In 1964, at the age of thirty-three, James Earl Jones won an Obie award for his portrayal of Othello in Joseph Papp's production in Central Park, New York. Over the next twenty-five years he went on to play the Moor a further six times, with his 1982 performance being described as 'definitive, masterly, magnificent'. He brings his vast wealth of experience to this book and articulates the themes and issues in the play, looking at the personal and universal significance of the drama.
(Limelight). As this book explores the upbringing of James Earl Jones so does it discover his beginnings as an actor. As Jones delves deeply into his memory, so we venture deep into the rural south of his origins and early life, deep into his turbulent family history, and deep into the roles he's played both on the stage and on screens large and small. In the new epilogue that concludes this edition, Jones now in his seventies remembers the personal and professional events of the decade since the book's original publication.
ESTE É UM EPISÓDIO DA OBRA "CARTA PARA O MEU JOVEM EU", DE JANE GRAHAM, QUE APRESENTAM CARTAS PARA MALCOLM MCDOWELL E JAMES EARL JONES MAIS JOVENS. SE QUISER LER TODAS AS CARTAS LEIA A OBRA COMPLETA. Se a viagem no tempo fosse uma possibilidade, o que você diria ao seu eu adolescente, caso o encontrasse? Em Carta Para Meu Jovem Eu, personalidades das mais diversas áreas refletem sobre o que teria sido bom saber antes. Elas também lembram aqueles momentos mágicos que gostariam de reviver. O livro inclui a participação especial de personalidades brasileiras.
E X C E R P T S from The Shaman in the Disco: it often happens for men that sensual deprivation leads to sexual obsession. Not knowing how to be with his inner alienation, he brings it to his girlfriend and experiences it, inaccurately, as estrangement between them. This perilous move to seek one's psychological moorings in someone else is to a great extent the fulfillment of our cultural fantasy of "love." I see in the image of Dracula, bent over the entranced woman and sucking her blood, the inevitable outcome of a man's desire who has been socialized into a hostile relationship towards all things in himself we in our culture call "feminine." He [Darth Vader] has literally and figuratively opened up, become unmasked, and he and Luke share a moment of unguarded closeness. It will be their first and last, because, along the lines of many father-son scenes like this in American film and literature, the defenses and guardedness fall away only when the father or son is dying. As if in male culture one could only die for-not live with-this sort of closeness. Love requires of us the ability to surrender our ego needs to the greater ideal of union with another; this first necessitates that we can surrender our ego defenses to a greater awareness of and intimacy with ourselves.
How long would it take to fulfill his dire aspiration to win it big? Almost 50yrs. later, this story life lived is overwhelming and of course, the devil is in the details are overdue, and must be finally told...Father-Time shares an unusual, yet unique account of how a Black Man became a well-known Poker Player in a White Man’s Game. As this non-fiction fate unfolds, you will experience a plethora of emotional twist and turns from excitement, Joy, laughter to heart-wrenching pain, sorrow, suffering as the money rains down...
How To Get Everything You Want Out Of Life There are basic laws in this universe that will work for you if you know how to apply them. They work for anyone who knows they exist and how to use them. The law of electricity works for all of us. We can burn your house down with electricity or you can light your home with it. You don't have to be a genius to do it. A child three years old can push a button and turn the lights on. Millions of people have been taught to believe that the rules of success are indeed so very difficult and complicated that surely they could never learn them. I found out that anyone can be genuinely successful if he will learn the exact same ""rules"" that the successful people learned and use them. These are scientific things that work every time if you will do it in a simple way. ""If you can count to four"", you can be anything you want to be and can have anything you want to have. Get Your Copy Now.
(Limelight). As this book explores the upbringing of James Earl Jones so does it discover his beginnings as an actor. As Jones delves deeply into his memory, so we venture deep into the rural south of his origins and early life, deep into his turbulent family history, and deep into the roles he's played both on the stage and on screens large and small. In the new epilogue that concludes this edition, Jones now in his seventies remembers the personal and professional events of the decade since the book's original publication.
Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.
