General John A. Wickham, commander of the famous 101st Airborne Division in the 1970s and subsequently Army Chief of Staff, once visited Antietam battlefield. Gazing at Bloody Lane where, in 1862, several Union assaults were brutally repulsed before they finally broke through, he marveled, "You couldn't get American soldiers today to make an attack like that." Why did those men risk certain death, over and over again, through countless bloody battles and four long, awful years ? Why did the conventional wisdom -- that soldiers become increasingly cynical and disillusioned as war progresses -- not hold true in the Civil War? It is to this question--why did they fight--that James McPherson, America's preeminent Civil War historian, now turns his attention. He shows that, contrary to what many scholars believe, the soldiers of the Civil War remained powerfully convinced of the ideals for which they fought throughout the conflict. Motivated by duty and honor, and often by religious faith, these men wrote frequently of their firm belief in the cause for which they fought: the principles of liberty, freedom, justice, and patriotism. Soldiers on both sides harkened back to the Founding Fathers, and the ideals of the American Revolution. They fought to defend their country, either the Union--"the best Government ever made"--or the Confederate states, where their very homes and families were under siege. And they fought to defend their honor and manhood. "I should not lik to go home with the name of a couhard," one Massachusetts private wrote, and another private from Ohio said, "My wife would sooner hear of my death than my disgrace." Even after three years of bloody battles, more than half of the Union soldiers reenlisted voluntarily. "While duty calls me here and my country demands my services I should be willing to make the sacrifice," one man wrote to his protesting parents. And another soldier said simply, "I still love my country." McPherson draws on more than 25,000 letters and nearly 250 private diaries from men on both sides. Civil War soldiers were among the most literate soldiers in history, and most of them wrote home frequently, as it was the only way for them to keep in touch with homes that many of them had left for the first time in their lives. Significantly, their letters were also uncensored by military authorities, and are uniquely frank in their criticism and detailed in their reports of marches and battles, relations between officers and men, political debates, and morale. For Cause and Comrades lets these soldiers tell their own stories in their own words to create an account that is both deeply moving and far truer than most books on war. Battle Cry of Freedom, McPherson's Pulitzer Prize-winning account of the Civil War, was a national bestseller that Hugh Brogan, in The New York Times, called "history writing of the highest order." For Cause and Comrades deserves similar accolades, as McPherson's masterful prose and the soldiers' own words combine to create both an important book on an often-overlooked aspect of our bloody Civil War, and a powerfully moving account of the men who fought it.
With this study the cattle guard joins the sod house, the windmill, and barbed wire as a symbol of range country on the American Great Plains. A U.S. folk innovation now in use throughout the world, the cattle guard functions as both a gate and a fence: it keeps livestock from crossing, but allows automobiles and people to cross freely. The author blends traditional history and folklore to trace the origins of the cattle guard and to describe how, in true folk fashion, the device in its simplest form—wooden poles or logs spaced in parallel fashion over a pit in the roadway—was reinvented and adapted throughout livestock country Hoy traces the origins of the cattle guard to flat stone stiles unique to Cornwall, England, then through the railroad cattle guard, in use in this country as early as 1836, and finally to the Great Plains where, probably in 1905, the first ones appeared on roads. He describes regional variations in cattle guards and details unusual types. He provides information on cattle-guard makers, who range from local blacksmiths and welders to farmers and ranchers to large manufacturers. In addition to documenting the economic and cultural significance of the cattle guard, this volume reveals much about early twentieth-century farm and ranch life. It will be of interest not only to folklorists and historians of agriculture and Western America, but also to many Plains-area farmers, ranchers, and oilmen.
Fitz H. Lanes maritime masterpieces are known throughout the world, but the man himself has eluded both historians and art critics for over a century. The Luminist painters successful career began in his early childhood in picturesque Gloucester, Massachusetts and his talents developed and matured over time, making him one of the nations premier nineteenth-century artists. Throughout his career, Lane painted with a vitality and attention to detail that was purely American at heart, and it is in pursuit of this ideal that James Craig embarks on a detectives investigation to reconstruct with accuracy and honesty the details of a man about whom much has been written but little revealed. Few clues remain today about the artist who so thoroughly embodied the American spirit during one of humanitys most dramatic and confusing historical epochs. Lanes era was one of great change for America, and both he and his art were there to capture that spirit. This dazzling and exhaustive effort provides the first glimpse behind the canvas, beyond the career and into the soul of Fitz H. Lane. Passionate, stunning and thrilling, this is a narrative that returns life and color to a man intent or preserving and presenting the life of the culture he loved. James Craig has given Gloucester back one of her favorite sons.
