This extensive collection of autobiographical writings by the author of The Turn of the Screw and The Portrait of a Lady offers a revelatory self-portrait and an inside glimpse into his famous family In 1911, deeply affected by the death of his brother William the year before, Henry James began working on a book about his early life. As was customary for James in his later years, he dictated his recollections to his secretary Theodora Bosanquet, who recalled how “a straight dive into the past brought to the surface treasure after treasure.” A Small Boy and Others (1913) and the two autobiographical books that followed—Notes of a Son and Brother (1914) and the incomplete, posthumously published The Middle Years—stand with his later novels as one of the enduring triumphs of his final years. Not only did James create one of the singular self-portraits in American literature, he also fashioned a richly detailed account of his renowned family, especially his father, the social philosopher Henry James Sr., his brother William, and his dear cousin Minny Temple, inspiration for the heroines of two of his greatest novels, The Portrait of a Lady and The Wings of the Dove. Rounding out the volume is a selection of eight other personal reminiscences and, as an appendix, his secretary’s insightful and affectionate memoir, “Henry James at Work.” LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
The Philosophy of Science Fiction: Henri Bergson and the Fabulations of Philip K. Dick explores the deep affinity between two seemingly quite different thinkers, in their attempts to address the need for salvation in (and from) an era of accelerated mechanization, in which humans' capacity for destroying or subjugating the living has attained a planetary scale. The philosopher and the science fiction writer come together to meet the contradictory imperatives of a realist outlook-a task which, arguably, philosophy and science fiction could only ever adequately undertake in collaboration. Their respective approaches meet in a focus on the ambiguous status of fictionalizing, or fabulation, as simultaneously one of mechanization's most devastating tools, and the possibility of its undoing. When they are read together, the complexities and paradoxes thrown up by this ambiguity, with which both Bergson and Dick struggle on their own, open up new ways to navigate ideas of mechanism and mysticism, immanence and transcendence, and the possibility and meaning of salvation. The result is at once an original reading of both thinkers, a new critical theory of the socio–cultural, political and ethical function of fictionalizing, and a case study in the strange affinity, at times the uncanny similarity, between philosophy and science fiction.
Historical Dictionary of American Theater: Beginnings covers the history of theater as well as the literature of America from 1538 to 1880. The years covered by this volume features the rise of the popular stage in American during the colonial era and the first century of the United States of America, with an emphasis on its practitioners, including such figures as Lewis Hallam, David Douglass, Mercy Otis Warren, Edwin Forrest, Charlotte Cushman, Joseph Jefferson, Ida Aldridge, Dion Boucicault, Edwin Booth, and many others. The Historical Dictionary of American Theater: Beginnings covers the history of early American Theatre through a chronology, an introductory essay, and an extensive bibliography. The dictionary section has over 1000 cross-referenced entries on actors and actresses, directors, playwrights, producers, genres, notable plays and theatres. This book is an excellent access point for students, researchers, and anyone wanting to know more about the early American Theater.
A comprehensive dictionary of the meaning and derivation of scientific bird names. Many scientific bird names describe a bird's habits, habitat, distribution or a plumage feature, while others are named after their discoverers or in honour of prominent ornithologists. This extraordinary work of reference lists the generic and specific name for almost every species of bird in the world and gives its meaning and derivation. In the case of eponyms brief biographical details are provided for each of the personalities commemorated in the scientific names. This fascinating book is an outstanding source of information which will both educate and inform, and may even help to understand birds better.
As his letters attest, for nearly forty years Henry James enjoyed a warm and gratifying friendship with Britain's foremost soldier of the last quarter of the nineteenth century and his wife. The Wolseleys were notable figures. Lord Wolseley, the field marshal who became Britain's commander in chief of the British army, was a national hero. Both a bibliophile and an author, Wolseley was described by Henry James to his brother William as an "excellent example of the cultivated British soldier." Lady Wolseley was also well-read, as well as stylish, strong-willed, and shrewd, and in Henry's view, a delightful correspondent--in short, as the editor writes, "precisely the kind of woman James most admired." In The Master, the Modern Major General, and His Clever Wife, Alan James offers a collection of more than one hundred letters--most of them published here for the first time--that Henry James wrote to the Wolseleys, the majority to Lady Wolseley. Included are an overall introduction to the letters; separate introductory profiles of Lord and Lady Wolseley along with commentaries on the factors that drew James and the Wolseleys together; introductions to each of four sections of the letters, divided chronologically; and annotations throughout, identifying the notable men and women to whom James refers as well as comparing what James and the Wolseleys thought of them and their work.