An insider's spirited history of Yale Repertory Theatre In this serious and entertaining chronicle of the first fifty years of Yale Repertory Theatre, award-winning dramaturg James Magruder shows how dozens of theater artists have played their parts in the evolution of a sterling American institution. Each of its four chapters is dedicated to one of the Yale Rep's artistic directors to date: Robert Brustein, Lloyd Richards, Stan Wojewodski Jr., and James Bundy. Numerous sidebars--dedicated to the spaces used by the theater, the playwrights produced most often, casting, the prop shop, the costume shop, artist housing, and other topics--enliven the lavishly illustrated four-color text. This fascinating insider account, full of indelible descriptions of crucial moments in the Rep's history, is based in part on interviews with some of America's most respected actors about their experiences at the Rep, including Paul Giamatti, James Earl Jones, Frances McDormand, Meryl Streep, Courtney B. Vance, Dianne Wiest, and Henry Winkler--among many others. More than just a valentine to an important American theater, The Play's the Thing is a story about institution-building and the force of personality; about the tug-of-war between vision and realpolitik; and about the continuous negotiation between educational needs and artistic demands.
For over fifty years, the American Film Institute has flourished as one of America’s great cultural entities. Its graduates, faculty, supporters, and trustees have included such acclaimed individuals as Steven Spielberg, Maya Angelou, Gregory Peck, Meryl Streep, Les Moonves, Patty Jenkins, David Lynch, Jane Fonda, Edward James Olmos, Shonda Rhimes, James L. Brooks, Michael Nesmith, Sir Howard Stringer, and many other respected leaders in the worlds of film, television, digital media, and philanthropy. Written in a unique memoir style, Becoming AFI: 50 Years Inside the American Film Institute offers a candid look at how this remarkable organization has brought together aspiring filmmakers, outstanding educators, and visionary artists. The book details AFI’s journey to becoming the foremost national champion for moving images as a vibrant art form and a critical component of America’s cultural history. AFI’s story is chronicled through in-depth essays written by those who have been involved in its adventures, growth, and successes: from its early years under George Stevens Jr.’s direction at the legendary Greystone mansion and the Kennedy Center in Washington, DC; through its period of incredible growth, under Jean Picker Firstenberg’s guidance, as an influential cultural institution at its landmark Hollywood campus; to its continued years of excellence under Bob Gazzale’s dynamic leadership. Becoming AFI provides an insightful, behind-the-scenes look at how AFI—with passionate determination—overcame the hurdles of advancing technology, political shifts, and new audience dynamics to turn its aspirations into a substantial and highly successful organization. A tireless advocate of moving images as one of America’s most popular art forms, AFI is maturing into one of the world’s most respected educational and cultural institutions.
Thoroughly revised and updated for 2005! Includes a new chapter on the best special edition DVDs and a new chapter on finding hidden easter egg features.
Along with such familiar titles as The Devil Wears Prada and Remember the Titans, Stratton introduces readers to lesser-known gems like Diplomatic Courier, The Narrow Margin, Prime Cut and Under Fire. The selections represent every major genre of film: domestic drama, musical, film noir, Western, science fiction, comedy, biopic, war, espionage, sports, superhero and horror. Among the acting careers examined are those of Cary Grant, Marlene Dietrich, Judy Garland, Greer Garson, Burt Lancaster, Meryl Streep, Matt Damon, Mark Wahlberg, Denzel Washington, Daniel Craig and many others. Covering over ninety years of film history, this is a book for the casual fan as well as the seasoned student. Easy to read and to navigate, it is a must-have reference.
Oliver Stone has written and directed many memorable films while also developing a reputation for tackling controversial subjects, such as the Turkish prison system (Midnight Express), the Vietnam war (Platoon and Born on the Fourth of July), insider trading (Wall Street), presidential assassination (JFK), and a voyeuristic media (Natural Born Killers). Along the way, Stone has been nominated for more than 10 Academy Awards and three times received Oscars for his work. In The Oliver StoneEncyclopedia, James M. Welsh and Donald M. Whaley provide an overarching evaluation of Stone's work as screenwriter, producer, and director. While the entries in this volume address all of the usual aspects of Stone’s career, they also explore new avenues of critical evaluation, especially influences such as Friedrich Nietzsche and Buddhism, which Stone converted to in the 1990s. In addition, this volume traces Stone’s obsession with Latin American politics, evident in his film Salvador (1986), his screenplay for Alan Parker’s Evita (1996), and the documentaries Commandante (2003), Looking for Fidel (2004), and South of the Border (2010). Each entry is followed by a bibliography of published sources, both in print and online. A comprehensive and engaging examination of the director, The Oliver Stone Encyclopedia will appeal to scholars and fans alike as the most comprehensive reference on this director's body of work.
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