Although Frederick Douglass is best known for the first volume of his autobiography, there has never before been a collection of his inspiring speeches and editorials. Noted historian Milton Meltzer has gathered together a unique selection of Douglass's eloquent and impassioned speeches and writings against slavery and other moral injustices.
The "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
The "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
In this magnificent and encyclopedic overview, James T. Kloppenberg presents the history of democracy from the perspective of those who struggled to envision and achieve it. The story of democracy remains one without an ending, a dynamic of progress and regress that continues to our own day. In the classical age "democracy" was seen as the failure rather than the ideal of good governance. Democracies were deemed chaotic and bloody, indicative of rule by the rabble rather than by enlightened minds. Beginning in the 16th and 17th centuries, however, first in Europe and then in England's North American colonies, the reputation of democracy began to rise, resulting in changes that were sometimes revolutionary and dramatic, sometimes gradual and incremental. Kloppenberg offers a fresh look at how concepts and institutions of representative government developed and how understandings of self-rule changed over time on both sides of the Atlantic. Notions about what constituted true democracy preoccupied many of the most influential thinkers of the Western world, from Montaigne and Roger Williams to Milton and John Locke; from Rousseau and Jefferson to Wollstonecraft and Madison; and from de Tocqueville and J. S. Mill to Lincoln and Frederick Douglass. Over three centuries, explosive ideas and practices of democracy sparked revolutions--English, American, and French--that again and again culminated in civil wars, disastrous failures of democracy that impeded further progress. Comprehensive, provocative, and authoritative, Toward Democracy traces self-government through three pivotal centuries. The product of twenty years of research and reflection, this momentous work reveals how nations have repeatedly fallen short in their attempts to construct democratic societies based on the principles of autonomy, equality, deliberation, and reciprocity that they have claimed to prize. Underlying this exploration lies Kloppenberg's compelling conviction that democracy was and remains an ethical ideal rather than merely a set of institutions, a goal toward which we continue to struggle.
The "Critical Review" reflects the political, scientific and literary debate of the times. The journal was edited for its first seven years by Tobias Smollett and reflected the slashing, combative style and intellectual range of its editor. This 16-volume set reproduces this journal.
William Cobbett (1763-1835) was a prolific writer, best known as the anti-Radical founder of Cobbett's "Political Register" which ran from 1802-35. This collection of his writings presents the texts fully reset and annotated with biographical and analytical introductions. Volume 6: Peasant Politics 1828 -1835.
Spoken words come alive in written verse. In Sounding Imperial, James Mulholland offers a new assessment of the origins, evolution, and importance of poetic voice in the eighteenth and early nineteenth centuries. By examining a series of literary experiments in which authors imitated oral voices and impersonated foreign speakers, Mulholland uncovers an innovative global aesthetics of poetic voice that arose as authors invented new ways of crafting textual voices and appealing to readers. As poets drew on cultural forms from around Great Britain and across the globe, impersonating “primitive” speakers and reviving ancient oral performances (or fictionalizing them in verse), they invigorated English poetry. Mulholland situates these experiments with oral voices and foreign speakers within the wider context of British nationalism at home and colonial expansion overseas. Sounding Imperial traces this global aesthetic by reading texts from canonical authors like Thomas Gray, James Macpherson, and Felicia Hemans together with lesser-known writers, like Welsh antiquarians, Anglo-Indian poets of colonialism, and impersonators of Pacific islanders. The frenetic borrowing, movement, and adaptation of verse of this time offers a powerful analytic by which scholars can understand anew poetry’s role in the formation of national culture and the exercise of colonial power. Sounding Imperial offers a more nuanced sense of poetry’s unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.
This monthly publication introduced coverage of foreign affairs, paintings and engravings. It defended public taste and morality, challenged abuses in writing and pretentiousness in publishing. This is a collection of The Critical Review published between 1756 and 1763.
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