William Howley, Archbishop of Canterbury 1828-1848, led the Church of England during the beginning and expansion of the Oxford Movement, at a time when the precursor to the Church Commissioners was established, and during the momentous debates and decisions in Parliament which saw the final retreat from the myth of an all Anglican legislature. Howley’s chairmanship of the commissions of the 1830s and 1840s which began the gargantuan task of reforming the Church’s practices and re-arranging its finances, made him an object of fury and scorn to some of those who benefited from things as they were, most especially in the cathedrals. Exploring the central events and debates within the Church of England in the first half of the nineteenth century, this book draws on primary and secondary evidence about Howley’s career and influence. A section of original sources, including his Charges and other public documents, correspondence and speeches in the House of Lords, places Howley’s achievements in proper context and illustrates his prevailing concerns in education, the establishment and political reform, relationships with the Tractarians, and in the early stages of Church reform. Dealing thematically with many of the issues faced by Howley, and exploring his own High Church theological views in historical context, James Garrard offers a fruitful re-appraisal of the intellectual, spiritual and ’party’ context in which Howley moved.
A genealogical dictionary of our early colonists. Every volume shows three generations of those who came before 1692. Although more than a century has elapsed since the publication of this monumental work, it remains the standard to our day. We do not mean that new information has not been unearthed or that the work is free from errors, but Savage had just the peculiar qualifications necessary. He was so persistent in gathering data and so conservative in his use of them, that a statement made on his authority bears great weight. This work has the whole of New England for its field. This is volume 1, covering the surnames S - Z.
Henry James was the final survivor of a remarkable family, and his memoir, written at the end of a long and tireless career, was prompted initially by the death of his "ideal Elder Brother," the psychologist and philosopher William James. A Small Boy and Others recounts the novelist’s earliest years in Albany and, more importantly, New York City, where he was allowed to wander at will. He evokes the theatrical entertainments he enjoyed, the varied social scene in which the family mixed, and the piecemeal nature of his education. With the first of several extended trips, the "romance" of Europe begins as the small boy becomes acquainted with a British culture already familiar from his precocious reading of the great Victorian novelists. And it is in France, in the Louvre’s Galerie d’Apollon, that he undergoes an initiation into the aesthetic power of great art and an intimation of all the "fun" it might bring him. Yet the child also registered, within this privileged and extended family group, signs of dysfunction and failure. James’s autobiography has significantly determined the nature and even the terms of the extensive biographical and critical interest he continues to enjoy. This first fully annotated critical edition of A Small Boy and Others, which guides the reader through the allusive complexities of James’s prose, also offers fresh insights into the formative years of one of literature’s most influential figures.
More than half a century of contact between the author and the Hopi people has resulted in an unusual opportunity for long informative talks with friends from the villages. These conversations in a variety of circumstances have helped to give depth to an understanding and appreciation uncommon among persons not born and raised in the Hopi way. . . . This work gives a comprehensive view of the Hopi as a people, in length of time covered as well as in depth and breadth."—Utah Historical Quarterly "It is personal yet precise, emotional and involved, yet objective and factual. . . . Readers who know something of Hopi history will be fascinated by the new insights and interpretations presented by James."—Arizona and the West "The author has been an active supporter of Hopi interests for some fifty years and this book is as much a testimony to his unflagging personal devotion to a small and neglected tribe as it is a history of the Hopis' determination to maintain their identity and self-respect."—Journal of Arizona History "Harry James writes with sympathy and restraint about a proud people who have suffered unjustly in the past, and who today are seeking an identity. He brings into sharp focus the dreams for tomorrow of the Hopi tribe. Let these dreams be shared by others before it is too late."—The American West "An amazing and gripping account of a very great and intelligent people, concentrating on fact rather than the fantastic legends that have grown up around this unique culture."—The Masterkey "The Hopi are indeed a most interesting people, and this authentic account of their way of life is a valuable contribution to our knowledge of the Indian tribes of Arizona."—The Book Exchange "For an excellent account of the history of the Hopi, the Southwest, typical government intervention into tribal affairs and the lives of the people . . . a must for any library."—Whispering Winds
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