As a boy, Jason Kauffman feared his father. As a man, he hated him. Jason thought this was normal. Fathers and sons do not get along, do they? Then why did it bother him when his own sons began to fear him? There was no way to break the cycle. Everything was his father’s fault. His addictions. His anger. His bitterness. There was no way he could change until his father died, Jason thought. Then Jason discovered someone else. A new Father, who loved him. Could this new Father break the cycle, or would it have to go on forever?
William Cobbett (1763-1835) was a prolific writer, best known as the anti-Radical founder of Cobbett's "Political Register" which ran from 1802-35. This collection of his writings presents the texts fully reset and annotated with biographical and analytical introductions. Volume 6: Peasant Politics 1828 -1835.
In many respects the present volume differs from the most of those which have been issued by the Society; there is in it very little history, as commonly understood. The author, it is true, lived in a stirring time, and was himself an actor in some of the incidents which have shed a glory on our naval records; but his account of these is meagre and of little importance. The interest which attaches to his ‘Recollections’ is entirely personal and social; we have in them sketches roughly drawn, crude, inartistic, and perhaps on that account the more valuable, of the life of the time; of the men who were his companions in the berth, or the gunroom or the wardroom; on deck, in sport or in earnest. In all this, there is perhaps little that we did not know before in an otiose sort of way. We knew that the men of the time were often coarse in speech, rude in action; but it may be that the reality, as portrayed by Commander Gardner, exceeds anything that we had imagined. It seems to carry us back to the days of Roderick Random, and to suggest that there had been but small improvement since Smollett wrote his celebrated description. A closer examination will correct this impression; will convince us that there had, on the contrary, been a good deal of improvement; that the life was less hard, the manners less rude; and if the language does not show very much difference, it has to be considered that Smollett was writing for the public and Gardner was not; that Smollett’s dialogues are more or less literary, and Gardner’s are, for the most part, in the vernacular. Occasionally, indeed, the language has been modified, or its undue strength merely indicated by a ——; but where oaths and expletives formed such a large part of the conversational currency between intimates; when ‘son of a bitch’ was the usual equivalent of the modern ‘chappie’ or ‘Johnnie’ or ‘rotter’; when ‘damned’ was everywhere recognised as a most ordinary intensitive, and ‘damn your eyes’ meant simply ‘buck up,’ it has been felt that entirely to bowdlerise the narrative would be to present our readers with a very imperfect picture of the life of the day. Independent of the language, the most striking feature of the portraits is the universal drunkenness. It is mentioned as a thing too common to be considered a fault, though—if carried to excess—an amiable weakness, which no decent commanding officer would take serious notice of. Looking down the lists of old shipmates and messmates, the eye is necessarily caught by the frequency of such entries as ‘too fond of grog,’ ‘did not dislike grog,’ ‘passionately fond of grog,’ ‘a drunken Hun,’ a term of reprobation as a bully, rather than as a drunkard, ‘fond of gin grog,’ ‘mad from drink,’ ‘insane from drink,’ and so on, passim. For the officer of the watch to be drunk scarcely called for comment; it was only when, in addition to being drunk, he turned the captain out at midnight to save the ship, that he narrowly escaped being brought to a court martial; ‘but we interceded for him, and the business was looked over’ (p. 217).
Reprint of the original, first published in 1875. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
The Brighton Atlantic locomotives were some of the most handsome machines ever constructed at Brighton Works. They were signed by the D. Earl Marsh, Locomotive Superintendent of the London Brighton and South Coast Railway, and produced as two classes, the H1, introduced in 1905-1906, and the H2, introduced in 19111912.The Brighton Atlantic type has had a following among enthusiasts and model engineers for over a century, with many fine examples of models of these machines being constructed in all scales, both as live steam and electric powered.Great interest is still there today, with many models of these fine locomotives on show at model engineering exhibitions and on smaller scale Brighton or Southern layouts.The Bluebell Railway in East Sussex is currently constructing a full-size replica of the last H2 Atlantic (Beachy Head) in a workshop at Sheffield Park, using some parts from the original locomotive and a rescued Great Northern Atlantic boiler. The project to construct a replica machine has aroused a great deal of public interest in this design of locomotive. At this time there are no books available on the market for anyone who would like to construct a model on, or take an interest in, the replica project on the Bluebell Railway.
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
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