Three classic World War II novels in one collection, including the National Book Award winner From Here to Eternity. An army base at Pearl Harbor. The jungles of Guadalcanal. A veterans hospital on the home front. Inspired by his own experiences in the US Army, author James Jones’s World War II Trilogy stands as one of the most significant achievements in war literature. This compilation includes: From Here to Eternity Pearl Harbor, 1941. A challenging young private is transferred to a unit where the commander is determined to make his life hell. This edition includes scenes and dialogue censored for the novel’s original publication. A true classic, From Here to Eternity was made into an Academy Award–winning film and a television mini-series, as well as adapted for the stage. The Thin Red Line The invasion of Guadalcanal ignites a six-month battle for two thousand square miles of jungle and sand. But the soldiers of Charlie Company are not of the heroic mold. The unit’s captain is too intelligent and sensitive for the job, his first sergeant is half mad, and the enlisted men begin the campaign gripped by cowardice. This searing portrait of jungle combat has been adapted twice for feature films. Whistle After a long journey across the Pacific, a ship finally lands on American soil. For the soldiers’ loved ones, it’s a celebration. But on board, hundreds of men are broken and haunted, survivors of the battle to wrest the South Seas from the Japanese Empire. Though on their way to heal in a Tennessee hospital, their road to recovery will take far more than mending physical wounds. This ebook features an illustrated biography of James Jones including rare photos from the author’s estate.
The dioceses of San Joaquin, Pittsburgh, Fort Worth, and Quincy voted to secede from the Episcopal Church. The bishop of Pittsburgh was deposed for abandonment of communion, with several other bishops removed from ministry in the Episcopal Church after declaring their alignment with other provinces of the Anglican Communion. The diocese of Virginia is in the midst of protracted legal battles with parishes seeking to leave with property, with Virginia lower courts issuing rulings reflecting minority interpretation of The Episcopal Church governance. What's going on, who's in charge, and what about real-property assets? In order to determine the locus of authority within the Episcopal Church, political scientist James Dator carefully analyzed the three main styles of constitutional government —confederal, federal, and unitary — and applied them to the Episcopal Church in his 1959 dissertation. Now, working with religious journalist Jan Nunley, who added current legal cases and canonical updates, Dr. Dator’s research offers newfound currency and prescient applicability. Topics include a thorough examination of the Episcopal Church’s Constitution and Canons, 1782 to present, plus the structure, executive powers, and governing roles of its various parts.
This extensive collection of autobiographical writings by the author of The Turn of the Screw and The Portrait of a Lady offers a revelatory self-portrait and an inside glimpse into his famous family In 1911, deeply affected by the death of his brother William the year before, Henry James began working on a book about his early life. As was customary for James in his later years, he dictated his recollections to his secretary Theodora Bosanquet, who recalled how “a straight dive into the past brought to the surface treasure after treasure.” A Small Boy and Others (1913) and the two autobiographical books that followed—Notes of a Son and Brother (1914) and the incomplete, posthumously published The Middle Years—stand with his later novels as one of the enduring triumphs of his final years. Not only did James create one of the singular self-portraits in American literature, he also fashioned a richly detailed account of his renowned family, especially his father, the social philosopher Henry James Sr., his brother William, and his dear cousin Minny Temple, inspiration for the heroines of two of his greatest novels, The Portrait of a Lady and The Wings of the Dove. Rounding out the volume is a selection of eight other personal reminiscences and, as an appendix, his secretary’s insightful and affectionate memoir, “Henry James at Work.” LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Hawaiian Music in Motion explores the performance, reception, transmission, and adaptation of Hawaiian music on board ships and in the islands, revealing the ways both maritime commerce and imperial confrontation facilitated the circulation of popular music in the nineteenth century. James Revell Carr draws on journals and ships' logs to trace the circulation of Hawaiian song and dance worldwide as Hawaiians served aboard American and European ships. He also examines important issues like American minstrelsy in Hawaii and the ways Hawaiians achieved their own ends by capitalizing on Americans' conflicting expectations and fraught discourse around hula and other musical practices.
Chief among its contents we find abstracts of land grants, court records, conveyances, births, deaths, marriages, wills, petitions, military records (including a list of North Carolina Officers and Soldiers of the Continental Line, 1775-1782), licenses, and oaths. The abstracts derive from records now located in the state archives and from the public records of the following present-day counties of the Old Albemarle region: Beaufort, Bertie, Camden, Chowan, Currituck, Dare, Gates, Halifax, Hyde, Martin, Northampton, Pasquotank, Perquimans, Tyrrell, and Washington, and the Virginia counties of Surry and Isle of Wight.
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