Originally published in 1951 and co-written by screenwriter Lowell S. Hawley, this is the autobiography of American psychiatrist, Dr. James T. Fisher. It is the story of Dr. Fisher’s life and of his experiences, and seeks to portray his philosophy. “I am, I believe, one of the few laymen who has ever sat quietly taking notes and asking questions, while the psychiatrist lay on the couch giving voice to his thoughts at random.”—Lowell S. Hawley (Foreword) “As readable as a primer and as interesting as a Kinsey Report.”—Memphis Commercial Appeal “This warmly human and humorous autobiography offers an easy, delightful and intelligent introduction to psychiatry, from the practicing psychiatrist’s point of view...a most engrossing book.”—Cincinnati Times “It is unlikely that laymen could find anywhere else such lively and enlightening explanations of schizophrenia, manic-depression, paranoia, the significant of Freud, the technique of analysis, the uses of hypnotism and the meaning of dreams....And all these matters are expounded with colloquial informality, with salty humor and with interest and highly condensed case histories.”—Orville Prescott, New York Times
Wallerstein, M.D., Emeritus Professor and former Chair, Department of Psychiatry, University of California, San Francisco School of Medicine.?These sparkling personal essays on Bettelheim, a pathbreaker of modern ego psychology, who has been savagely attacked and deprecated since his death seventeen years ago, restore the man and his work in historical, clinical, and human context for the contemporary clinician and informed reader. Fisher has done a splendid job of bringing this complex, fascinating figure to life.?Peter J. Loewenberg, Ph.D., Professor of History and Political Psychology, University of California at Los Angeles, former Director of Education, New Center for Psychoanalysis in Los Angeles.?David James Fisher has written a moving, personal portrait of Bruno Bettelheim as thinker, writer, and friend.
The Theater of Tony Kushner is a comprehensive portrait of the forty-year long career of dramatist Tony Kushner as playwright, screenwriter, essayist, and public intellectual and political activist. Following an introduction examining the influences of Kushner’s development as an artist, this updated second edition features individual chapters on his major plays, including A Bright Room Called Day, Hydriotaphia, or The Death of Dr. Browne, Angels in America, Slavs! Thinking About the Longstanding Problems of Virtue and Happiness, Homebody/Kabul, Caroline, or Change, and The Intelligent Homosexual’s Guide to Capitalism and Socialism with a Key to the Scriptures, along with chapters on Kushner’s adaptations, one-act plays, and screenplays, including his two Academy Award-nominated screenplays, Munich and Lincoln. A book for anyone interested in theater, film, literature, and the ways in which the past informs the present, this second edition of The Theater of Tony Kushner explores how his writings reflect key elements of American society, from politics and economics to race, gender, and spirituality, all with the hope of inspiring America to live up to its ideals.
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
Catholicism has grown from a suppressed and persecuted outsiders' religion in the American colonies to become the nation's single largest denomination. James Fisher surveys more than four centuries of Catholics' involvement in American history, starting his narrative with one of the first Spanish expeditions to Florida, in 1528. He follows the transformation of Catholicism into one of America's most culturally and ethnically diverse religions, including the English Catholics' early settlement in Maryland, the Spanish missions to the Native Americans, the Irish and German poor who came in search of work and farmland, the proliferation of Polish and Italian communities, and the growing influx of Catholics from Latin America. The book discusses Catholic involvement in politics and conflict, from New York's Tammany Hall to the Vietnam War and abortion. Fisher highlights the critical role of women in American Catholicism--from St. Elizabeth Seton and Dorothy Day to Mother Cabrini, the first American citizen to be canonized a saint--and describes the influence of prominent American Catholics such as Cardinal John J. O'Connor, 1930s radio personality Father Charles Coughlin, President John F. Kennedy, pacifists Daniel and Philip Berrigan, activist Cesar Chavez, and author Flannery O'Connor. Religion in American Life explores the evolution, character, and dynamics of religion in America from 1500 to the present day. Written by distinguished religious historians, these books weave together the varying stories that compose the religious fabric of the United States, from Puritanism to alternative religious practices. Primary source material coupled with handsome illustrations and lucid text make these books essential in any exploration of Americas diverse nature. Each book includes a chronology, suggestions for further reading, and index.
James Fisher argues that Catholic culture was transformed when products of the "immigrant church," largely inspired by converts like Dorothy Day, launched a variety of spiritual, communitarian, and literary experiments. He also explores the life and works
Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.
Vaudeville, as it is commonly known today, began as a response to scandalous variety performances appealing mostly to adult, male patrons. When former minstrel performer and balladeer Tony Pastor opened the Fourteenth Street Theatre in New York in 1881, he was guided by a mission to provide family-friendly variety shows in hopes of drawing in that portion of the audience – women and children – otherwise inherently excluded from variety bills prior to 1881. There he perfected a framework for family-oriented amusements of the highest obtainable quality and style. Historical Dictionary of Vaudeville contains a chronology, an introduction, an extensive bibliography, and the dictionary section has more than 1,000 cross-referenced entries on performing artists, managers and agents, theatre facilities, and the terminology central to the history of vaudeville. This book is an excellent resource for students, researchers, and anyone wanting to know more about vaudeville.
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