal with human welfare—social workers, correctional workers, and those who are employed in the various specialties of medicine, law, ministry, and education.
Studies of the republican legacy have proliferated in recent years, always to argue for a polity that cultivates the virtues, protections, and entitlements which foster the self's ability to simulate an invulnerable existence. James Kuzner's original new study of writing by Spenser, Shakespeare, Marvell and Milton is the first to present a genealogy for the modern self in which its republican origins can be understood far more radically. In doing so, the study is also the first to draw radical and republican thought into sustained conversation, and to locate a republic for which vulnerability is, unexpectedly, as much what community has to offer as it is what community guards against. At a time when the drive to safeguard citizens has gathered enough momentum to justify almost any state action, Open Subjects questions whether vulnerability is the evil we so often believe it to be.
In this meticulously researched, award-winning book, James Holstun details seventeenth-century England's first capitalist revolution, and its first anti-capitalist revolutions, in a stirring project of Marxist history from below.
Topics include: Cocaine intoxication, Carbon monoxide poisoning, Update on miscellaneous drug overdoses, T oxidromes, Cardiac glycoside toxicity, Acetaminophen overdose, Envenomations, Methanol and ethylene glycol ingestion, and Toxicologic causes of ketoacidosis.
This book offers a theoretical rationale for the emerging presentist movement in Shakespeare studies and goes on to show, in a series of close readings, that a presentist Shakespeare is not an anachronism. Relying on a Brechtian aesthetic of "naïve surrealism" as the performative model of the early modern, urban, public theater, James O’Rourke demonstrates how this Brechtian model is able to capture the full range of interplays that could take place between Shakespeare’s words, the nonillusionist performance devices of the early modern stage, and the live audiences that shared the physical space of the theatre with Shakespeare’s actors. O’Rourke argues that the limitations placed upon the critical energies of early modern drama by the influential new historicist paradigm of contained subversion is based on a poetics of the sublime, which misrepresents the performative aesthetic of the theater as a self-sufficient spectacle that compels reception in its own terms. Reimagining Shakespeare as our contemporary, O’Rourke shows how the immanent critical logic of Shakespeare’s works can enter into dialogue with our most sophisticated critiques of our cultural fictions.
The entire town is disguised," declared a French tourist of eighteenth-century Venice. And, indeed, maskers of all ranks—nobles, clergy, imposters, seducers, con men—could be found mixing at every level of Venetian society. Even a pious nun donned a mask and male attire for her liaison with the libertine Casanova. In Venice Incognito, James H. Johnson offers a spirited analysis of masking in this carnival-loving city. He draws on a wealth of material to explore the world view of maskers, both during and outside of carnival, and reconstructs their logic: covering the face in public was a uniquely Venetian response to one of the most rigid class hierarchies in European history. This vivid account goes beyond common views that masking was about forgetting the past and minding the muse of pleasure to offer fresh insight into the historical construction of identity.
Shakespeare as a Way of Life shows how reading Shakespeare helps us to live with epistemological weakness and even to practice this weakness, to make it a way of life. In a series of close readings, Kuzner shows how Hamlet, Lucrece, Othello, The Winter’s Tale, The Tempest, and Timon of Athens, impel us to grapple with basic uncertainties: how we can be free, whether the world is abundant, whether we have met the demands of love and social life. To Kuzner, Shakespeare’s skepticism doesn’t have the enabling potential of Keats’s heroic “negativity capability,” but neither is that skepticism the corrosive disease that necessarily issues in tragedy. While sensitive to both possibilities, Kuzner offers a way to keep negative capability negative while making skepticism livable. Rather than light the way to empowered, liberal subjectivity, Shakespeare’s works demand lasting disorientation, demand that we practice the impractical so as to reshape the frames by which we view and negotiate the world. The act of reading Shakespeare cannot yield the practical value that cognitive scientists and literary critics attribute to it. His work neither clarifies our sense of ourselves, of others, or of the world; nor heartens us about the human capacity for insight and invention; nor sharpens our ability to appreciate and adjudicate complex problems of ethics and politics. Shakespeare’s plays, rather, yield cognitive discomforts, and it is just these discomforts that make them worthwhile.
Copyright is by no means the only device for asserting ownership of a work. Some writers, including playwrights in the early modern period, did not even view print copyright as the most important of their authorial rights. A rich vein of recent scholarship has examined the interaction between royal monopolies, which have been identified with later notions of intrinsic authorial ownership, and the internal copy registration practices of the English book trades. Yet this dialogue was but one part of a still more complicated conversation in early modern England, James J. Marino argues; other customs and other sets of professional demands were at least as important, most strikingly in the exercise of the performance rights of plays. In Owning William Shakespeare James Marino explores the actors' system of intellectual property as something fundamentally different from the property regimes exercised by the London printers or the royal monopolists. Focusing on Hamlet, The Taming of the Shrew, King Lear, and other works, he demonstrates how Shakespeare's acting company asserted ownership of its plays through intense rewriting combined with progressively insistent attribution to Shakespeare. The familiar versions of these plays were created through ongoing revision in the theater, a process that did not necessarily begin with Shakespeare's original manuscript or end when he died. An ascription by the company of any play to "Shakespeare" did not imply that it was following a fixed, authorial text; rather, Marino writes, it indicates an attempt to maintain exclusive control over a set of open-ended, theatrically revised scripts. Combining theater history, textual studies, and literary theory, Owning William Shakespeare rethinks both the way Shakespeare's plays were created and the way they came to be known as his. It overturns a century of scholarship aimed at re-creating the playwright's lost manuscripts, focusing instead on the way the plays continued to live and grow onstage.
The doctrine of materialism is one of the most controversial in the history of ideas. For much of its history it has been aligned with toleration and enlightened thinking, but it has also aroused strong, often violent, passions amongst both its opponents and proponents. This book explores the development of materialism in an engaging and thought-provoking way and defends the form it takes in the twenty-first century. Opening with an account of the ideas of some of the most important thinkers in the materialist tradition, including Epicurus, Lucretius, Hobbes, Hume, Darwin and Marx, the authors discuss materialism’s origins, as an early form of naturalistic explanation and as an intellectual outlook about life and the world in general. They explain how materialism’s beginnings as an imaginative vision of the true nature of things faced a major challenge from the physics it did so much to facilitate, which now portrays the microscopic world in a way incompatible with traditional materialism. Brown and Ladyman explain how out of this challenge materialism developed into the new doctrine of physicalism. Drawing on a wide range of colourful examples, the authors argue that although materialism does not have all the answers, its humanism and commitment to naturalistic explanation and the scientific method is our best philosophical hope in the ideological maelstrom of the modern world.
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