This collection, marking the author's seventy-fifth birthday, contains Ask Me Tomorrow, selections from six of his major novels, three short stories, and several essays
Literary legend James A. Michener was “a Renaissance man, adventurous, inquisitive, unpretentious and unassuming, with an encyclopedic mind and a generous heart” (The New York Times Book Review). In this exceptional memoir, the man himself tells the story of his remarkable life and describes the people, events, and ideas that shaped it. Moving backward and forward across time, he writes about the many strands of his experience: his passion for travel; his lifelong infatuation with literature, music, and painting; his adventures in politics; and the hard work, headaches, and rewards of the writing life. Here at last is the real James Michener: plainspoken, wise, and enormously sympathetic, a man who could truly say, “The world is my home.” BONUS: This edition includes an excerpt from James A. Michener's Hawaii. Praise for The World Is My Home “Michener’s own life makes one of his most engaging tales—a classic American success story.”—Entertainment Weekly “The Michener saga is as full of twists as any of his monumental works. . . . His output, his political interests, his patriotic service, his diligence, and the breadth of his readership are matched only by the great nineteenth-century writers whose works he devoured as he grew up—Dickens, Balzac, Mark Twain.”—Chicago Tribune “There are splendid yarns about [Michener’s] wartime doings in the South Pacific. There are hilarious cautionary tales about his service on government commissions. There are wonderful inside stories from the publishing business. And always there is Michener himself—analyzing his own character, assessing himself as a writer, chronicling his intellectual life, giving advice to young writers.”—The Plain Dealer “A sweepingly interesting life . . . Whether he’s having an epiphany over a campout in New Guinea with head-hunting cannibals or getting politically charged by the melodrama of great opera, James A. Michener’s world is a place and a time worth reading about.”—The Christian Science Monitor
James Dickey's creativity as a poet is well known. But there have been few opportunities for his readers to become familiar with the full dimensions of his mind, with the thoughts and perceptions that lie just outside the matter of his poetry. Sorties brings together the contents of a journal kept by Dickey for several years and six discerning essays on poetry and the creative process. The journal follows Dickey's mind as it alights on a wide array of topics, ranging from the work of his colleagues to the plotting of a new novel, from the onset of old age to pride over accomplishments in archery and guitar playing. Dickey can be blunt in his opinions, as when he states that "a second-rate writer like Norman Mailer will sit around wondering what on earth it is that Hemingway had that Mailer might possibly be able to get." But the journal also reveals a great capacity for sympathy, as when Dickey tells of his father's long illness, and a revealing candor--"I am Lewis," he writes of his novel Deliverance, "every word is true." The journal is at its most revealing, however, when Dickey discusses the craft of poetry. "It is good for a poet to remember," he writes, "that the human mind, though in some ways very complicated, is in some others very simple." This awareness that poetry must understand the simplicities of human existence is a recurring concern for Dickey, and he writes with disdain of the "brilliant things" that too often clog poetry, the stale self-absorption that warps the perceptions of many poets. In the essays that make up the second part of the book, Dickey also focuses on poetry, exploring the relation of the poet to his works, the promise of a younger generation of poets, and the place of Theodore Roethke as the greatest American poet. Wide-ranging and acute, Sorties opens up for the reader the discriminating mind that lies behind some of the most accomplished and memorable poetry written in America in this century.
With essays taking the reader from London to Bali, theatre to library and from election campaigns to television, The Meaning of Recognition collects the best of Clive James on art, culture and politics from 2001–2005. Whether analysing Bing Crosby, Bruno Schulz or Shakespeare, celebrating The Sopranos and The West Wing, or lamenting the decline of Formula One, Clive James writes with style and substance, offering food for thought across a huge variety of subjects. On Pushkin, Philip Roth, or the nature of celebrity, he is always sane, engaged and unmistakably himself. This collection shows Clive at his witty, learned and heartfelt best. ‘Clive James, the most glorious prose stylist of his generation, refuses to stop learning ever more about the world’ — New Statesman '[Clive] can both get to the heart of a subject and raise a laugh' – Sunday Times Clive James (1939–2019) was a broadcaster, critic, poet, memoirist and novelist. His much-loved, influential and hilarious television criticism is available both in individual volumes and collected in Clive James On Television. His encyclopaedic study of culture and politics in the twentieth century, Cultural Amnesia, remains perhaps the definitive embodiment of his wide-ranging talents as a critic. Praise for Clive James: 'The perfect critic' – A.O. Scott, New York Times 'There can't be many writers of my generation who haven't been heavily influenced by Clive James' – Charlie Brooker 'A wonderfully witty and intelligent writer' – Verity Lambert
This book offers a history of literary criticism from Plato to the present, arguing that this history can best be seen as a dialogue among three traditions - the Platonic, Neoplatonic, and the humanistic, originated by Aristotle. There are many histories of literary criticism, but this is the first to clarify our understanding of the many seemingly incommensurable approaches employed over the centuries by reference to the three traditions. Making its case by careful analyses of individual critics, the book argues for the relevance of the humanistic tradition in the twenty-first century and beyond.
