This text provides a timely contribution to current debates about 21st century security challenges and draws on a range of contemporary world events to illustrate its arguments.
This book examines how image affects war and whether image affects our understanding of war. Crucially, how can moving-image representation of conflict affect the legitimacy, conduct and outcome of contemporary warfare? The collapsing Twin Towers of September 11; the hooded figure at the Abu Ghraib prison in Iraq; the images of beheadings on the internet; the emaciated figure in a Bosnian-Serb concentration camp; the dancing flashes across the skylines of Baghdad as US-led air bombardment deals blows to another ‘rogue’ regime: such images define contemporary conflict. Drawing on a wide range of examples from fiction and factual film, current affairs and television news, as well as new digital media, this book introduces the notion of moving images as the key weapons in contemporary armed conflict. The authors make use of information about the US, the UK, the ‘War on Terror’, the former Yugoslavia, former Soviet states, the Middle East and Africa. War, Image and Legitimacy will be of great interest to students of war and security studies, media and communication studies, and international relations in general.
This book examines how the war crime legacy resulting from the Yugoslav war of the 1990s on political and military transformation in Serbia was an impediment to security reform, democratization and the achievement of Western standards in the Belgrade armed forces.
Analysts, policymakers, scholars, and general readers need to understand the world's response to Yugoslavia's bloody collapse to build effective policies and prevent future wars in the Balkans. At a time when the failure of cooperation among Western powers shatters faith in the UN, NATO, and the EC to deal with such crises, this book's accessible, balanced perspective provides essential guidance.
THE STORY: A black war hero returns to his hometown in the South and is welcomed by the white family in which he was employed. All would have gone well if it were not that one of the women of the family has fallen deeply in love with him. On this f
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.