James L. Robertson focuses on folk encountering their constitutions and laws, in their courthouses and country stores, and in their daily lives, animating otherwise dry and inaccessible parchments. Robertson begins at statehood and continues through war and depression, well into the 1940s. He tells of slaves petitioning for freedom, populist sentiments fueling abnegation of the rule of law, the state’s many schemes for enticing Yankee capital to lift a people from poverty, and its sometimes tragic, always colorful romance with whiskey after the demise of national Prohibition. Each story is sprinkled with fascinating but heretofore unearthed facts and circumstances. Robertson delves into the prejudices and practices of the times, local landscapes, and daily life and its dependence on our social compact. He offers the unique perspective of a judge, lawyer, scholar, and history buff, each role having tempered the lessons of the others. He focuses on a people, enriching encounters most know little about. Tales of understanding and humanity covering 130 years of heroes, rascals, and ordinary folk—with a bundle of engaging surprises—leave the reader pretty sure there’s nothing quite like Mississippi history told by a sage observer.
Reprint of the original, first published in 1872. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
How does film censorship work in Britain? Robertson examines the history of the British Board of Film Censors and shows that censorship has had a greater influence on film history than is often assumed.
This true story of a mass eviction in nineteenth-century Scotland is “a moving, gripping, definitive account of a struggle for survival (Scots Magazine). A Saltire Society History Book of the Year They would be better dead, they said, than set adrift upon the world. But set adrift they were—thousands of them, their communities destroyed, their homes demolished and burned. Such were the Sutherland Clearances, an extraordinary episode involving the deliberate depopulation of much of a Scottish Highlands county. What was done in the course of it was planned and carried out by a small group of men and one woman, seeking a more profitable use of the land. Most of those involved wrote a great deal about their actions, intentions, and feelings, and much of it has been preserved. There are no equivalent collections of material from those whose communities ceased to exist. Their feelings and fears are harder to access, but by no means irrecoverable. In this book, James Hunter tells the story of the Sutherland Clearances. His research took him to archives in Scotland, England, and Canada, to the now deserted valleys of Sutherland, to the frozen shores of Hudson Bay. The result is a story of a people’s struggle for survival in the face of tragedy and disaster, covering experiences not featured in any previous such account. “Detailed and unsparing . . . . [The author] is careful to present the evidence for all he records.” —London Review of Books
Modernists and the Theatre is the first study to examine how theories of modernism intersect with those of the theatre within the works, philosophies and literary lives of six key modernist writers. Drawing on a wealth of unfamiliar archive material and fresh readings of neglected documents, James Moran reveals how these literary figures interacted with the theatre through playwriting, by engaging in philosophical debates and participating in theatrical performances. Chapters assess W.B. Yeats's very earliest playwriting, Ezra Pound's onstage acting, the interconnections between James Joyce's and D.H. Lawrence's sense of drama, Eliot's thinking about theatre in Dublin, and the feminist politics of Virginia Woolf's small-scale theatrical experiments. While these writers valued coterie production and often made hostile comments about drama, this volume highlights the paradoxical fact that, despite their harsh words, the theatrically 'large-scale' also attracted each of these writers. The theatre event of 'restricted production' offered modernists a satisfying mode of sharing their work amongst the like-minded, and the book discloses a set of unfamiliar events of this sort that allowed these writers to act as agents of legitimation in granting cultural value. The book explores their engagements with popular drama, as well as the long-forgotten acting performances in which each of these writers personally participated. Moran uncovers how the playhouse became a key geographical space where the high-modernists could explore a tension that fascinated them, and which motivated much of their wider thinking and literary work.
As recently as 1968, computer scientists were uncertain how best to interconnect even two computers. The notion that within a few decades the challenge would be how to interconnect millions of computers around the globe was too far-fetched to contemplate. Yet, by 1988, that is precisely what was happening. The products and devices developed in the intervening years—such as modems, multiplexers, local area networks, and routers—became the linchpins of the global digital society. How did such revolutionary innovation occur? This book tells the story of the entrepreneurs who were able to harness and join two factors: the energy of computer science researchers supported by governments and universities, and the tremendous commercial demand for Internetworking computers. The centerpiece of this history comes from unpublished interviews from the late 1980s with over 80 computing industry pioneers, including Paul Baran, J.C.R. Licklider, Vint Cerf, Robert Kahn, Larry Roberts, and Robert Metcalfe. These individuals give us unique insights into the creation of multi-billion dollar markets for computer-communications equipment, and they reveal how entrepreneurs struggled with failure, uncertainty, and the limits of knowledge.