James Freedman, the fifteenth president of Dartmouth College, began life in a struggling middle-class Jewish family in a provincial industrial New Hampshire town. By the time of his death from cancer in March 2006, he was one of the most celebrated educational leaders of his generation, perhaps of the twentieth century. Finding the Words is Freedman's account of the first twenty-seven years of this astonishing trajectory in a life made difficult by depression, but sustained throughout by a love of books and learning, a life that would transform the culture of American higher education. His mother's fierce and bruising ambition instilled in him an overwhelming drive to leave his mark upon the world. His father, a revered high-school English teacher who was timid outside the classroom, introduced him to the rich world of literature--and also passed on to him his doubts and insecurities. Freedman retraces his intellectual formation as a student, educator, scholar, and leader, from his early?obsession with book collecting through his undergraduate years at Harvard and his professional training at Yale Law School. This same passion for language and ideas defined Freedman's leadership at Dartmouth, where he deftly countered lingering anti-Semitism, fought entrenched interests to open the way for women and minorities, reformed and revitalized the curriculum, and boldly reconceived the school's campus. This moving and inspiring book vividly depicts the formative years of a man nourished by lifelong learning, whose rise from humble beginnings to heights of achievement will serve as a model for generations to come.
With refreshing eloquence, James O. Freedman sets down the American ideals that have informed his life as an intellectual, a law professor, and a college and university president. He examines the content and character of liberal education, discusses the importance of letters and learning in forming his own life and values, and explores how the lessons and the habits of mind instilled by a liberal education can give direction and meaning to one's life. He offers a stirring defense of affirmative action in higher education. And he describes how, in the midst of undergoing chemotherapy for cancer, liberal education helped him in that most human of desires--the yearning to make order and sense out of his experience. Part intellectual biography and part examination of the world of higher education, Idealism and Liberal Education is a quintessentially American book, animated by a confidence that reason, knowledge, idealism, and the better angels of our natures will further human progress. Freedman offers, as models for shaping one's life, profiles of some of his heroes--Thurgood Marshall, Alexander M. Bickel, Václav Havel, Louis D. Brandeis, Felix Frankfurter, Hugo L. Black, Flannery O'Connor, Eudora Welty, George Orwell, Edmund Wilson, Martin Luther King, Jr., George F. Kennan, Ralph J. Bunche, and Harry S Truman. This volume speaks to all Americans who are drawn to the power of liberal education and democratic citizenship and who yearn for the inspiration to lead thoughtful, committed lives. "This thought-provoking book should be required reading for young people entering college and for the people who advise them. Freedman explores the purpose and importance of a liberal education in shaping values, character, and imagination and convincingly argues for the need for the wisdom and perspective it provides, whatever one's chosen field."--Marian Wright Edelman, President, Children's Defense Fund "In this wide-ranging series of essays, Freedman reveals himself again as one of America's most erudite, articulate, and reflective university presidents. Students, parents, fellow presidents, and all who love learning will find something in these pages to ponder with profit."--Derek Bok, Former President, Harvard University Idealism and Liberal Education is an inspiring intellectual diary of James O. Freedman. . . . It is a forceful affirmation of liberal education as a social and cultural force in shaping the minds and characters of our youth as future citizens and leaders of our democracy. It is a tribute to the joy of learning."--Vartan Gregorian, President, Brown University "Beautifully written and a pleasure to read. At a time when the idea of the liberal university is under attack from all sides, Freedman has given a wondrous personal reaffirmation of its place in our lives."--David Halberstam James O. Freedman is President of Dartmouth College.