With fresh interpretations from two new authors, wholly reconceived themes, and a wealth of cutting-edge new scholarship, the seventh edition of America's History is designed to work perfectly with the way you teach the survey today. Building on the book's hallmark strengths — balance, comprehensiveness, and explanatory power — as well as its outstanding visuals and extensive primary-source features, authors James Henretta, Rebecca Edwards, and Robert Self have shaped America's History into the ideal resource for survey classes.
America's History helps AP students: Grasp vital themes: The seventh edition emphasizes political culture and political economy to help students understand the ways in which society, culture, politics, and the economy inform one another. Understand periodization: America's History's unique seven-part structure, which organizes history into distinct eras, introduces students to periodization and helps them understand cause and effect, identify historical continuities, and track change over time. Develop the skills they need to succeed: America's History's hallmark analytical narrative and pedagogy help students synthesize what they've learned and interpret history for themselves."--Back cover.
Konrad, a charismatic outsider, wanders an apocalyptic land known as The Province. Arriving at the town of Aln he installs himself as schoolmaster and gradually subverts the community's order. He succeeds in getting himself elected mayor, further feeding his appetite for power. Privacy is declared a sin, private property is abolished and polygamy implemented. The City is forced to send its army to get rid of him for good. But at his show-trial Konrad's mysterious manipulation produces an extraordinary outcome. Set in a barren fantasy landscape, The Mayor of Aln combines elements both ancient and modern. A strange, dark and amusing tale of moral manipulation and the cult of personality. The Mayor of Aln is the first book in James Rourke's The Province Trilogy.
“Heart-stopping and relentlessly gripping. Tabor takes us on an odyssey into unfathomable worlds beneath us, and into the hearts of rare explorers who will do anything to get there first.”—Robert Kurson, author of ShadowDivers In 2004, two great scientist-explorers attempted to find the bottom of the world. American Bill Stone took on the vast, deadly Cheve Cave in southern Mexico. Ukrainian Alexander Klimchouk targeted Krubera, a freezing nightmare of a supercave in the war-torn former Soviet republic of Georgia. Both men spent months almost two vertical miles deep, contending with thousand-foot drops, raging whitewater rivers, monstrous waterfalls, mile-long belly crawls, and the psychological horrors produced by weeks in absolute darkness, beyond all hope of rescue. Based on his unprecedented access to logs and journals as well as hours of personal interviews, James Tabor has crafted a thrilling exploration of man’s timeless urge to discover—and of two extraordinary men whose pursuit of greatness led them to the heights of triumph and the depths of tragedy. Blind Descent is an unforgettable addition to the classic literature of true-life adventure, and a testament to human survival and endurance. “Holds the reader to his seat, containing dangers aplenty with deadly falls, killer microbes, sudden burial, asphyxiation, claustrophobia, anxiety, and hallucinations far underneath the ground in a lightless world. Using a pulse-pounding narrative, this is tense real-life adventure pitting two master cavers mirroring the cold war with very uncommonly high stakes.”—Publishers Weekly (starred review) “A fascinating and informative introduction to the sport of cave diving, as well as a dramatic portrayal of a significant man-vs.-nature conflict. . . . What counts is Tabor’s knack for maximizing dramatic potential, while also managing to be informative and attentive to the major personalities associated with the most important cave explorations of the last two decades.”—Kirkus Reviews Includes a 16-pg black and white insert
Rockwell Terry is a career naval captain who has served since WWI. Now is the dawn of another world war as his ship patrols outside Pearl Harbor. He leads a sheltered life, goes nowhere and sees no one. With the outbreak of the war, his past begins to emerge. This book was the basis for the 1965 Otto Preminger film IN HARM’S WAY featuring John Wayne, Kirk Douglas, Dana Andrews, Patricia Neal, Henry Fonda and others. Bassett served on the staff of Rear Admiral “Bull” Halsey, and later managed three of Richard Nixon’s political campaigns. The book examines critically and at close quarters the U.S. Navy he knew well from his own experiences - having achieved captain’s rank and been awarded a Bronze Star for his services.
Undeniably, the amount of "information" in our culture has increased by leaps and bounds. At the same time, discussion of values, norms and purpose is often missing from the discourse of social research - especially by those who work within the positivist framework. The authors of this book develop principles to guide the use of data and models in the human sciences. Writing as scholars who are at home with empirical and mathematical social science, yet taking seriously the critiques of this heritage, they propose ways of developing norms without becoming subjective.
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