A rousing and meticulously researched account of the notorious Battle of Little Big Horn and its unforgettable cast of characters from Sitting Bull to Custer himself. In June of 1876, on a desolate hill above a winding river called "the Little Bighorn," George Armstrong Custer and all 210 men under his direct command were annihilated by almost 2,000 Sioux and Cheyenne. The news of this devastating loss caused a public uproar, and those in positions of power promptly began to point fingers in order to avoid responsibility. Custer, who was conveniently dead, took the brunt of the blame. The truth, however, was far more complex. A Terrible Glory is the first book to relate the entire story of this endlessly fascinating battle, and the first to call upon all the significant research and findings of the past twenty-five years -- which have changed significantly how this controversial event is perceived. Furthermore, it is the first book to bring to light the details of the U.S. Army cover-up -- and unravel one of the greatest mysteries in U.S. military history. Scrupulously researched, A Teribble Glory will stand as a landmark work. Brimming with authentic detail and an unforgettable cast of characters -- from Sitting Bull and Crazy Horse to Ulysses Grant and Custer himself -- this is history with the sweep of a great novel.
The public and private lives of writer James A. Michener come together in an incisive portrait that examines Michener's body of writing in its biographical and cultural contexts and establishes his place in twentieth-century letters.
Although the notebooks identify the influence of writers such as George Barker, Hart Crane, and Dylan Thomas, they primarily present a man endeavoring to chart his own artistic course or destination.
The biographer--so often in the shadows, kibbitzing, casting doubt, proving facts--here comes to the stage. James Atlas takes us back to his childhood in suburban Chicago, where he fell in love with literature and, early on, found in himself the impulse to study writers' lives. We meet Richard Ellmann, the great biographer of James Joyce and Atlas's professor during a transformative year at Oxford. We get to know the author's first subject, the 'self-doomed' poet Delmore Schwartz; a bygone cast of intellectuals such as Edmund Wilson and Dwight Macdonald (the 'tall trees,' as Mary McCarthy described them, cut down now, Atlas writes, by the 'merciless pruning of mortality'); and, of course, the elusive Bellow
In conversations that took place between 1980 and October 1997, just days before his death, Michener met with Lawrence Grobel. Over the years their meetings at Michener's homes in Florida, Maine, and Texas, as well as in New York and Los Angeles, turned their acquaintance into a friendship."--BOOK JACKET. "The product of these revealing discussions is Talking with Michener, the first full-length book of in-depth interviews with the famed writer."--BOOK JACKET. "Here Michener explores such topics as sex, love, pornography, politics, abortion, AIDS, plagiarism, sports, the current state of publishing, and the status of the artist in society. To Grobel he reveals many personal milestones and struggles - his dialysis; the death of his wife Mari; his service in the war; his travels to Antarctica and to Pearl Harbor on the 50th anniversary of the bombing; and his philanthropy totaling $120 million."--BOOK JACKET.
From the earliest records of human civilization until the dawn of the twentieth century, and in widely separated cultures throughout the world, the story of honor was inseparable from the story of mankind. Today, an acquaintance with the concept of honor is indispensable to understanding the culture of the Islamic world and its sense of grievance against the West, where honor has been disregarded or actively despised for three-quarters of a century." "James Bowman draws from an wealth of sources across many centuries to illuminate honor's curious history in our own culture, and he discovers that Western honor was always different from that found elsewhere. Its idiosyncratic qualities derived partly from the classical tradition but mainly from the Judeo-Christian heritage, whose emphases on individual morality and, more recently, on sincerity and authenticity in private and personal life have acted as continual challenges to the traditional notion of honor as it is still maintained in other parts of the world. These challenges to honor and the accommodations with it that they ultimately produced are a fundamental theme in our own culture's distinctive history; and the eventual collapse of the honor culture in the West is the background against which the War on Terror and the Clash of Civilizations ought to be seen."--Jacket.
This comprehensive volume provides a wealth of information with annotated listings of more than 3,500 titles--a broad sampling of books on the war years 1939-1945. Includes both fiction and nonfiction works about all aspects of the war. Professional resources for educators aligned to the educational standards for social studies; technical references; periodicals and electronic resources; a directory of WWII museums, memorials, and other institutions; and topics for exploration complement this excellent library and classroom resource.
This book examines literary authorship in the twentieth century and covers such topics as publishing, book distribution, the trade editor, the literary agent, the magazine market, subsidiary rights, and the blockbuster mentality.
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